{"id":85820,"date":"2015-05-18T09:34:16","date_gmt":"2015-05-18T13:34:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=85820"},"modified":"2015-05-18T15:38:47","modified_gmt":"2015-05-18T19:38:47","slug":"ovid-is-not-a-safe-space-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/18\/ovid-is-not-a-safe-space-and-other-news\/","title":{"rendered":"Ovid Is Not a Safe Space, and Other News"},"content":{"rendered":"<div id=\"attachment_85821\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/virgil_solis_-_deucalion_pyrrha.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-85821\" class=\"wp-image-85821\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/virgil_solis_-_deucalion_pyrrha.jpg\" alt=\"Virgil_Solis_-_Deucalion_Pyrrha\" width=\"600\" height=\"455\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/virgil_solis_-_deucalion_pyrrha.jpg 610w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/virgil_solis_-_deucalion_pyrrha-300x228.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-85821\" class=\"wp-caption-text\">Deucalion and Pyrrha in an engraving by Virgil Solis for Ovid&#8217;s <i>Metamorphoses<\/i>, Book I.<\/p><\/div>\n<ul>\n<li>Dag Solstad will appear at our Norwegian-American Literary Festival this week\u2014<a href=\"http:\/\/lithub.com\/norways-greatest-writer-is-actually-dag-solstad\/\" target=\"_blank\">isn\u2019t it time you get to know him?<\/a> \u201cA literary provocateur and a national icon, an experimental writer who is also a favorite with the country\u2019s top comedians, Dag Solstad\u2019s belated international breakthrough is in curious contrast to his position in his native country. Only three of his books have been translated into English (a fourth is on its way), but in Norway, Solstad has, at least since the mid\u00a080s, been\u00a0held up as a paragon of literary merit, his style a kind of gold standard of prose fiction.\u201d<\/li>\n<li>Columbia students believe that Ovid\u2019s <em>Metamorphoses<\/em> should come with trigger warnings\u2014the myths of Persephone and Daphne, after all, include rape. \u201cBut the core [curriculum] is not a form of therapy; <a href=\"http:\/\/www.newrepublic.com\/article\/121790\/life-triggering-best-literature-should-be-too\" target=\"_blank\">it\u2019s a form of exposure to diverse ideas<\/a>, and it should not\u00a0have the aim of making people feel \u2018safe.\u2019 In fact, that\u2019s precisely the opposite of its aim.\u201d<\/li>\n<li>Rare book experts are assembling a kind of scholarly justice league to stop the theft and vandalism of historic books worldwide. \u201cLawyers and librarians, booksellers and auctioneers will descend on the British Library next month for a major conference whose title\u2014\u2018<a href=\"http:\/\/www.theguardian.com\/books\/2015\/may\/17\/rare-book-experts-join-forces-to-stop-tome-raiders\" target=\"_blank\">The Written Heritage of Mankind in Peril<\/a>\u2019\u2014conveys the seriousness of the problem.\u201d<\/li>\n<li>\u00c9milie Du Ch\u00e2telet, a seventeenth-century scholar of Newton, religion, science, and mathematics, earned plaudits from Kant and had a very visible relationship with Voltaire\u2014but today no one reads her. \u201cIt is possible to major in philosophy without <a href=\"http:\/\/www.theatlantic.com\/education\/archive\/2015\/05\/reviving-the-female-canon\/393110\/\" target=\"_blank\">hearing anything about the historical contributions of women philosophers<\/a>. The canon remains dominated by white males\u2014the discipline that some say still hews to the myth that genius is tied to gender.\u201d<\/li>\n<li>How to turn fifty if you\u2019re Rob Pruitt: have a barbecue, just like everyone else. But your barbecue will be <em>art<\/em>.\u00a0\u201c<a href=\"http:\/\/www.nytimes.com\/2015\/05\/14\/style\/the-artist-rob-pruitt-paradox-on-a-pedestal.html?ref=fashion&amp;_r=1&amp;smid=nytimesarts\" target=\"_blank\">Pruitt has been able to embrace a peculiar irony that is omnipresent in the art world today<\/a>: the paradox of a crass, hypervalued luxury market for the world\u2019s super rich, wedded to a left-leaning ideology that sees art as a public good for the common folk \u2026 In this curious art world of limousine liberalism, Mr. Pruitt is happy to play chauffeur, more interested in reflecting modern culture than critiquing it.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Dag Solstad will appear at our Norwegian-American Literary Festival this week\u2014isn\u2019t it time you get to know him? \u201cA literary provocateur and a national icon, an experimental writer who is also a favorite with the country\u2019s top comedians, Dag Solstad\u2019s belated international breakthrough is in curious contrast to his position in his native country. Only [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[17943,18152,4649,8252,18153,12251],"class_list":["post-85820","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-dag-solstad","tag-emilie-du-chatelet","tag-ovid","tag-rare-books","tag-rob-pruitt","tag-theft"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Should Ovid Come With a Trigger Warning?<\/title>\n<meta name=\"description\" content=\"Some Columbia University students think the ancient text is offensive to survivors of sexual assault.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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