{"id":84311,"date":"2015-04-02T08:52:48","date_gmt":"2015-04-02T12:52:48","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=84311"},"modified":"2015-04-02T11:30:42","modified_gmt":"2015-04-02T15:30:42","slug":"strandelion-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/04\/02\/strandelion-and-other-news\/","title":{"rendered":"Strandelion, and Other News"},"content":{"rendered":"<div id=\"attachment_84313\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/dandelionstamp.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-84313\" class=\"wp-image-84313 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/dandelionstamp.jpg\" alt=\"dandelionstamp\" width=\"600\" height=\"467\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/dandelionstamp.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/04\/dandelionstamp-300x234.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-84313\" class=\"wp-caption-text\">From a 1960 German postage stamp.<\/p><\/div>\n<ul>\n<li><a href=\"http:\/\/www.theguardian.com\/books\/booksblog\/2015\/apr\/01\/why-crime-fiction-is-leftwing-and-thrillers-are-rightwing\" target=\"_blank\">The politics of genre fiction<\/a>: \u201cthe current preoccupations of the crime novel, the <em>roman noir<\/em>, the <em>krimi<\/em> lean to the left. It\u2019s critical of the status quo, sometimes overtly, sometimes more subtly. It often gives a voice to characters who are not comfortably established in the world \u2026 The thriller, on the other hand, tends towards the conservative, probably because the threat implicit in the thriller is the world turned upside down.\u201d<\/li>\n<li><a href=\"http:\/\/bostonreview.net\/poetry\/npm-2015-adam-fitzgerald-last-interview-mark-strand-part-one\" target=\"_blank\">Mark Strand\u2019s final interview takes a fittingly existentialist turn<\/a>: \u201cI don\u2019t know why I was born &#8230; here I am: a sentient being, talking about life. I had the luck to be born a human being who can speak. I might have been a dandelion or a goldfinch. I might have been a buffalo in the zoo. A fly! I don\u2019t know why I\u2019m here.\u201d<\/li>\n<li>Philip Pullman has <a href=\"http:\/\/moreintelligentlife.com\/blog\/tim-de-lisle\/story-first-plan-afterwards\" target=\"_blank\">a transcendently simple (and hyperrealist) way of working through writer\u2019s block<\/a>: \u201cIf you\u2019re stuck, if you\u2019re really desperate\u2014dialogue: \u2018Hello.\u2019 \u2018Oh hello.\u2019 \u2018How are you?\u2019 \u2018Not too bad, thanks. How are you?\u2019 \u2018Not too bad.\u2019 Half a page already.\u201d<\/li>\n<li>Anita Loos\u2019s <em><a href=\"http:\/\/www.thedailybeast.com\/articles\/2015\/03\/29\/american-dreams-how-joyce-and-faulkner-fell-for-a-blonde.html\" target=\"_blank\">Gentlemen Prefer Blondes<\/a> <\/em>\u201cwas one of the only books that James Joyce, his eyesight fading, allowed himself to read while taking breaks from <em>Finnegans Wake<\/em>.\u201d (Other admirers: Edith Wharton, William Faulkner, E. B. White, Sherwood Anderson, William Empson, and Rose Macaulay.)<\/li>\n<li>Before he decamped for England and a lifetime of Anglophilia, T. S. Eliot \u201cspent his formative childhood summers in <a href=\"http:\/\/www.bostonglobe.com\/arts\/books\/2015\/03\/30\/tsegloucester\/p10rt7fJnS3DjdG2ZBmd9N\/story.html?camp=id\" target=\"_blank\">a wood-shingled, seven-bedroom seaside house on Gloucester\u2019s Eastern Point<\/a>, built for his family in 1896.\u201d The T. S. Eliot Foundation plans to turn the house into a writers\u2019 retreat.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The politics of genre fiction: \u201cthe current preoccupations of the crime novel, the roman noir, the krimi lean to the left. It\u2019s critical of the status quo, sometimes overtly, sometimes more subtly. It often gives a voice to characters who are not comfortably established in the world \u2026 The thriller, on the other hand, tends [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[12199,17642,4365,9111,7002,17644,1132,947,17643,10482,1772,13579,1297,15318],"class_list":["post-84311","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-anita-loos","tag-crime-novels","tag-dandelions","tag-existentialism","tag-genre-fiction","tag-gentlemen-prefer-blondes","tag-interviews","tag-james-joyce","tag-mark-stand","tag-philip-pullman","tag-t-s-eliot","tag-thrillers","tag-writers-block","tag-writers-retreats"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Strand&#039;s Last Interview, Joyce&#039;s Favorite Escape, and More<\/title>\n<meta name=\"description\" content=\"\u201cI could&#039;ve been a dandelion,\u201d Strand says in his final interview.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/02\/strandelion-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Strandelion, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 2, 2015 \u2013 The politics of genre fiction: \u201cthe current preoccupations of the crime novel, the roman noir, the krimi lean to the left. 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