{"id":83421,"date":"2015-03-09T09:38:59","date_gmt":"2015-03-09T13:38:59","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=83421"},"modified":"2015-03-09T10:30:32","modified_gmt":"2015-03-09T14:30:32","slug":"sublime-subversive-sappho-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/09\/sublime-subversive-sappho-and-other-news\/","title":{"rendered":"Sublime, Subversive Sappho, and Other News"},"content":{"rendered":"<div id=\"attachment_83422\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/sappho_and_erinna_in_a_garden_at_mytilene.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-83422\" class=\"wp-image-83422\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/sappho_and_erinna_in_a_garden_at_mytilene.jpg\" alt=\"Sappho_and_Erinna_in_a_Garden_at_Mytilene\" width=\"600\" height=\"440\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/sappho_and_erinna_in_a_garden_at_mytilene.jpg 1176w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/sappho_and_erinna_in_a_garden_at_mytilene-300x220.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/sappho_and_erinna_in_a_garden_at_mytilene-1024x751.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-83422\" class=\"wp-caption-text\">Simeon Solomon, <i>Sappho and Erinna in a Garden at Mytilene<\/i>, 1864.<\/p><\/div>\n<ul>\n<li>How does contemporary literature derive meaning in the age of big data? \u201cThe rise of corporate capitalism, and the astonishing, almost exponential rate of its recent acceleration, I would argue, <a href=\"http:\/\/www.theguardian.com\/books\/2015\/mar\/07\/tom-mccarthy-death-writing-james-joyce-working-google\" target=\"_blank\">present a huge challenge to the writer<\/a>, forcing him or her to rethink their whole role and function, to remap their entire universe. There is no space outside this matrix \u2026 Western literature may have more or less begun, in Aeschylus\u2019s <em>Oresteia<\/em>, with a lengthy account of a signal crossing space, and of the beacon network through whose nodes the signal\u2019s message (that of Troy\u2019s downfall) is relayed\u2014but now, two and a half millennia later, that network, that regime of signals, is so omnipresent and insistent, so undeniably inserted or installed at every stratum of existence, that the notion that we might need some person, some skilled craftsman, to compose any messages, let alone incisive or \u2018epiphanic\u2019 ones, seems hopelessly quaint.\u201d<\/li>\n<li>\u201cKAYO IN THE LUNA PARK \/ FREEZE FRAME ON A DRUNK IN THE PIAZZA \/ THAT\u2019S WHAT WE HAVE FOR PIGEONS \/ LUMBERING ON ASPHALT FACEDOWN \/ LEAPSICKNESS THE LAW OF LIQUIDS.\u201d <a href=\"http:\/\/tmagazine.blogs.nytimes.com\/2015\/03\/05\/jean-michel-basquiat-notebooks\/\" target=\"_blank\">Basquiat\u2019s notebooks<\/a> \u201cvariously sound like song lyrics, slogans, mantras, fragments of scenarios, of \u2018routines\u2019 like those of William S. Burroughs.\u201d<\/li>\n<li>Mark Rylance, the former artistic director of the Globe Theatre, said that he\u2019s sometimes cut \u201cunfortunate anti-Semitic things\u201d from Shakespeare\u2014<a href=\"http:\/\/theconversation.com\/should-shakespeare-be-censored-for-sensitive-times-38336\" target=\"_blank\">should we censor plays like <em>The Merchant of Venice<\/em><\/a>?<\/li>\n<li>Who was Sappho? Scholars and readers have been bickering about her for the better part of three thousand years: \u201c<a href=\"http:\/\/www.newyorker.com\/magazine\/2015\/03\/16\/girl-interrupted\" target=\"_blank\">about her work, her family life, and, above all, her sexuality<\/a>. In antiquity, literary critics praised her \u2018sublime\u2019 style, even as comic playwrights ridiculed her allegedly loose morals. Legend has it that the early Church burned her works \u2026 Even today, experts can\u2019t agree on whether the poems were performed in private or in public, by soloists or by choruses, or, indeed, whether they were meant to celebrate or to subvert the conventions of love and marriage.\u201d<\/li>\n<li>Part two of John Jeremiah Sullivan and Joel Finsel\u2019s essay \u201c<a href=\"http:\/\/www.oxfordamerican.org\/item\/546-higher-musical-calling\" target=\"_blank\">on Texas, old newspapers, race music, and two black lives that shaped the history of civil rights<\/a>.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>How does contemporary literature derive meaning in the age of big data? \u201cThe rise of corporate capitalism, and the astonishing, almost exponential rate of its recent acceleration, I would argue, present a huge challenge to the writer, forcing him or her to rethink their whole role and function, to remap their entire universe. There is [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[8073,71,920,1577,504,17302,46,11148,17303,4714,948,12735,5215],"class_list":["post-83421","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-data","tag-fiction","tag-jean-michel-basquiat","tag-john-jeremiah-sullivan","tag-literature","tag-mark-rylance","tag-music","tag-newspapers","tag-race","tag-sappho","tag-shakespeare","tag-the-internet","tag-tom-mccarthy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three Millennia Later, Scholars Still Struggle with Sappho<\/title>\n<meta name=\"description\" content=\"Every aspect of her life and work is up for debate, it seems. 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