{"id":84171,"date":"2015-03-27T14:21:06","date_gmt":"2015-03-27T18:21:06","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=84171"},"modified":"2015-03-27T14:21:06","modified_gmt":"2015-03-27T18:21:06","slug":"soap","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/","title":{"rendered":"Soap"},"content":{"rendered":"<div id=\"attachment_84174\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-84174\" class=\"wp-image-84174\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\" alt=\"\" width=\"600\" height=\"462\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg 1186w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto-300x231.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto-1024x789.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-84174\" class=\"wp-caption-text\">Photo: Kathea Pinto<\/p><\/div>\n<p><em>From \u201cSoap,\u201d by Francis Ponge, in our <a href=\"https:\/\/www.theparisreview.org\/back-issues\/43\" target=\"_blank\">Summer 1968 issue<\/a>. Ponge, a <a href=\"http:\/\/www.poetryfoundation.org\/bio\/francis-ponge\" target=\"_blank\">French poet and essayist<\/a> born on this day in 1899, believed that \u201ca mind in search of ideas should first stock up on appearances.\u201d \u201cSoap\u201d is an excerpt from his <\/em><a href=\"http:\/\/www.sup.org\/books\/title\/?id=850\">Le Savon<\/a><em>.<\/em><\/p>\n<p>There is so much to say about soap. Precisely everything that it tells about itself until the complete disappearance, the exhaustion of the subject. This is just the object suited to me.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Soap has much to say. May it say it with volubility, enthusiasm. When it has finished saying it, it no longer is.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Soap was made by man for his body\u2019s use, yet it does not willingly attend him. This inert stone is nearly as hard to hold as a fish. See it slip from me and like a frog dive into the basin again \u2026 emitting also at its own expense a blue cloud of evanescence, of confusion. <!--more--><\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>For a piece of soap the principal virtues are enthusiasm and volubility. At any rate ease of elocution. This, which is excessively simple, has nonetheless never been said. Even by the specialist in commercial publicity. And what do the soap-manufacturers offer me\u2014not a penny! They have never even thought of it! Yet soap and I will show them what we can do \u2026<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>There is nothing in nature comparable to soap. No stone is so modest nor, at the same time, so magnificent.<\/p>\n<p>To be frank, there is something adorable about its personality. Its behavior is inimitable.<\/p>\n<p>It begins with perfect reserve.<\/p>\n<p>Soap displays at first perfect self-control, though more or less discreetly scented. Then, as soon as one occupies oneself with it, I won\u2019t say fire, of course, but what magnificent \u00e9lan! What utter enthusiasm in the gift of itself! What generosity! What volubility, almost inexhaustible, unimaginable!<\/p>\n<p>One may, besides, soon be done with it, yet this adventure, this brief encounter leaves you\u2014this is what it is sublime\u2014with hands as clean as you\u2019ve ever had.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Because of this object\u2019s qualities I must expatiate a little, make it froth before your eyes.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Violent desire to wash one\u2019s hands.<\/p>\n<p>Dear reader, I suppose that you sometimes want to wash your hands?<\/p>\n<p>For your intellectual toilet, reader, here is a text on soap.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>This egg, this flat<br \/>dab\u2014this little<br \/>almond, which<br \/>grows so quickly<br \/>(almost instantly)<br \/>into a Chinese fish<br \/>With its veils and kimonos<br \/>And wide sleeves<br \/>Thus it celebrates its marriage<br \/>with water. Such is the gown of its marriage with water.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>One would never be through,<br \/>with soap!<\/p>\n<p>\u2026 Yet it is necessary to return it to its saucer, to its strict appearance, its austere oval, its dry patience, and its power to serve again.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Translated from French by Lane Dunlop.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From \u201cSoap,\u201d by Francis Ponge, in our Summer 1968 issue. Ponge, a French poet and essayist born on this day in 1899, believed that \u201ca mind in search of ideas should first stock up on appearances.\u201d \u201cSoap\u201d is an excerpt from his Le Savon. There is so much to say about soap. Precisely everything that [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1188],"tags":[33,370,17601,17603,17604,7221,165,13490,17602],"class_list":["post-84171","post","type-post","status-publish","format-standard","hentry","category-from-the-archive","tag-archives","tag-back-issues","tag-francis-ponge","tag-issue-43","tag-lather","tag-poems","tag-poetry","tag-prose-poems","tag-soap"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>An Excerpt from Francis Ponge\u2019s \u201cSoap\u201d<\/title>\n<meta name=\"description\" content=\"The French essayist and prose poet published an excerpt from \u201cSoap\u201d in our Summer 1968 issue.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Soap by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"March 27, 2015 \u2013 From \u201cSoap,\u201d by Francis Ponge, in our Summer 1968 issue. Ponge, a French poet and essayist born on this day in 1899, believed that \u201ca mind in search of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-03-27T18:21:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1186\" \/>\n\t<meta property=\"og:image:height\" content=\"914\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Soap\",\"datePublished\":\"2015-03-27T18:21:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\"},\"wordCount\":465,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\",\"keywords\":[\"archives\",\"back issues\",\"Francis Ponge\",\"Issue 43\",\"lather\",\"poems\",\"poetry\",\"prose poems\",\"soap\"],\"articleSection\":[\"From the Archive\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\",\"name\":\"An Excerpt from Francis Ponge\u2019s \u201cSoap\u201d\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\",\"datePublished\":\"2015-03-27T18:21:06+00:00\",\"description\":\"The French essayist and prose poet published an excerpt from \u201cSoap\u201d in our Summer 1968 issue.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/soap-kathea-pinto.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/27\/soap\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Soap\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. 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