{"id":86663,"date":"2015-06-15T08:59:50","date_gmt":"2015-06-15T12:59:50","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=86663"},"modified":"2015-06-15T10:29:46","modified_gmt":"2015-06-15T14:29:46","slug":"your-very-own-celestial-clock-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/06\/15\/your-very-own-celestial-clock-and-other-news\/","title":{"rendered":"Your Very Own Celestial Clock, and Other News"},"content":{"rendered":"<div id=\"attachment_86664\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/matisseulysses2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-86664\" class=\"wp-image-86664\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/matisseulysses2.jpg\" alt=\"matisseulysses2\" width=\"600\" height=\"554\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/matisseulysses2.jpg 620w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/matisseulysses2-300x277.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-86664\" class=\"wp-caption-text\">The gilt cover of Matisse\u2019s <i>Ulysses<\/i>, from 1935.<\/p><\/div>\n<ul>\n<li>John Berger is eighty-eight, and still seeing\u2014which isn\u2019t to commend him for having retained his eyesight, but to say he\u2019s still an acute observer. \u201c<a href=\"http:\/\/www.newstatesman.com\/culture\/2015\/06\/i-think-dead-are-us-john-berger-88\" target=\"_blank\">I live enormously through my eyes<\/a>. The visible is simply a very important part of my experience of being in this world \u2026 my own story doesn\u2019t interest me. There\u2019s a risk of egocentricity. And to storytellers, egocentricity is boring.\u201d<\/li>\n<li>\u201cThe world made this book true while I was writing it, which of course is the paranoid\u2019s greatest fantasy.\u201d The deeply surveilled world of Joshua Cohen\u2019s new novel, <em>Book of Numbers<\/em>, seemed improbable, if not impossible, before the Snowden leaks. Now the book is positioned not as a techno-dystopian fable but as an aspirant to that lofty title, \u201c<a href=\"http:\/\/www.nytimes.com\/2015\/06\/13\/books\/nothing-to-hide-and-nowhere-to-hide-it-in-joshua-cohens-internet-novel.html?smid=tw-share\" target=\"_blank\">The Great American Internet Novel<\/a>.\u201d<\/li>\n<li>Our London editor, Adam Thirlwell, on Wayne McGregor\u2019s new ballet, <em>Woolf Works<\/em>: \u201cThe mystery arises through a pragmatic attention to physical detail \u2026 a truth recognized subtly in the way a choreographer describes making a ballet <em>on<\/em> a dancer. <a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2015\/jun\/10\/dancing-mrs-dalloway-woolf-works\/\" target=\"_blank\">The dancer is the ballet\u2019s pivot<\/a>. For there Ferri was. She wasn\u2019t Mrs. Dalloway, or Virginia Woolf. Nor was she Juliet. Or rather, she could allude to all of these\u2014she contained multitudes\u2014but the allusions were only flourishes. Really, she was only herself, and that was everything.\u201d<\/li>\n<li>Meanwhile, Anne Washburn\u2019s new play,\u00a0<em>10 out of 12<\/em>, is set <a href=\"http:\/\/hyperallergic.com\/214089\/the-rehearsals-the-thing-anne-washburns-10-out-of-12\/?wt=2\" target=\"_blank\">entirely in the vicinity of a thespian\u2019s nightmare: a tech rehearsal<\/a>. It is, in essence, a play about figuring out how to stage a play: \u201cWashburn stakes out the tech rehearsal as her territory, a hitherto unexplored subgenre of backstage drama as far as I know, and uses its technology to subtle effect. Washburn\u2019s play, drawn from tech rehearsals of her own shows and listening in on others, provides a fairly faithful reproduction of this ugly task. All of the action and dialogue, which are meant to appear spontaneous and random, are carefully set forth in the 142-page script. Her clever idea is to have the audience listen in on headsets, tuned to the same channel that the tech crew is using to talk to one another while the work continues.\u201d<\/li>\n<li>What to do with those sixteen thousand bucks you have under the mattress: buy <a href=\"http:\/\/www.artlyst.com\/articles\/rare-henri-matisseillustrated-edition-of-ulysses-under-the-hammer\" target=\"_blank\">a rare 1935 edition of <em>Ulysses<\/em> with etchings by Henri Matisse<\/a>. \u201cMatisse\u2019s mythical Nausicaa design is embossed in gold on the front cover of the edition, displaying four shapely nudes enclosed in a sphere with Roman numerals forming a celestial clock.\u201d (As if Matisse would have included nudes who weren\u2019t shapely.)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>John Berger is eighty-eight, and still seeing\u2014which isn\u2019t to commend him for having retained his eyesight, but to say he\u2019s still an acute observer. \u201cI live enormously through my eyes. The visible is simply a very important part of my experience of being in this world \u2026 my own story doesn\u2019t interest me. There\u2019s a [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[9793,17291,14156,947,573,1327,18441,12735,946,18439,18440],"class_list":["post-86663","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-adam-thirlwell","tag-anne-washburn","tag-henri-matisse","tag-james-joyce","tag-john-berger","tag-joshua-cohen","tag-tech-rehearsal","tag-the-internet","tag-ulysses","tag-wayne-mcgregor","tag-woolf-works"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>At Auction: A Rare Edition of Ulysses Illustrated by Matisse<\/title>\n<meta name=\"description\" content=\"This 1935 edition of Joyce\u2018s masterwork is adorned with six erotic etchings by 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