{"id":86220,"date":"2015-06-01T08:56:25","date_gmt":"2015-06-01T12:56:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=86220"},"modified":"2015-06-01T10:28:07","modified_gmt":"2015-06-01T14:28:07","slug":"the-moral-foulness-of-the-age-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/","title":{"rendered":"The Moral Foulness of the Age, and Other News"},"content":{"rendered":"<div id=\"attachment_86222\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-86222\" class=\"wp-image-86222\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858.jpg\" alt=\"An_obese_gouty_man_drinking_punch_with_two_companions._Colou_Wellcome_V0010858\" width=\"600\" height=\"454\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858.jpg 793w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858-300x227.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-86222\" class=\"wp-caption-text\">A 1799 cartoon by Gillray: an obese, gouty man drinking punch with two companions.<\/p><\/div>\n<ul>\n<li>Our poetry editor, Robyn Creswell, writes with Bernard Haykel on jihadi poetry: \u201cAnalysts have generally ignored these texts, as if poetry were a colorful but ultimately distracting by-product of jihad. But \u2026 it is impossible to understand jihadism\u2014its objectives, its appeal for new recruits, and its durability\u2014without examining its culture. This culture finds expression in a number of forms, including anthems and documentary videos, but poetry is its heart. And, unlike the videos of beheadings and burnings, which are made primarily for foreign consumption, <a href=\"http:\/\/www.newyorker.com\/magazine\/2015\/06\/08\/battle-lines-jihad-creswell-and-haykel\" target=\"_blank\">poetry provides a window onto the movement talking to itself<\/a>. It is in verse that militants most clearly articulate the fantasy life of jihad.\u201d<\/li>\n<li>And Garth Greenwell\u2014whose story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/6314\/gospodar-garth-greenwell\" target=\"_blank\">Gospodar<\/a>\u201d appeared in our Summer 2014 issue\u2014on Hanya Yanagihara\u2019s <em>A Little Life<\/em> as the definitive gay novel of our times: \u201cJust as Yanagihara\u2019s characters challenge conventional categories of gay identity, so <em>A Little Life<\/em> avoids the familiar narratives of gay fiction. Yanagihara approaches the collective traumas that have so deeply shaped modern gay identity\u2014sickness and discrimination\u2014obliquely, avoiding the conventions of the coming-out narrative or the <small>AIDS<\/small> novel \u2026 But <a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/05\/a-little-life-definitive-gay-novel\/394436\/\" target=\"_blank\">queer suffering is at the heart of <em>A Little Life<\/em><\/a>.\u201d<\/li>\n<li>Writing on the Internet is full of hostility, melodrama, and blind ego-mongering, but there\u2019s an easy way to fix that: <a href=\"http:\/\/www.newstatesman.com\/culture\/2015\/05\/jane-austen-manifesto-how-we-can-save-world-writing-austen\" target=\"_blank\">by adopting the voice of a Jane Austen character<\/a>. \u201cYou can make your contribution to a better, more Austenesque world in every email, letter, tweet, update, blog post that you write.\u201d<\/li>\n<li>Copulation, excretion, fungus growing from a dunghill: you\u2019ll find all these and more in the work of <a href=\"http:\/\/www.economist.com\/blogs\/prospero\/2015\/03\/caricatures-james-gillray\" target=\"_blank\">the eighteenth-century caricaturist James Gillray<\/a>, whose work was so prickly that \u201ca history of caricature published in 1904 suggested his pictures came from an unclean and unbalanced mind and symbolized \u2018the moral foulness of the age.\u2019 \u201d<\/li>\n<li>In 1945, before Chester Himes found fame for his detective novels, he published <em>If He Hollers Let Him Go<\/em>, which in its \u201c<a href=\"http:\/\/www.thedailybeast.com\/articles\/2015\/06\/01\/american-dreams-how-chester-himes-invented-noir.html\" target=\"_blank\">sheer dark rage<\/a>\u201d is an exemplar of a genre that hadn\u2019t really been invented yet: \u201cEven by the conventions of noir literature, it is Himes\u2019s debut novel that was, inadvertently, truest to the form.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Our poetry editor, Robyn Creswell, writes with Bernard Haykel on jihadi poetry: \u201cAnalysts have generally ignored these texts, as if poetry were a colorful but ultimately distracting by-product of jihad. But \u2026 it is impossible to understand jihadism\u2014its objectives, its appeal for new recruits, and its durability\u2014without examining its culture. This culture finds expression in [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[18305,18307,3825,16289,18304,18306,300,18303,278],"class_list":["post-86220","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-a-little-life","tag-caricatures","tag-chester-himes","tag-garth-greenwell","tag-hanya-yanagihara","tag-james-gillray","tag-jane-austen","tag-jihadi-poetry","tag-robyn-creswell"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Foul, Unclean Caricatures of James Gillray<\/title>\n<meta name=\"description\" content=\"Two hundred years after his death, the eighteenth-century cartoonist is enjoying a renaissance. That and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Moral Foulness of the Age, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"June 1, 2015 \u2013 Our poetry editor, Robyn Creswell, writes with Bernard Haykel on jihadi poetry: \u201cAnalysts have generally ignored these texts, as if poetry were a colorful\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-06-01T12:56:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-06-01T14:28:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"793\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Moral Foulness of the Age, and Other News\",\"datePublished\":\"2015-06-01T12:56:25+00:00\",\"dateModified\":\"2015-06-01T14:28:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/\"},\"wordCount\":387,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858.jpg\",\"keywords\":[\"A Little Life\",\"caricatures\",\"Chester Himes\",\"Garth Greenwell\",\"Hanya Yanagihara\",\"James Gillray\",\"Jane Austen\",\"jihadi poetry\",\"Robyn Creswell\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/\",\"name\":\"The Foul, Unclean Caricatures of James Gillray\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/06\/01\/the-moral-foulness-of-the-age-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/an_obese_gouty_man_drinking_punch_with_two_companions._colou_wellcome_v0010858.jpg\",\"datePublished\":\"2015-06-01T12:56:25+00:00\",\"dateModified\":\"2015-06-01T14:28:07+00:00\",\"description\":\"Two hundred years after his death, the eighteenth-century cartoonist is enjoying a renaissance. 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