{"id":83887,"date":"2015-03-23T09:16:31","date_gmt":"2015-03-23T13:16:31","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=83887"},"modified":"2015-03-23T10:20:23","modified_gmt":"2015-03-23T14:20:23","slug":"glitch-art-goes-for-broke-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/23\/glitch-art-goes-for-broke-and-other-news\/","title":{"rendered":"Glitch Art Goes for Broke, and Other News"},"content":{"rendered":"<div id=\"attachment_83889\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/maxh.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-83889\" class=\"wp-image-83889\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/maxh.jpg\" alt=\"maxh\" width=\"600\" height=\"490\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/maxh.jpg 2270w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/maxh-300x245.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/maxh-1024x836.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-83889\" class=\"wp-caption-text\"><i>Max Headroom<\/i>, which marked glitch art\u2019s entry into the mainstream. Image via Daily Dot<\/p><\/div>\n<ul>\n<li>The word <em>glitch<\/em> \u201cmay derive from Yiddish words conveying slippage\u201d\u2014and <a href=\"http:\/\/kernelmag.dailydot.com\/issue-sections\/features-issue-sections\/12265\/glitch-art-history\/\" target=\"_blank\">glitch art explores the grating moments of slippage in our technology<\/a>. It is, depending on whom you ask, new, old, incisive, crass, \u201cbeatified violence, \u201c \u201cthe product of an elitist discourse and dogma widely pursued by the na\u00efve victims of a persistent upgrade culture,\u201d or just kind of neat to look at.<\/li>\n<li>If the art world is consumed by the effects of the Internet on our synapses, literary fiction is just the opposite: much of it seems unwilling\u2014or unable\u2014<a href=\"http:\/\/www.themillions.com\/2015\/03\/reader-i-muted-him-the-narrative-possibilities-of-networked-life.html\" target=\"_blank\">to engage with the texture of networked life<\/a>. Novelists prefer to set their stories in technological vacuums, and it disadvantages them: \u201cI don\u2019t see these elements of contemporary life as destructive of narrative possibilities, but as sources for <em>new<\/em>. I\u2019ve become something of a collector of fictional moments in which networked life matters. Not the simple inclusion of emails and other \u2018found texts\u2019 in a novel, nor casual mentions of characters owning phones and computers, but scenes in which these technologies allow writers to show something distinctly <em>now.<\/em>\u201d<\/li>\n<li>Does a \u201c<a href=\"http:\/\/www.nytimes.com\/2015\/03\/22\/opinion\/sunday\/judith-shulevitz-hiding-from-scary-ideas.html?ref=opinion&amp;_r=1&amp;referrer=\" target=\"_blank\">safe space<\/a>\u201d have any chance of functioning as a truly intellectual space? \u201cWhile keeping college-level discussions \u2018safe\u2019 may feel good to the hypersensitive, it\u2019s bad for them and for everyone else. People ought to go to college to sharpen their wits and broaden their field of vision. Shield them from unfamiliar ideas, and they\u2019ll never learn the discipline of seeing the world as other people see it.\u201d<\/li>\n<li>Readers (or book buyers) in the UK have expressed <a href=\"http:\/\/www.theguardian.com\/books\/2015\/mar\/22\/nature-writing-literary-gold\" target=\"_blank\">a seemingly inexhaustible desire for nature writing<\/a>\u2014it sells well, it gets good reviews, it questions \u201cthe values of our current society.\u201d \u201cI know of nature books that are being released this year on the last Thursday in July, when [Helen Macdonald\u2019s <em>H Is for Hawk<\/em>] was released. It\u2019s now seen as the new magical date in publishing.\u201d<\/li>\n<li>Mario Vargas Llosa <a href=\"http:\/\/www.telegraph.co.uk\/culture\/books\/authorinterviews\/11483708\/Mario-Vargas-Llosa-the-novels-we-read-now-are-purely-entertainment.html\" target=\"_blank\">on the state of literature<\/a>: \u201cThe function of the critic was very important in establishing categories and hierarchies of information, but now critics don\u2019t exist at all. That was one of the important contributions of the novel, once, too. But now the novels that are read are purely entertainment\u2014well done, very polished, with a very effective technique\u2014but not literature, just entertainment.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The word glitch \u201cmay derive from Yiddish words conveying slippage\u201d\u2014and glitch art explores the grating moments of slippage in our technology. It is, depending on whom you ask, new, old, incisive, crass, \u201cbeatified violence, \u201c \u201cthe product of an elitist discourse and dogma widely pursued by the na\u00efve victims of a persistent upgrade culture,\u201d or [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[8923,71,17510,1014,17512,17511,224,13144],"class_list":["post-83887","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-colleges","tag-fiction","tag-glitch-art","tag-mario-vargas-llosa","tag-nature-writing","tag-safe-space","tag-technology","tag-universities"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Glitch Art Goes for Broke<\/title>\n<meta name=\"description\" content=\"A new history of glitch art traces the development of an aesthetic. Plus, Vargas Llosa on the state of literature and more in today\u2018s roundup\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/23\/glitch-art-goes-for-broke-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Glitch Art Goes for Broke, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"March 23, 2015 \u2013 The word glitch \u201cmay derive from Yiddish words conveying slippage\u201d\u2014and glitch art explores the grating moments of slippage in our technology. 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