{"id":84724,"date":"2015-04-13T09:27:07","date_gmt":"2015-04-13T13:27:07","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=84724"},"modified":"2015-04-13T10:50:02","modified_gmt":"2015-04-13T14:50:02","slug":"the-inventiveness-of-the-writer-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/04\/13\/the-inventiveness-of-the-writer-and-other-news\/","title":{"rendered":"\u201cThe Inventiveness of the Writer,\u201d and Other News"},"content":{"rendered":"<div id=\"attachment_84726\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/gunter_grass_beim_blauen_sofa.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-84726\" class=\"wp-image-84726\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/gunter_grass_beim_blauen_sofa.jpg\" alt=\"Gunter_Grass_beim_Blauen_Sofa\" width=\"600\" height=\"467\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/gunter_grass_beim_blauen_sofa.jpg 1514w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/gunter_grass_beim_blauen_sofa-300x234.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/gunter_grass_beim_blauen_sofa-1024x797.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-84726\" class=\"wp-caption-text\">G\u00fcnter Grass in 2010.<\/p><\/div>\n<ul>\n<li>G\u00fcnter Grass, best known for his novel <em>The Tin Drum<\/em>, <a href=\"http:\/\/www.theguardian.com\/books\/2015\/apr\/13\/gunter-grass-german-nobel-laureate-dies-aged-87\" target=\"_blank\">has died at eighty-seven<\/a>. \u201cGrass learned a lot from Rabelais and Celine and was influential in development of \u2018magic realism\u2019 and Marquez,\u201d Orhan Pamuk said about him. \u201cHe taught us to base the story on the inventiveness of the writer no matter how cruel, harsh, and political the story is.\u201d<\/li>\n<li>Joseph Mitchell was on staff at <em>The New Yorker <\/em>for decades\u2014and yet the magazine has suspiciously few of his bylines. <a href=\"http:\/\/www.publishersweekly.com\/pw\/by-topic\/industry-news\/tip-sheet\/article\/66086-what-exactly-was-joseph-mitchell-doing-all-those-years-at-the-new-yorker.html\" target=\"_blank\">What was he doing all that time<\/a>? \u201cMitchell had no idea he was embarking on one of the most celebrated writer\u2019s blocks in American letters. In fact, at the time he was juggling a variety of ideas, hoping\u2014assuming\u2014that in his reporting one of them would logically emerge as his next <em>New Yorker <\/em>piece.\u201d<\/li>\n<li>Distracted? Of course you are\u2014this is 2015. It\u2019s in the nature of contemporary society \u201c<a href=\"http:\/\/chronicle.com\/article\/Deliver-Us-From-Distraction\/229185\/?utm_content=buffer740ea&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">to manipulate our attention and to profit others<\/a> \u2026 repetitive pseudo-actions create patterns of satisfaction that progressively disconnect us from the world.\u201d And for this preponderance of pseudo-actions we can blame one Immanuel Kant, whose \u201cinsistence on autonomy \u2026 reads as a denial of mutual entanglement.\u201d<\/li>\n<li>Toby Barlow <a href=\"http:\/\/www.fsgworkinprogress.com\/2015\/04\/intersteller-poetry-derek-walcott-and-star-trek\/?utm_source=twitter&amp;utm_medium=Tweet&amp;utm_term=na&amp;utm_content=na_read_Excerpt-Online&amp;utm_campaign=9780374125615\" target=\"_blank\">on Derek Walcott and <em>Star Trek<\/em><\/a>: \u201cIf any other show had as many scenes in an elevator as <em>Star Trek<\/em> did, we would have talked about it, complained about it.\u201d<\/li>\n<li>On the<em> Anderson Valley Advertiser<\/em>, which dubs itself \u201c<a href=\"http:\/\/www.newsweek.com\/last-or-least-looniest-newspaper-america-321646\" target=\"_blank\">America\u2019s last newspaper<\/a>\u201d and reads like \u201c<em>Our Town<\/em> on bad Mendo meth, a Norman Rockwell scene painted in the midst of a weed-wine binge and given a makeover by Hunter S. Thompson.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>G\u00fcnter Grass, best known for his novel The Tin Drum, has died at eighty-seven. \u201cGrass learned a lot from Rabelais and Celine and was influential in development of \u2018magic realism\u2019 and Marquez,\u201d Orhan Pamuk said about him. \u201cHe taught us to base the story on the inventiveness of the writer no matter how cruel, harsh, [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[5666,6044,14271,7058,8397,3235,11148,717,11071],"class_list":["post-84724","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-anderson-valley-advertiser","tag-derek-walcott","tag-distraction","tag-gunter-grass","tag-joseph-mitchell","tag-kant","tag-newspapers","tag-star-trek","tag-toby-barlow"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gunter Grass Is Dead at Eighty-Seven<\/title>\n<meta name=\"description\" content=\"April 13, 2015 \u2013 G\u00fcnter Grass, best known for his novel The Tin Drum, has died at eighty-seven. \u201cGrass learned a lot from Rabelais and Celine and was 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