{"id":83304,"date":"2015-03-04T09:24:29","date_gmt":"2015-03-04T14:24:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=83304"},"modified":"2015-03-04T10:05:14","modified_gmt":"2015-03-04T15:05:14","slug":"rimbaud-among-the-coffee-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/03\/04\/rimbaud-among-the-coffee-and-other-news\/","title":{"rendered":"Rimbaud Among the Coffee, and Other News"},"content":{"rendered":"<div id=\"attachment_83305\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/rimbaud_in_harar.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-83305\" class=\"wp-image-83305\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/rimbaud_in_harar.jpg\" alt=\"Rimbaud_in_Harar\" width=\"600\" height=\"509\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/rimbaud_in_harar.jpg 667w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/03\/rimbaud_in_harar-300x255.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-83305\" class=\"wp-caption-text\">Rimbaud in Harar, Ethiopia, ca. 1883.<\/p><\/div>\n<ul>\n<li>Fiction has seen a preponderance of <a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/the-rise-of-the-nameless-narrator\">nameless narrators<\/a> lately\u2014in stories of the apocalypse, stories of exile, and\/or stories of just about anything else. \u201cThe first few months of 2015 alone have brought us the following books with nameless protagonists: Tom McCarthy\u2019s <em>Satin Island<\/em>, Ben Metcalf\u2019s <em>Against the Country<\/em>, Greg Baxter\u2019s <em>Munich Airport<\/em>, Daniel Galera\u2019s <em>Blood-Drenched Beard<\/em>, Deepti Kapoor\u2019s <em>A Bad Character<\/em>, Paul Beatty\u2019s <em>The Sellout<\/em>, Alejandro Zambra\u2019s <em>My Documents<\/em>. Surely others have escaped my notice. It\u2019s an epidemic of namelessness.\u201d<\/li>\n<li>In 1880, <a href=\"http:\/\/www.nytimes.com\/2015\/03\/01\/travel\/where-rimbaud-found-peace-in-ethiopia.html\">Rimbaud arrived in Ethiopia<\/a>\u2014it was called Abyssinia then\u2014\u201csick and completely helpless.\u201d He was twenty-six and had taken on a job \u201cconsisting in receiving shipments of bales of coffee\u201d; he lived in a house of clay walls with a thatched roof. But really he was seeking something more metaphysical: \u201cI sought voyages, to disperse enchantments that had colonized my mind \u2026 My life would always be too ungovernable to be devoted to strength and beauty.\u201d He had a great time until his leg had to be amputated.<\/li>\n<li>Yasmina Reza <a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/03\/what-writing-has-in-common-with-happiness\/386701\/\">on the title of her new book<\/a>, <em>Happy Are the Happy<\/em>, which comes from Borges and came to her on an airplane: \u201cThe condition of being happy, in other words, can only be obtained by those who are happy. This is so paradoxical, so enigmatic, so Borges. You can turn that idea over and over in your mind.\u201d (<a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/the-fabric-of-a-life-an-interview-with-yasmina-reza\/\">Read her interview with the <em>Daily<\/em> here<\/a>.)<\/li>\n<li><a href=\"http:\/\/www.newrepublic.com\/article\/121182\/between-you-me-confessions-comma-queen-mary-norris-review\">On copyediting and class<\/a>: a copy editor\u2019s job can be \u201ca soul-crushing enterprise \u2026 Magazines are rigidly hierarchical places \u2026 the work of the copy editor is largely disdained. And because their work is so undervalued, copy editors (and fact checkers) routinely work significantly longer hours for much less money (sixteen-hour days without overtime pay aren\u2019t uncommon) \u2026 they\u2019re often dismissed as fussy or obsessive \u2026 In the Calvinistic world of magazines, maladjusted grammar weirdos simply fall to their natural station.\u201d<\/li>\n<li>\u201cHere is a good example of how inconsistently the term <em>transgressive <\/em>is applied to some and not to others\u2014that V.C. Andrews in <em>Flowers in the Attic<\/em> wrote about brother-sister incest (and a semiforced initial coupling at that) and that book sold over forty million copies. More and more I\u2019m coming to think that labeling certain writers as transgressive, or \u2018outside traditional writing,\u2019 is a construct perpetrated by reviewers and editors. I really believe that the reading public is far more accepting of the so-called extremes in literature than the gatekeepers of taste give them credit for.\u201d <a href=\"http:\/\/www.full-stop.net\/2015\/03\/03\/interviews\/drewsmith\/matthew-stokoe\/\">An interview with Matthew Stokoe<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Fiction has seen a preponderance of nameless narrators lately\u2014in stories of the apocalypse, stories of exile, and\/or stories of just about anything else. \u201cThe first few months of 2015 alone have brought us the following books with nameless protagonists: Tom McCarthy\u2019s Satin Island, Ben Metcalf\u2019s Against the Country, Greg Baxter\u2019s Munich Airport, Daniel Galera\u2019s Blood-Drenched [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[6526,4160,17251,17067,12874,1196,17252,9295,17250,123,12219,1283],"class_list":["post-83304","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-arthur-rimbaud","tag-borges","tag-contemporary-fiction","tag-copyediting","tag-copyeditors","tag-ethiopia","tag-matthew-stokoe","tag-names","tag-narrators","tag-travel","tag-v-c-andrews","tag-yasmina-reza"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cVoyages to Disperse Enchantments\u201d: Rimbaud in Ethiopia<\/title>\n<meta name=\"description\" content=\"The poet had a fascinating, strange stint abroad. 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