{"id":86946,"date":"2015-06-23T16:50:58","date_gmt":"2015-06-23T20:50:58","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=86946"},"modified":"2015-06-23T16:50:58","modified_gmt":"2015-06-23T20:50:58","slug":"the-brief-and-bitter-encounters-of-ambrose-bierce","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/06\/23\/the-brief-and-bitter-encounters-of-ambrose-bierce\/","title":{"rendered":"The Brief and Bitter Encounters of Ambrose Bierce"},"content":{"rendered":"<p><em>See more of Jason\u2019s work in our new <a href=\"https:\/\/www.theparisreview.org\/back-issues\/213\" target=\"_blank\">Summer issue<\/a>.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86947\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image1.jpg\" alt=\"image1\" width=\"600\" height=\"1037\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image1.jpg 1417w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image1-174x300.jpg 174w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image1-593x1024.jpg 593w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>When I was a kid, I came across Ambrose Bierce\u2019s <em>The Devil\u2019s Dictionary <\/em>and found it to be a revelation of cynicism\u2014even somehow liberating in its bleak honesty.<\/p>\n<p>Bierce\u2019s writing has fallen out of fashion over the past century. His specialty was the dispensation of devastating aphoristic truths. If I had to name a single literary antecedent, it might be Blaise Pascal. While Pascal was content to note the pain and weakness of humankind, though, Bierce injected his epigrams with a dose of fanciful weirdness. Take this one, for example, which almost reads like stage directions for a vaudeville routine:<\/p>\n<blockquote>\n<p>Meeting Merit on a street-crossing, Success stood still. Merit stepped off into the mud and went round him, bowing his apologies, which Success had the grace to accept.<\/p>\n<\/blockquote>\n<p>Most of Bierce\u2019s works are so direct and evocative that illustrations might only cloud their effect. But these unusual exchanges between virtues personified\u2014many of which are collected in <em><a href=\"http:\/\/www.gutenberg.org\/files\/16340\/16340-h\/16340-h.htm\">A Cynic Looks at Life<\/a><\/em> (1912)\u2014cried out to me as mini-comics. I hope this form brings out their idiosyncrasies. <!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86948\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image2.jpg\" alt=\"image2\" width=\"600\" height=\"987\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image2.jpg 1490w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image2-182x300.jpg 182w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image2-622x1024.jpg 622w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86949\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image3.jpg\" alt=\"image3\" width=\"600\" height=\"904\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image3.jpg 1628w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image3-199x300.jpg 199w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image3-680x1024.jpg 680w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86950\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image4.jpg\" alt=\"image4\" width=\"600\" height=\"868\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image4.jpg 1653w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image4-207x300.jpg 207w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image4-708x1024.jpg 708w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86951\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image5.jpg\" alt=\"image5\" width=\"600\" height=\"802\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image5.jpg 1767w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image5-224x300.jpg 224w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image5-766x1024.jpg 766w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86952\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image6.jpg\" alt=\"image6\" width=\"600\" height=\"802\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image6.jpg 1834w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image6-224x300.jpg 224w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image6-766x1024.jpg 766w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-86953\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image7.jpg\" alt=\"image7\" width=\"600\" height=\"819\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image7.jpg 1658w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image7-220x300.jpg 220w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image7-751x1024.jpg 751w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86954\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image8.jpg\" alt=\"image8\" width=\"600\" height=\"859\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image8.jpg 1679w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image8-210x300.jpg 210w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image8-715x1024.jpg 715w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image9.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86955\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image9.jpg\" alt=\"image9\" width=\"600\" height=\"753\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image9.jpg 1784w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image9-239x300.jpg 239w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image9-816x1024.jpg 816w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86956\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image10.jpg\" alt=\"image10\" width=\"600\" height=\"607\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image10.jpg 2074w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image10-296x300.jpg 296w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image10-1011x1024.jpg 1011w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86957\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image11.jpg\" alt=\"image11\" width=\"600\" height=\"702\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image11.jpg 1809w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image11-256x300.jpg 256w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image11-875x1024.jpg 875w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image12.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86958\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image12.jpg\" alt=\"image12\" width=\"600\" height=\"734\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image12.jpg 1809w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image12-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image12-837x1024.jpg 837w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image13.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86959\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image13.jpg\" alt=\"image13\" width=\"600\" height=\"585\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image13.jpg 1977w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image13-300x293.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image13-1024x999.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image14.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86960\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image14.jpg\" alt=\"image14\" width=\"600\" height=\"881\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image14.jpg 1628w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image14-204x300.jpg 204w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image14-698x1024.jpg 698w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image15.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86961\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image15.jpg\" alt=\"image15\" width=\"602\" height=\"756\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image15.jpg 1664w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image15-239x300.jpg 239w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image15-816x1024.jpg 816w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image16.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-86962\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image16.jpg\" alt=\"image16\" width=\"600\" height=\"836\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image16.jpg 1626w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image16-215x300.jpg 215w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/image16-735x1024.jpg 735w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><em>Jason Novak is a cartoonist in Oakland, California. His illustrations accompany Chris Bachelder\u2019s <\/em><a href=\"https:\/\/www.theparisreview.org\/fiction\/6383\/the-throwback-special-part-1-chris-bachelder\" target=\"_blank\">The Throwback Special<\/a> <em>in our Summer issue, and will continue to appear as we serialize the novel through our Spring 2016 issue.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>See more of Jason\u2019s work in our new Summer issue. When I was a kid, I came across Ambrose Bierce\u2019s The Devil\u2019s Dictionary and found it to be a revelation of cynicism\u2014even somehow liberating in its bleak honesty. Bierce\u2019s writing has fallen out of fashion over the past century. His specialty was the dispensation of [&hellip;]<\/p>\n","protected":false},"author":312,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[6962,134,18543,737,12976,18540,2783,18542,6024,18541,886],"class_list":["post-86946","post","type-post","status-publish","format-standard","hentry","category-look","tag-ambrose-bierce","tag-cartoons","tag-credulity","tag-cynicism","tag-drawings","tag-epigrams","tag-illustrations","tag-reason","tag-suicide","tag-virtues","tag-wisdom"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Drawings of Ambrose Bierce\u2019s Bitter, Misanthropic Epigrams<\/title>\n<meta name=\"description\" content=\"Jason Novak illustrates the author\u2019s famously acerbic pronouncements.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/23\/the-brief-and-bitter-encounters-of-ambrose-bierce\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Brief and Bitter Encounters of Ambrose Bierce by Jason Novak\" \/>\n<meta property=\"og:description\" content=\"June 23, 2015 \u2013 See more of Jason\u2019s work in our new Summer issue.When I was a kid, I came across Ambrose Bierce\u2019s The Devil\u2019s Dictionary and found it to be a revelation\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/23\/the-brief-and-bitter-encounters-of-ambrose-bierce\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" 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