{"id":85074,"date":"2015-04-23T08:41:11","date_gmt":"2015-04-23T12:41:11","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=85074"},"modified":"2015-04-23T10:32:22","modified_gmt":"2015-04-23T14:32:22","slug":"your-coral-lips-were-made-to-kiss-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/04\/23\/your-coral-lips-were-made-to-kiss-and-other-news\/","title":{"rendered":"Your Coral Lips Were Made to Kiss, and Other News"},"content":{"rendered":"<div id=\"attachment_85076\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/flirt10.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-85076\" class=\"wp-image-85076\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/flirt10.jpg\" alt=\"flirt10\" width=\"600\" height=\"350\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/flirt10.jpg 824w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/flirt10-300x175.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-85076\" class=\"wp-caption-text\">A nineteenth-century escort card.<\/p><\/div>\n<ul>\n<li>Whitman\u2019s <em>Drum-Taps<\/em>, his collection of Civil War poems, is 150 this month\u2014and like the war itself, it\u2019s still perplexing and angering people. Henry James, upon its release, called it \u201c<a href=\"http:\/\/www.bostonglobe.com\/ideas\/2015\/04\/18\/the-echoes-walt-whitman-drum-taps\/MOe8pGdLpwsg21vPQKn6RO\/story.html\" target=\"_blank\">an insult to art<\/a> \u2026 the efforts of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.\u201d<\/li>\n<li>In which Mary Shelley trounces taboos: \u201cWhen she meets the enormously handsome and charismatic poet Percy Shelley when she\u2019s sixteen, she takes him to her special place, her mother\u2019s grave. He\u2019s twenty-one, she\u2019s sixteen, and they sit and talk there for hours, day after day. Finally, it\u2019s on that gravesite that Mary Shelley declares her love for Percy. <a href=\"http:\/\/www.wsj.com\/articles\/early-feminists-mary-shelley-and-her-mom-1429720017\" target=\"_blank\">That\u2019s where we think she had sex for the first time<\/a>, on her mother\u2019s grave. We can\u2019t prove that they actually had sex, but they certainly declared their love and became intimate. It was a really dangerous thing to do. The next thing they do is they run away to Paris.\u201d<\/li>\n<li>One might suppose that in the nineteenth century, with no text messages or telephones, it was more difficult for men to be creeps. But one would be wrong, as <a href=\"http:\/\/www.messynessychic.com\/2015\/04\/21\/the-19th-century-escort-cards-with-pick-up-lines-you-definitely-havent-heard-before\/\" target=\"_blank\">this assortment of nineteenth-century escort cards<\/a> shows. Men gave these cards to women at parties, begging them for the privilege of walking them home. \u201cYour coral lips were made to kiss,\u201d one says. And several offer a disturbing ultimatum: either let me take you home or let me sit on the fence, slobbering and drooling at you as you pass.<\/li>\n<li>Where have all our haruspices gone? These days, it seems hardly anyone can be bothered to divine our future from animal entrails, though <a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2015\/apr\/18\/guts-spring\/\" target=\"_blank\">we have arguably more occasions for it than ever<\/a>.<\/li>\n<li>\u201cAll art\u2014all non-propagandist art\u2014<a href=\"http:\/\/www.frieze.com\/issue\/article\/the-solace-of-art\/\" target=\"_blank\">is a\u00a0form of resistance to the idea<\/a> that the shape, the meaning, the myriad ways of living in and moving through the world should\u2014or even could\u2014ever be one thing. The greatest paintings, performances, sculptures, installations and films refuse to represent anyone as a type: this is, perhaps, art\u2019s finest attribute.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Whitman\u2019s Drum-Taps, his collection of Civil War poems, is 150 this month\u2014and like the war itself, it\u2019s still perplexing and angering people. Henry James, upon its release, called it \u201can insult to art \u2026 the efforts of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.\u201d In which Mary Shelley [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[35,17882,17885,17887,17886,153,10258,17883,17884,264],"class_list":["post-85074","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-art","tag-drum-taps","tag-escort-cards","tag-haruspex","tag-haruspices","tag-henry-james","tag-mary-shelley","tag-percy-shelley","tag-resistance","tag-walt-whitman"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nineteenth-Century Escort Cards: For the Creeps of Yore<\/title>\n<meta name=\"description\" content=\"Men foisted cards like these on women whom they hoped to \u201cwalk home.\u201d Plus, Whitman\u2019s Civil War poems turn 150 and more in today\u2019s roundup\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/23\/your-coral-lips-were-made-to-kiss-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Your Coral Lips Were Made to Kiss, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 23, 2015 \u2013 Whitman\u2019s Drum-Taps, his collection of Civil War poems, is 150 this month\u2014and like the war itself, it\u2019s still perplexing and angering people. 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