{"id":83531,"date":"2015-03-11T08:36:52","date_gmt":"2015-03-11T12:36:52","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=83531"},"modified":"2021-03-05T13:10:07","modified_gmt":"2021-03-05T18:10:07","slug":"home-is-where-the-tv-is-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/11\/home-is-where-the-tv-is-and-other-news\/","title":{"rendered":"Home Is Where the TV Is, and Other News"},"content":{"rendered":"<div id=\"attachment_83532\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/tvmall.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-83532\" class=\"wp-image-83532\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/tvmall.jpg\" alt=\"tvmall\" width=\"600\" height=\"404\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/tvmall.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/tvmall-300x202.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-83532\" class=\"wp-caption-text\">It\u2019s okay\u2014you belong! Photo: \u00a9 Michael Galinsky.<\/p><\/div>\n<ul>\n<li>The artist Tim Youd is <a href=\"http:\/\/www.theguardian.com\/books\/2015\/mar\/10\/tim-youd-lucky-jim-kingsley-amis-university-of-leicester\" target=\"_blank\" rel=\"noopener noreferrer\">retyping <em>Lucky Jim<\/em><\/a>, word by painstaking word, in public at the University of Leicester, on an Adler Universal typewriter\u2014the same model Kingsley Amis used. \u201cI\u2019ve read everything before I retype it, so the suspense is gone. The appreciation happens on a deeper level. I get to examine the structure, the style in the course of the most active form of reading \u2026 At its heart, the performance is a devotional exercise. It is an extreme, perhaps slightly absurd dedication to the author\u2019s words.\u201d<\/li>\n<li><a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/post-internet-poetry-comes-of-age?mbid=social_twitter\" target=\"_blank\" rel=\"noopener noreferrer\">Post-Internet poetry<\/a> takes for granted that the Web, as a medium, can inspire and inform a poem\u2014it doesn\u2019t make a show, that is, of turning the poet into a kind of DJ, \u201cweaving together samples of preexisting language into something unique. Of course, this is nothing new. The cento\u2014snagging lines from other poems to make your own\u2014has been around for nearly two millennia. But what\u2019s new is [the] use of Google as an oracle, the results from which are strained through [one\u2019s] own subjectivity, leading to poems that are at once organic and mechanical, personal and, in a sense, objective.\u201d<\/li>\n<li>\u201cMore than 300 million people live here, and they had descended over the course of a very few generations from a huge number of disparate cultures, with different histories, ways of behavior, worldviews, and experiential backgrounds. All of them, sooner or later, had been required to relinquish their old culture and enter the new one. That must be why the most striking thing about the United States was its sameness \u2026 And that must be why every American movie was made after the same template and why, in this sense, every movie expressed the same thing. And that must be why all these TVs were hanging on the walls, unwatched; they created an immediate sense of belonging, a feeling of home.\u201d <a href=\"http:\/\/www.nytimes.com\/2015\/03\/15\/magazine\/karl-ove-knausgaards-passage-through-america.html?smid=tw-nytmag\" target=\"_blank\" rel=\"noopener noreferrer\">Knausgaard\u2019s travels in America continue<\/a>.<\/li>\n<li>Kristin Dombek on <a href=\"http:\/\/www.lrb.co.uk\/v37\/n06\/kristin-dombek\/woman-manly\" target=\"_blank\" rel=\"noopener noreferrer\">Kim Gordon and Sonic Youth<\/a>: \u201cSonic Youth turned the war of sound into a war on the reproducibility of music for consumption, and the failure to create the perfect rock product into music itself \u2026 Since guys liked Sonic Youth, learning to like them had seemed like a way to borrow a little male bonding, like wearing flannel, skipping class to drop acid, or fumbling my way through a hacky sack circle.\u201d<\/li>\n<li>Don\u2019t pretend you don\u2019t care about <a href=\"http:\/\/thesocietypages.org\/socimages\/2015\/03\/09\/who-farts-and-who-cares\/\" target=\"_blank\" rel=\"noopener noreferrer\">the sociology of flatulence<\/a>. \u201cHeterosexual men were the most\u00a0likely to think it was funny and the most likely to engage in \u2018intentional flatulence\u2019 &#8230; Heterosexual women felt like they were violating gender norms if their farts were stinky: \u2018The worse it stinks,\u2019 said one, \u2018the nastier they think I am.\u2019 \u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The artist Tim Youd is retyping Lucky Jim, word by painstaking word, in public at the University of Leicester, on an Adler Universal typewriter\u2014the same model Kingsley Amis used. \u201cI\u2019ve read everything before I retype it, so the suspense is gone. The appreciation happens on a deeper level. I get to examine the structure, the [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[12657,17355,8542,17354,120,11476,6425,7221,17353,10402,54,17352],"class_list":["post-83531","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-farting","tag-flatulence","tag-karl-ove-knausgaard","tag-kim-gordon","tag-kingsley-amis","tag-kristin-dombek","tag-lucky-jim","tag-poems","tag-post-internet-poetry","tag-sonic-youth","tag-television","tag-tim-youd"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Karl Ove Knausgaard and Television in America<\/title>\n<meta name=\"description\" content=\"The second part of his travelogue meditates on the ubiquity of televisions in American homes. 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