{"id":84360,"date":"2015-04-03T08:50:03","date_gmt":"2015-04-03T12:50:03","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=84360"},"modified":"2015-04-03T10:18:36","modified_gmt":"2015-04-03T14:18:36","slug":"poor-judas-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/","title":{"rendered":"Poor Judas, and Other News"},"content":{"rendered":"<div id=\"attachment_84362\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-84362\" class=\"wp-image-84362\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\" alt=\"judas\" width=\"600\" height=\"518\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg 1632w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas-300x259.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas-1024x883.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-84362\" class=\"wp-caption-text\">Giovanni Canavesio, <i>The Remorse of Judas<\/i> (detail), 1491.<\/p><\/div>\n<ul>\n<li>Poor Judas. He just can\u2019t seem to catch a break\u2014<a href=\"http:\/\/www.telegraph.co.uk\/culture\/books\/11513927\/The-most-hated-name-in-history.html\" target=\"_blank\">his is perhaps the most reviled name in history<\/a>, even though he\u2019s the only one of the apostles who has any identifiable human qualities. \u201cAt the ancient French Catholic shrine of Notre-Dame des Fontaines, Giovanni Canavesio\u2019s 1490s fresco was undoubtedly the most horrifying depiction of the traitor I came across \u2026 Judas hangs from a rope, looking deranged, eyes flashing madly, half in fear, half in threat, his hair a spiky mop \u2026 As he breathes his last, a stream of sweet-potato-like entrails spills out of his open stomach, as well as (with Christianity\u2019s usual scant regard for science) a miniature adult. A golden-winged demon is on hand to catch the newborn, with the implication that it will continue to sow the seeds of Judas\u2019s treacherous legacy into future generations.\u201d<\/li>\n<li>A refutation of <a href=\"http:\/\/www.theguardian.com\/books\/booksblog\/2015\/apr\/01\/why-crime-fiction-is-leftwing-and-thrillers-are-rightwing\" target=\"_blank\">yesterday\u2019s claim<\/a> that thrillers are conservative and crime novels leftist: \u201cConsider the supreme master of the spy thriller, John le Carr\u00e9. His cold war novels stood against the mindless jingoism of the period, resisting the Manichean equation of east-west with evil-good \u2026 <a href=\"http:\/\/www.theguardian.com\/books\/booksblog\/2015\/apr\/03\/thrillers-politically-conservative-val-mcdermid-crime-fiction-jonathan-freedland\" target=\"_blank\">that kind of fury is typical of the fuel that burns through many thrillers<\/a>. This is a genre whose most frequent theme is injustice: the urge to right a wrong.\u201d<\/li>\n<li>\u201cLewis Carroll, like many other Victorian \u2018innocents\u2019, <a href=\"http:\/\/www.spectator.co.uk\/books\/books-feature\/9478892\/stolen-kisses-and-naked-girls-there-is-much-to-wonder-about-in-lewis-carrolls-wonderland\/\" target=\"_blank\">was obsessed by the beauty and incorruptibility of young girls<\/a>. The camera was a fairly recent invention. He used it to make images of girls dressed as princesses or beggars or\u2014the clearest image of innocence\u2014naked \u2026 Carroll\u2019s maneuvers were awkward on the edge of innocence. In 1880 he mistakenly kissed the daughter of one of his Christ Church colleagues who turned out to be seventeen years old. His amusing \u2018apology\u2019 to her mother was ill-received, and not long after that he gave up taking photographs.\u201d<\/li>\n<li>Mark McGurl on Tom McCarthy and <a href=\"http:\/\/www.publicbooks.org\/fiction\/the-novels-forking-path\" target=\"_blank\">the convergence of avant-garde fiction and lyrical realism<\/a>: \u201cTo produce genre effects is to send up a flare to distracted readers, reminding them of fiction\u2019s capacity to produce its version of the richly artificial pleasures on offer everywhere else in contemporary mass culture. It is to show off the sheer power of fiction to alter the real, to brighten, re-order and re-color it, as in a children\u2019s book. Ironically, this is especially true of the ubiquitous postapocalyptic variant, which imagines profoundly awful, even starkly depopulated worlds \u2026 It turns out to be easy for a novelist to kill off almost everyone. This clears the way for the apparently much harder task of rebuilding the social world in terms other than straggling, incipiently fascist authoritarianism. In this mode, every novel is epic again.\u201d<\/li>\n<li><a href=\"http:\/\/www.theawl.com\/2015\/04\/the-end-of-the-line-is-canarsie-btw\" target=\"_blank\">Adventures in surreal estate<\/a>: talking to the developer of a new luxury condo building in Canarsie, at the far end of Brooklyn. \u201cWe call it Loft 87 because it\u2019s a little bit more contemporary-sounding \u2026 It\u2019s obviously a regular apartment \u2026 I\u2019m bringing everything you would see in Bushwick for half the price.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Poor Judas. He just can\u2019t seem to catch a break\u2014his is perhaps the most reviled name in history, even though he\u2019s the only one of the apostles who has any identifiable human qualities. \u201cAt the ancient French Catholic shrine of Notre-Dame des Fontaines, Giovanni Canavesio\u2019s 1490s fresco was undoubtedly the most horrifying depiction of the [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[16994,927,17642,13385,3983,9611,594,17657,16157,1179,13579,5215],"class_list":["post-84360","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-avant-garde-fiction","tag-betrayal","tag-crime-novels","tag-easter","tag-john-le-carre","tag-judas","tag-lewis-carroll","tag-lyrical-realism","tag-mark-mcgurl","tag-real-estate","tag-thrillers","tag-tom-mccarthy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Judas: No One\u2019s Favorite Apostle<\/title>\n<meta name=\"description\" content=\"Why is Judas so loathed when he\u2019s the only recognizably human apostle?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poor Judas, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 3, 2015 \u2013 Poor Judas. He just can\u2019t seem to catch a break\u2014his is perhaps the most reviled name in history, even though he\u2019s the only one of the apostles who has any\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-04-03T12:50:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-04-03T14:18:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1632\" \/>\n\t<meta property=\"og:image:height\" content=\"1408\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Poor Judas, and Other News\",\"datePublished\":\"2015-04-03T12:50:03+00:00\",\"dateModified\":\"2015-04-03T14:18:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\"},\"wordCount\":522,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\",\"keywords\":[\"avant-garde fiction\",\"betrayal\",\"crime novels\",\"Easter\",\"John le Carr\u00e9\",\"Judas\",\"Lewis Carroll\",\"lyrical realism\",\"Mark McGurl\",\"real estate\",\"thrillers\",\"Tom McCarthy\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\",\"name\":\"Judas: No One\u2019s Favorite Apostle\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\",\"datePublished\":\"2015-04-03T12:50:03+00:00\",\"dateModified\":\"2015-04-03T14:18:36+00:00\",\"description\":\"Why is Judas so loathed when he\u2019s the only recognizably human apostle?\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/judas.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/03\/poor-judas-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Poor Judas, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. 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