{"id":86625,"date":"2015-06-12T09:27:50","date_gmt":"2015-06-12T13:27:50","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=86625"},"modified":"2015-06-12T11:02:06","modified_gmt":"2015-06-12T15:02:06","slug":"still-flaming-after-all-these-years-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/06\/12\/still-flaming-after-all-these-years-and-other-news\/","title":{"rendered":"Still Flaming After All These Years, and Other News"},"content":{"rendered":"<div id=\"attachment_86627\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/flaming_june_by_frederic_lord_leighton_1830-1896.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-86627\" class=\"wp-image-86627\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/flaming_june_by_frederic_lord_leighton_1830-1896.jpg\" alt=\"Flaming_June,_by_Frederic_Lord_Leighton_(1830-1896)\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/flaming_june_by_frederic_lord_leighton_1830-1896.jpg 2550w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/flaming_june_by_frederic_lord_leighton_1830-1896-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/flaming_june_by_frederic_lord_leighton_1830-1896-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/flaming_june_by_frederic_lord_leighton_1830-1896-1024x1024.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-86627\" class=\"wp-caption-text\">Frederic Lord Leighton, <i>Flaming June<\/i>, 1830\u20131896.<\/p><\/div>\n<ul>\n<li>Everyone holds up <em>Anna Karenina<\/em> as a milestone for realism\u2014\u201cWe are not to take <em>Anna Kar\u00e9nine<\/em> as a work of art; we are to take it as a piece of life,\u201d Matthew Arnold wrote\u2014but <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2015\/jun\/25\/dreams-and-anna-karenina\/\" target=\"_blank\">Janet Malcolm raises an eyebrow at all that<\/a>. \u201cThe book\u2019s \u2018astonishing immediacy\u2019 is nothing if not an object of the exaggeration, distortion, and dissimulation through which each scene is rendered \u2026 If the dream is father to imaginative literature, Tolstoy may be the novelist who most closely hews to its deep structures.\u201d<\/li>\n<li>Now at the Frick Collection: Frederic Leighton\u2019s <em>Flaming June<\/em>, <a href=\"http:\/\/www.nytimes.com\/2015\/06\/12\/arts\/design\/review-flaming-june-arrives-in-new-york-preceded-by-its-reputation.html?ref=arts\" target=\"_blank\">an iconic Victorian painting whose subject\u2019s well-developed right thigh set the world on fire<\/a>. \u201cThe beautiful woman asleep in some archaic past was a recurrent motif in Victorian art \u2026 The figure of the languid woman is more than just an object of erotic desire. She\u2019s the opposite of the rationalist, ever-striving, murderously competitive spirit\u2014once conventionally thought of as distinctively masculine. She embodies a yearning to relax, to retire from the fray and take pleasure in just being alive.\u201d<\/li>\n<li><a href=\"http:\/\/www.nytimes.com\/2015\/06\/14\/magazine\/jenny-diskis-end-notes.html?rref=collection%2Fsectioncollection%2Fmagazine&amp;_r=1&amp;utm_content=buffer5a8bb&amp;utm_medium=social&amp;utm_source=facebook.com&amp;utm_campaign=buffer\" target=\"_blank\">Jenny Diski is dying of lung cancer<\/a>, and facing the illness the only way she knows how: in prose. \u201cA marvel of steady and dispassionate self-revelation, Diski\u2019s cancer essays are bracingly devoid of sententiousness, sentimentality or any kind of spiritual urge or twitch \u2026 they also testify to an inner life of undiminished hyperactivity.\u201d<\/li>\n<li><em>Nesh<\/em>, <em>gloaming<\/em>, <em>cochineal<\/em>, <em>swamm<\/em>, <em>clart<\/em>: <a href=\"http:\/\/www.newyorker.com\/culture\/cultural-comment\/writers-choose-their-favorite-words\" target=\"_blank\">writers pick their favorite words<\/a>. \u201cThe chosen words are mostly regional, often monosyllabic, and frequently richly onomatopoeic: the natural poetry of the heterogeneous English-speaking tongue.\u201d<\/li>\n<li>In which Orson Welles dabbles in pornography: in a pro-bono gig for the picture <em>3 A. M.<\/em>, the filmmaker \u201c<a href=\"http:\/\/www.esquire.com\/entertainment\/movies\/videos\/a35551\/orson-welles-porn-movie-3am\/\" target=\"_blank\">wound up editing a hard-core lesbian shower scene<\/a> that he couldn\u2019t resist cutting in Wellesian fashion with low camera angles and other trademark flair.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Everyone holds up Anna Karenina as a milestone for realism\u2014\u201cWe are not to take Anna Kar\u00e9nine as a work of art; we are to take it as a piece of life,\u201d Matthew Arnold wrote\u2014but Janet Malcolm raises an eyebrow at all that. \u201cThe book\u2019s \u2018astonishing immediacy\u2019 is nothing if not an object of the exaggeration, [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[18430,4639,18428,18429,4489,42,13735,4861,1470,180,2393],"class_list":["post-86625","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-3-a-m","tag-anna-karenina","tag-flaming-june","tag-frederic-leighton","tag-frick","tag-janet-malcolm","tag-jenny-diski","tag-leo-tolstoy","tag-orson-welles","tag-pornography","tag-words"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Enduring Power of Frederic Leighton\u2018s \u201cFlaming June\u201d<\/title>\n<meta name=\"description\" content=\"The mysterious painting comes to the Frick. 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