{"id":82960,"date":"2015-02-23T19:29:55","date_gmt":"2015-02-24T00:29:55","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=82960"},"modified":"2015-02-23T20:45:05","modified_gmt":"2015-02-24T01:45:05","slug":"autobiography-with-oysters-orgy","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/","title":{"rendered":"Autobiography (With Oysters, Orgy)"},"content":{"rendered":"<div id=\"attachment_82962\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-82962\" class=\"wp-image-82962\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg\" alt=\"\" width=\"600\" height=\"512\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg 2069w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy-300x256.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy-1024x874.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-82962\" class=\"wp-caption-text\">Chekhov in 1897.<\/p><\/div>\n<p><em>A letter from Anton Chekhov to V. A. Tihonov, dated February 23, 1892. Chekhov had just turned thirty-two at the time. Translated from the Russian by Constance Garnett.<\/em><\/p>\n<p>You are mistaken in thinking you were drunk at Shtcheglov\u2019s name-day party. You had had a drop, that was all. You danced when they all danced, and your jigitivka on the cabman\u2019s box excited nothing but general delight. As for your criticism, it was most likely far from severe, as I don\u2019t remember it. I only remember that Vvedensky and I for some reason roared with laughter as we listened to you.<\/p>\n<p>Do you want my biography? Here it is. <!--more--><\/p>\n<p>I was born in Taganrog in 1860. I finished the course at Taganrog high school in 1879. In 1884 I took my degree in medicine at the University of Moscow. In 1888 I gained the Pushkin prize. In 1890 I made a journey to Sahalin across Siberia and back by sea. In 1891 I made a tour in Europe, where I drank excellent wine and ate oysters. In 1892 I took part in an orgy in the company of V. A. Tihonov at a name-day party. I began writing in 1879. The published collections of my works are: \u201cMotley Tales,\u201d \u201cIn the Twilight,\u201d \u201cStories,\u201d \u201cSurly People,\u201d and a novel, \u201cThe Duel.\u201d I have sinned in the dramatic line too, though with moderation. I have been translated into all the languages with the exception of the foreign ones, though I have indeed long ago been translated by the Germans. The Czechs and the Serbs approve of me also, and the French are not indifferent. The mysteries of love I fathomed at the age of thirteen. With my colleagues, doctors, and literary men alike, I am on the best of terms. I am a bachelor. I should like to receive a pension. I practice medicine, and so much so that sometimes in the summer I perform post-mortems, though I have not done so for two or three years. Of authors my favorite is Tolstoy, of doctors Zaharin.<\/p>\n<p>All that is nonsense though. Write what you like. If you haven\u2019t facts make up with lyricism.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A letter from Anton Chekhov to V. A. Tihonov, dated February 23, 1892. Chekhov had just turned thirty-two at the time. Translated from the Russian by Constance Garnett. You are mistaken in thinking you were drunk at Shtcheglov\u2019s name-day party. You had had a drop, that was all. You danced when they all danced, and [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1900],"tags":[4738,12997,15356,5733,182,17147,75],"class_list":["post-82960","post","type-post","status-publish","format-standard","hentry","category-correspondence","tag-anton-chekhov","tag-autobiographies","tag-biographies","tag-correspondence-2","tag-letters","tag-orgies","tag-writing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In Chekhov\u2018s 200-Word Autobiography: Oysters, Orgies<\/title>\n<meta name=\"description\" content=\"An 1892 letter from Chekhov finds the young writer in high spirits, especially with regard to his own accomplishments.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Autobiography (With Oysters, Orgy) by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"February 23, 2015 \u2013 A letter from Anton Chekhov to V. A. Tihonov, dated February 23, 1892. Chekhov had just turned thirty-two at the time. Translated from the Russian by\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-24T00:29:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-02-24T01:45:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy-1024x874.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"874\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Autobiography (With Oysters, Orgy)\",\"datePublished\":\"2015-02-24T00:29:55+00:00\",\"dateModified\":\"2015-02-24T01:45:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\"},\"wordCount\":367,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg\",\"keywords\":[\"Anton Chekhov\",\"Autobiographies\",\"biographies\",\"correspondence\",\"letters\",\"orgies\",\"writing\"],\"articleSection\":[\"Correspondence\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\",\"name\":\"In Chekhov\u2018s 200-Word Autobiography: Oysters, Orgies\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg\",\"datePublished\":\"2015-02-24T00:29:55+00:00\",\"dateModified\":\"2015-02-24T01:45:05+00:00\",\"description\":\"An 1892 letter from Chekhov finds the young writer in high spirits, especially with regard to his own accomplishments.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Autobiography (With Oysters, Orgy)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"In Chekhov\u2018s 200-Word Autobiography: Oysters, Orgies","description":"An 1892 letter from Chekhov finds the young writer in high spirits, especially with regard to his own accomplishments.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/","og_locale":"en_US","og_type":"article","og_title":"Autobiography (With Oysters, Orgy) by Dan Piepenbring","og_description":"February 23, 2015 \u2013 A letter from Anton Chekhov to V. A. Tihonov, dated February 23, 1892. Chekhov had just turned thirty-two at the time. Translated from the Russian by","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-02-24T00:29:55+00:00","article_modified_time":"2015-02-24T01:45:05+00:00","og_image":[{"width":1024,"height":874,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy-1024x874.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Autobiography (With Oysters, Orgy)","datePublished":"2015-02-24T00:29:55+00:00","dateModified":"2015-02-24T01:45:05+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/"},"wordCount":367,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg","keywords":["Anton Chekhov","Autobiographies","biographies","correspondence","letters","orgies","writing"],"articleSection":["Correspondence"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/","name":"In Chekhov\u2018s 200-Word Autobiography: Oysters, Orgies","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg","datePublished":"2015-02-24T00:29:55+00:00","dateModified":"2015-02-24T01:45:05+00:00","description":"An 1892 letter from Chekhov finds the young writer in high spirits, especially with regard to his own accomplishments.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/anton_chekhov_1897_in_melihovo-copy.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/autobiography-with-oysters-orgy\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Autobiography (With Oysters, Orgy)"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/82960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=82960"}],"version-history":[{"count":4,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/82960\/revisions"}],"predecessor-version":[{"id":82966,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/82960\/revisions\/82966"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=82960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=82960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=82960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}