{"id":83537,"date":"2015-03-11T11:23:02","date_gmt":"2015-03-11T15:23:02","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=83537"},"modified":"2015-09-09T10:20:45","modified_gmt":"2015-09-09T14:20:45","slug":"big-bent-ears-part-1-there-are-no-words","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/","title":{"rendered":"Big, Bent Ears, Chapter 1: There Are No Words"},"content":{"rendered":"<div id=\"attachment_83538\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-83538\" class=\"wp-image-83538\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\" alt=\"Noras_2\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg 1200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2-1024x683.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-83538\" class=\"wp-caption-text\">From Joseph Mitchell\u2019s collected objects. Photo by Ivan Weiss<\/p><\/div>\n<p>We\u2019ve posted <a href=\"http:\/\/bigbentears.theparisreview.org\/bigbentears#chapter-168599\" target=\"_blank\">the first chapter of Big, Bent Ears<\/a>, Sam Stephenson and Ivan Weiss\u2019s \u201cSerial in Documentary Uncertainty.\u201d If you missed it, we launched the series <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/04\/presenting-big-bent-ears\/\" target=\"_blank\">last week<\/a>; it\u2019s a combination of video, audio, photography, and writing in various arrangements and states of completion. This week, Sam and Ivan examine the overlap between two of their projects, one focused on the writer Joseph Mitchell and the other on the Big Ears Music Festival, featuring the musician Jonny Greenwood and the Wordless Music Orchestra, among others:<\/p>\n<blockquote>\n<p>At some point that week, though, the word <em>ear<\/em> began, well, ringing in ours. The Knoxville music festival is called Big Ears, recalling Mitchell\u2019s \u201cbent\u201d ones. We now wonder whether the type of careful, concentrated sonic experience on display at Big Ears\u2014where the audience is invited to move outside their comfort zones and immerse themselves in new sounds\u2014is analogous to Mitchell\u2019s old-fashioned manner of venturing out into the back alleys of New York to hear people talk.<\/p>\n<\/blockquote>\n<p><a href=\"http:\/\/bigbentears.theparisreview.org\/bigbentears#chapter-168599\" target=\"_blank\">Read the piece here<\/a>. The next installment comes in two weeks, on March 25\u2014stay tuned.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019ve posted the first chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss\u2019s \u201cSerial in Documentary Uncertainty.\u201d If you missed it, we launched the series last week; it\u2019s a combination of video, audio, photography, and writing in various arrangements and states of completion. This week, Sam and Ivan examine the overlap between two of [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16402],"tags":[17253,17255,1596,13223,17356,8397,8163,17257,1551,2080,17357],"class_list":["post-83537","post","type-post","status-publish","format-standard","hentry","category-big-bent-ears","tag-big-bent-ears","tag-big-ears-festival","tag-documentary","tag-ivan-weiss","tag-jonny-greenwood","tag-joseph-mitchell","tag-multimedia","tag-rock-fish-stew","tag-sam-stephenson","tag-video","tag-wordless-music-orchestra"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Leave Your Comfort Zone with Joseph Mitchell &amp; Jonny Greenwood<\/title>\n<meta name=\"description\" content=\"The first installment of our new multimedia series, \u201cBig, Bent Ears,\u201d explores overlaps between the writing of Joseph Mitchell and the music of Jonny Greenwood.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Big, Bent Ears, Chapter 1: There Are No Words by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"March 11, 2015 \u2013 We\u2019ve posted the first chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss\u2019s \u201cSerial in Documentary Uncertainty.\u201d If you missed it, we launched the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-03-11T15:23:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-09-09T14:20:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Big, Bent Ears, Chapter 1: There Are No Words\",\"datePublished\":\"2015-03-11T15:23:02+00:00\",\"dateModified\":\"2015-09-09T14:20:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\"},\"wordCount\":209,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\",\"keywords\":[\"Big Bent Ears\",\"Big Ears Festival\",\"documentary\",\"Ivan Weiss\",\"Jonny Greenwood\",\"Joseph Mitchell\",\"multimedia\",\"Rock Fish Stew\",\"Sam Stephenson\",\"video\",\"Wordless Music Orchestra\"],\"articleSection\":[\"Big, Bent Ears\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\",\"name\":\"Leave Your Comfort Zone with Joseph Mitchell & Jonny Greenwood\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\",\"datePublished\":\"2015-03-11T15:23:02+00:00\",\"dateModified\":\"2015-09-09T14:20:45+00:00\",\"description\":\"The first installment of our new multimedia series, \u201cBig, Bent Ears,\u201d explores overlaps between the writing of Joseph Mitchell and the music of Jonny Greenwood.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Big, Bent Ears, Chapter 1: There Are No Words\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Leave Your Comfort Zone with Joseph Mitchell & Jonny Greenwood","description":"The first installment of our new multimedia series, \u201cBig, Bent Ears,\u201d explores overlaps between the writing of Joseph Mitchell and the music of Jonny Greenwood.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/","og_locale":"en_US","og_type":"article","og_title":"Big, Bent Ears, Chapter 1: There Are No Words by Dan Piepenbring","og_description":"March 11, 2015 \u2013 We\u2019ve posted the first chapter of Big, Bent Ears, Sam Stephenson and Ivan Weiss\u2019s \u201cSerial in Documentary Uncertainty.\u201d If you missed it, we launched the","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-03-11T15:23:02+00:00","article_modified_time":"2015-09-09T14:20:45+00:00","og_image":[{"width":1200,"height":800,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Big, Bent Ears, Chapter 1: There Are No Words","datePublished":"2015-03-11T15:23:02+00:00","dateModified":"2015-09-09T14:20:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/"},"wordCount":209,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg","keywords":["Big Bent Ears","Big Ears Festival","documentary","Ivan Weiss","Jonny Greenwood","Joseph Mitchell","multimedia","Rock Fish Stew","Sam Stephenson","video","Wordless Music Orchestra"],"articleSection":["Big, Bent Ears"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/","name":"Leave Your Comfort Zone with Joseph Mitchell & Jonny Greenwood","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg","datePublished":"2015-03-11T15:23:02+00:00","dateModified":"2015-09-09T14:20:45+00:00","description":"The first installment of our new multimedia series, \u201cBig, Bent Ears,\u201d explores overlaps between the writing of Joseph Mitchell and the music of Jonny Greenwood.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/noras_2.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/big-bent-ears-part-1-there-are-no-words\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Big, Bent Ears, Chapter 1: There Are No Words"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/83537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=83537"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/83537\/revisions"}],"predecessor-version":[{"id":89613,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/83537\/revisions\/89613"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=83537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=83537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=83537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}