{"id":83477,"date":"2015-03-10T09:14:21","date_gmt":"2015-03-10T13:14:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=83477"},"modified":"2015-03-10T10:25:05","modified_gmt":"2015-03-10T14:25:05","slug":"fell-that-fairy-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/10\/fell-that-fairy-and-other-news\/","title":{"rendered":"Fell That Fairy, and Other News"},"content":{"rendered":"<div id=\"attachment_83479\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/image-dadd_-_fairy_fellers.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-83479\" class=\"wp-image-83479\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/image-dadd_-_fairy_fellers.jpg\" alt=\"Image-Dadd_-_Fairy_Feller's\" width=\"600\" height=\"448\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/image-dadd_-_fairy_fellers.jpg 1127w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/image-dadd_-_fairy_fellers-300x224.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/image-dadd_-_fairy_fellers-1024x764.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-83479\" class=\"wp-caption-text\">Richard Dadd, <i>The Fairy Feller\u2019s Master-Stroke\u00a0<\/i>(detail), 1855\u201364.<\/p><\/div>\n<ul>\n<li>The Warburg Institute, which dates to 1900, is one of Britain\u2019s most peculiar libraries; in its radically open stacks, astrological guides sidle up to astronomy textbooks and science lives with magic. \u201cIn the past several years, <a href=\"http:\/\/www.newyorker.com\/magazine\/2015\/03\/16\/in-the-memory-ward\" target=\"_blank\">the Warburg\u2019s future has been fiercely contested<\/a>. It is in some senses a small and parochial struggle, right out of Trollope\u2019s Barchester novels, and in others about something very big\u2014about the future of private visions within public institutions, about what memory is and what we owe it, about how to tell when an original vision has become merely an eccentric one.\u201d<\/li>\n<li>Richard Dadd was a promising British painter who went insane in the 1840s. He made his painting<em> The Fairy Feller\u2019s Master-Stroke<\/em> in an asylum. \u201c<a href=\"http:\/\/publicdomainreview.org\/2012\/03\/14\/richard-dadd%E2%80%99s-master-stroke\/?utm_content=bufferfbcbb&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">It is an exhaustingly complex image<\/a>, with a substantial cast of characters, none of whom are doing much \u2026 If the <em>Fairy Feller<\/em> were a work intended for critical interpretation, which it probably was not, then we might talk of the suspended action with which the seed was to be split; the deferred moment of sex; the mutual isolation of the groups of figures suggesting the impossibility of generating a family or a community; and we might connect these themes to Dadd\u2019s awareness of his own position as a long-stay patient in London\u2019s high-security lunatic asylum.\u201d<\/li>\n<li><a href=\"http:\/\/www.historytoday.com\/rhys-griffiths\/picking-torch-golden-age-continuation-novel\" target=\"_blank\">The art of the continuation novel<\/a>: Why do dead authors\u2019 estates hire contemporary writers to imitate them? \u201cThe value of characters \u2026 often exceeds the value of an author\u2019s original texts \u2026 In recent years Sebastian Faulks has written as P.G. Wodehouse, William Boyd as Ian Fleming, Sophie Hannah as Agatha Christie, Anthony Horowitz as Arthur Conan Doyle, and more \u2026 The literary brand, today, is a managed and controlled phenomenon. A dead author\u2019s reach on social media (managed by their estate or publisher) can be vast. The person or people who control Socrates\u2019 Facebook page have access to nearly 1.5 million people.\u201d<\/li>\n<li>\u201cGood metaphors force you to think about the things they reference in fresh ways. <a href=\"http:\/\/www.weeklystandard.com\/articles\/same-difference_876694.html?nopager=1&amp;utm_content=bufferfec4a&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">There aren\u2019t very many good ones, though<\/a>. They\u2019re mostly concocted for the purpose of coercing you into changing your opinion. They annoy and distract rather than illuminate.\u201d<\/li>\n<li>On the Underground Man, <a href=\"http:\/\/www.theguardian.com\/books\/2015\/mar\/10\/baddies-in-books-dostoevsky-notes-from-underground\" target=\"_blank\">everyone\u2019s favorite antihero<\/a>: \u201cCertainly, the author identified strongly with his protagonist, calling him the \u2018real man of the Russian majority.\u2019 Dostoevsky rejected the idea that people act in accordance to reason or their best interests and asserted the need for them to be able to behave as they choose, without fitting into Enlightenment ideas of \u2018progress.\u2019\u2009\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Warburg Institute, which dates to 1900, is one of Britain\u2019s most peculiar libraries; in its radically open stacks, astrological guides sidle up to astronomy textbooks and science lives with magic. \u201cIn the past several years, the Warburg\u2019s future has been fiercely contested. It is in some senses a small and parochial struggle, right out [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[17326,8386,15291,7148,15213,13808,17325,17327,17324],"class_list":["post-83477","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-continuation-novel","tag-dostoevsky","tag-insanity","tag-libraries","tag-metaphors","tag-painters","tag-richard-dadd","tag-underground-man","tag-warburg-institute"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Mystery and Beauty of Richard Dadd\u2019s \u201cFairy Feller\u201d<\/title>\n<meta name=\"description\" content=\"Dadd made the painting in a London insane asylum; it took nine years to complete. 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