{"id":85343,"date":"2015-05-01T09:18:25","date_gmt":"2015-05-01T13:18:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=85343"},"modified":"2015-05-01T10:24:10","modified_gmt":"2015-05-01T14:24:10","slug":"the-flexible-forgeable-american-signature-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/","title":{"rendered":"The Flexible, Forgeable American Signature, and Other News"},"content":{"rendered":"<div id=\"attachment_85345\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-85345\" class=\"wp-image-85345\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\" alt=\"Glaspalast_Munchen_1891_062\" width=\"600\" height=\"450\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg 935w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062-300x225.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-85345\" class=\"wp-caption-text\"><i>Geheime Korrespondenz<\/i>, 1891.<\/p><\/div>\n<ul>\n<li><a href=\"http:\/\/www.washingtonpost.com\/entertainment\/decorum-in-the-digital-age\/2015\/04\/29\/25516560-e854-11e4-aae1-d642717d8afa_story.html\" target=\"_blank\">On etiquette, art, and the increasing complications of public space<\/a>: \u201cTaking a selfie in a museum may be disruptive to others, and antithetical to the experience of art, yet given the option, most people will avoid walking through the line of sight and ruining someone else\u2019s photograph \u2026 In the end, that is the fundamental paradox of art and public space: We go there both to be free and to submit.\u201d<\/li>\n<li>The Patriots\u2019 tight end Shrek Rob \u201cGronk\u201d Gronkowski has inspired a cottage industry\u2014people can\u2019t seem to write enough erotic novels about the guy. (Sample salaciousness: \u201cSuddenly, all I wanted to do was watch Gronk do his thang-thang in the zone place there. My vagina demanded it.\u201d) Now <a href=\"http:\/\/gawker.com\/couple-sues-after-their-engagement-photo-ends-up-on-ero-1700712172\/+jayhathaway\" target=\"_blank\">a couple is suing the author of <em>A Gronking to Remember<\/em><\/a> for using their image on her cover without permission.<\/li>\n<li>\u201cHistorical fiction has become a byword for middlebrow wasteland.\u201d But <a href=\"http:\/\/www.thenation.com\/article\/204977\/old-consciousness\" target=\"_blank\">Hilary Mantel and Penelope Fitzgerald<\/a>, whom critics are fond of comparing, have written novels that make a compelling case for the genre\u2014so much so that people have started bickering about whether they\u2019re really \u201chistorical\u201d fiction at all \u2026<\/li>\n<li>\u201cI think something happened, somewhere around <em>Love\u2019s Labour\u2019s Lost<\/em> and the early history plays and going into <em>Romeo and Juliet<\/em>. Either he fell in love or he just grew up, but something happened to him where he suddenly \u2018got it\u2019 about women and there was a profound shift in his writing.\u201d <a href=\"http:\/\/www.bbc.com\/news\/magazine-32379759\" target=\"_blank\">In which Shakespeare gets acquainted with the female psyche.<\/a><\/li>\n<li><a href=\"http:\/\/hyperallergic.com\/203061\/americans-are-losing-the-art-of-signing-their-names\/\" target=\"_blank\">The demise of the signature<\/a>: a new poll suggests that very few Americans give a hoot about our John Hancocks. \u201cWhile 61% of responders sign paper at least\u00a0once a week or more, nearly half do so in a hurry and a full 30% just scribble something fast to get it done \u2026 30% said they have a \u2018flexible\u2019 signature, with 64% saying it\u2019s because of computer use. A full 81% of people admitted to faking someone\u2019s signature three or more times a year, and a quarter said they wouldn\u2019t be able to tell if someone had forged their own.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>On etiquette, art, and the increasing complications of public space: \u201cTaking a selfie in a museum may be disruptive to others, and antithetical to the experience of art, yet given the option, most people will avoid walking through the line of sight and ruining someone else\u2019s photograph \u2026 In the end, that is the fundamental [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[35,7924,1621,2153,12552,103,4052,13421,948,17972,4239,36],"class_list":["post-85343","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-art","tag-erotica","tag-etiquette","tag-hilary-mantel","tag-historical-fiction","tag-museums","tag-penelope-fitzgerald","tag-public-space","tag-shakespeare","tag-shrek-rob-gronk-gronkowski","tag-signatures","tag-women"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Art of the Signature Is in Decline<\/title>\n<meta name=\"description\" content=\"New polls suggest that fewer Americans practice their signatures than ever before. Have we lost our touch?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Flexible, Forgeable American Signature, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"May 1, 2015 \u2013 On etiquette, art, and the increasing complications of public space: \u201cTaking a selfie in a museum may be disruptive to others, and antithetical to the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-05-01T13:18:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-05-01T14:24:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"935\" \/>\n\t<meta property=\"og:image:height\" content=\"702\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Flexible, Forgeable American Signature, and Other News\",\"datePublished\":\"2015-05-01T13:18:25+00:00\",\"dateModified\":\"2015-05-01T14:24:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\"},\"wordCount\":365,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\",\"keywords\":[\"art\",\"erotica\",\"etiquette\",\"Hilary Mantel\",\"Historical Fiction\",\"museums\",\"Penelope Fitzgerald\",\"public space\",\"Shakespeare\",\"Shrek Rob Gronk Gronkowski\",\"signatures\",\"women\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\",\"name\":\"The Art of the Signature Is in Decline\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\",\"datePublished\":\"2015-05-01T13:18:25+00:00\",\"dateModified\":\"2015-05-01T14:24:10+00:00\",\"description\":\"New polls suggest that fewer Americans practice their signatures than ever before. Have we lost our touch?\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Flexible, Forgeable American Signature, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Art of the Signature Is in Decline","description":"New polls suggest that fewer Americans practice their signatures than ever before. Have we lost our touch?","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"The Flexible, Forgeable American Signature, and Other News by Dan Piepenbring","og_description":"May 1, 2015 \u2013 On etiquette, art, and the increasing complications of public space: \u201cTaking a selfie in a museum may be disruptive to others, and antithetical to the","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-05-01T13:18:25+00:00","article_modified_time":"2015-05-01T14:24:10+00:00","og_image":[{"width":935,"height":702,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"The Flexible, Forgeable American Signature, and Other News","datePublished":"2015-05-01T13:18:25+00:00","dateModified":"2015-05-01T14:24:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/"},"wordCount":365,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg","keywords":["art","erotica","etiquette","Hilary Mantel","Historical Fiction","museums","Penelope Fitzgerald","public space","Shakespeare","Shrek Rob Gronk Gronkowski","signatures","women"],"articleSection":["On the Shelf"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/","name":"The Art of the Signature Is in Decline","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg","datePublished":"2015-05-01T13:18:25+00:00","dateModified":"2015-05-01T14:24:10+00:00","description":"New polls suggest that fewer Americans practice their signatures than ever before. Have we lost our touch?","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/05\/glaspalast_munchen_1891_062.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/05\/01\/the-flexible-forgeable-american-signature-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"The Flexible, Forgeable American Signature, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/85343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=85343"}],"version-history":[{"count":3,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/85343\/revisions"}],"predecessor-version":[{"id":85348,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/85343\/revisions\/85348"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=85343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=85343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=85343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}