{"id":84809,"date":"2015-04-15T09:34:29","date_gmt":"2015-04-15T13:34:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=84809"},"modified":"2015-04-15T10:28:21","modified_gmt":"2015-04-15T14:28:21","slug":"do-not-let-this-man-paint-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/04\/15\/do-not-let-this-man-paint-and-other-news\/","title":{"rendered":"Do Not Let This Man Paint, and Other News"},"content":{"rendered":"<div id=\"attachment_84810\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/self-portrait-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-84810\" class=\"wp-image-84810\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/self-portrait-1.jpg\" alt=\"self-portrait-1\" width=\"600\" height=\"517\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/self-portrait-1.jpg 911w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/self-portrait-1-300x259.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-84810\" class=\"wp-caption-text\">Pierre-Auguste Renoir, <i>Autoportrait<\/i>, ca. 1875.<\/p><\/div>\n<ul>\n<li>\u201cHow do you rehabilitate your love for art works based on expired and inhuman social values\u2014and why bother?\u201d <a href=\"http:\/\/www.newyorker.com\/culture\/cultural-comment\/reading-racist-literature?mbid=rss\" target=\"_blank\">Elif Batuman reckons with racist literature<\/a>. (Which is, after all, most literature: \u201cThese Turks took a pleasure in torturing children,\u201d Dostoyevsky wrote in <em>The Brothers Karamazov<\/em>.)<\/li>\n<li>Frida Kahlo\u2019s love letters to Jos\u00e9 Bartoli are being exhibited and auctioned, thus granting \u201csmall-minded people the chance to grub about, imagining what it\u2019s like to be a great artist enjoying a great love affair, with its epic arc, operatic decline and poignant afterlife \u2026 <a href=\"http:\/\/www.theguardian.com\/commentisfree\/2015\/apr\/13\/sale-frida-kahlo-letters-grubby-violation\" target=\"_blank\">This is all being served up like a tray of fast food<\/a>, yet more low-grade fodder to fuel the Kahlo myth with sexualised details, emotional prurience and papery relics. People will pore over her handwriting in a way they never pore over her work.\u201d<\/li>\n<li>\u201cIrritated by Renoir\u2019s intrusion, <a href=\"http:\/\/www.nybooks.com\/blogs\/gallery\/2015\/apr\/14\/manet-paints-monet\/\" target=\"_blank\">Manet is reported to have told Monet<\/a>, \u2018He has no talent, that boy. Since he\u2019s your friend, you should tell him to give up painting!\u2019\u201d<\/li>\n<li>On <a href=\"http:\/\/newramblerreview.com\/book-reviews\/literary-studies\/after-close-reading?utm_content=buffer5c924&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">the continued importance of close reading<\/a> as an academic tool: \u201cThe attentive inspection of the verbal texture of poems, novels, and plays continues to be the methodological\u00a0basis of what we do in our most important venue: the college classroom, especially the Intro to Lit classroom \u2026 teachers found that students lacking specialized knowledge of the ins and outs of English history or the finer points of Aristotelian logic could still get excited by talking about the form of a Donne lyric or image-patterns in\u00a0<em>Portrait of the Artist as a Young Man <\/em><em>\u2026 <\/em>it allowed public-school trained students at the University of Illinois or Iowa to have as much to say about texts as their preppie counterparts at Yale or Harvard.\u201d<\/li>\n<li>An ode to the lowly breakfast sandwich, that quiet workhorse: \u201cThe great virtue of <a href=\"http:\/\/www.nytimes.com\/2015\/04\/15\/dining\/dont-mess-with-my-breakfast-sandwich.html?_r=1\" target=\"_blank\">the bacon, egg and cheese on a roll<\/a>, or its variations, is in what it doesn\u2019t do. It doesn\u2019t divide New Yorkers by class, income or neighborhood. It doesn\u2019t seek publicity. It doesn\u2019t convey status or bragging rights. It just conveys nutrition and, if you need it, settles your nerves. It is a secret handshake that New Yorkers exchange, not with one another, but with the city.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cHow do you rehabilitate your love for art works based on expired and inhuman social values\u2014and why bother?\u201d Elif Batuman reckons with racist literature. (Which is, after all, most literature: \u201cThese Turks took a pleasure in torturing children,\u201d Dostoyevsky wrote in The Brothers Karamazov.) Frida Kahlo\u2019s love letters to Jos\u00e9 Bartoli are being exhibited and [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[17760,17761,431,115,3220,17757,17759,11390,17762,6661,17758],"class_list":["post-84809","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-bacon-egg-and-cheese-sandwich","tag-close-reading","tag-elif-batuman","tag-food","tag-frida-kahlo","tag-jose-bartoli","tag-manet","tag-monet","tag-new-criticism","tag-racism","tag-renoir"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Manet to Monet: Don\u2019t Let Renoir Paint<\/title>\n<meta name=\"description\" content=\"Feuding among the impressionists and more in 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