{"id":82929,"date":"2015-02-23T09:30:04","date_gmt":"2015-02-23T14:30:04","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=82929"},"modified":"2015-02-23T10:52:23","modified_gmt":"2015-02-23T15:52:23","slug":"todays-defacement-is-tomorrows-artifact-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/23\/todays-defacement-is-tomorrows-artifact-and-other-news\/","title":{"rendered":"Today\u2019s Defacement Is Tomorrow\u2019s Artifact, and Other News"},"content":{"rendered":"<div id=\"attachment_82931\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/twain.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-82931\" class=\"wp-image-82931\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/twain.jpg\" alt=\"twain\" width=\"600\" height=\"338\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/twain.jpg 970w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/twain-300x169.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-82931\" class=\"wp-caption-text\">Mark Twain\u2019s annotations to translations by John Dryden. Photo via NYRB<\/p><\/div>\n<ul>\n<li>The FBI kept a file on James Baldwin that ran to 1,884 pages. <a href=\"http:\/\/publishersweekly.com\/pw\/by-topic\/industry-news\/tip-sheet\/article\/65641-why-james-baldwin-s-fbi-file-was-1-884-pages.html\" target=\"_blank\">What was in it<\/a>? Reasonably adept criticism, among other things: \u201cThe mixed bag of memos, letters, and clippings that composed the typical FBI author file included more than espionage reports \u2026 It also included outbursts of literary critical prose, a type of writing judgmental in nature, but always indebted to the prior writing it describes. FBI author files thus qualify as recognizable works of literary commentary, as state-subsidized assessments and interpretations quietly warring with those produced by English professors and less stuffy book reviewers.\u201d<\/li>\n<li>A new exhibition at the New York Society Library, \u201cReaders Make Their Mark,\u201d <a href=\"http:\/\/www.nybooks.com\/blogs\/gallery\/2015\/feb\/19\/marginalia-insults-epiphanies\/\" target=\"_blank\">collected annotated books from the sixteenth to the twentieth centuries<\/a>, thus continuing the culture\u2019s growing fascination with marginalia. \u201cSometimes they are making proclamations about their own books: George Bernard Shaw identifies a printed text of his <em>Too True to be Good<\/em> as a \u2018Provisional Prompt Copy\u2019 for a particular production and calls it \u2018Frightfully Private. No Press Agent to be let near it.\u2019 And sometimes\u2014as in the case of an early woman reader who judges the characters in <em>Emma<\/em>, one by one\u2014they respond to their books in ways that still seem familiar.\u201d<\/li>\n<li>\u201cLet\u2019s get out of here\u201d is one of the most common lines in film\u2014people in movies just love to leave places. \u201cIt confers agency on whoever says it. It draws a line under what\u2019s gone before. It propels action. It justifies a change of scene, no matter how abrupt.\u201d But in more contemporary movies, <a href=\"http:\/\/www.nytimes.com\/2015\/02\/22\/magazine\/should-we-stay-or-should-we-go.html?partner=rss&amp;emc=rss&amp;smid=nytimesarts\" target=\"_blank\">\u201cgetting out of here\u201d faces stiff competition from its longtime nemesis, \u201cstaying put.\u201d<\/a> \u201cThis emphasis on staying suits our times: The people writing and watching these movies are all part of an introspective, if not isolationist, culture that\u2019s still licking its wounds after plotless wars and a traumatic recession.\u201d<\/li>\n<li>Is there anything more insufferable than <a href=\"http:\/\/www.the-tls.co.uk\/tls\/public\/article1520299.ece\" target=\"_blank\">our current predilection for all things twee<\/a>? \u201cTwee is a symptom of profound cultural exhaustion, a pop-cultural response to the death of grand narratives and radical politics: too weary to fight the corporate capitalist machine, the twee instead create hyper-stylized alternative worlds in which kittens play, ukuleles sound and childhood is eternal. Their basic disposition is melancholy rather than angry, and they will always opt for owl-print wallpaper over kicking against the pricks.\u201d<\/li>\n<li>I\u2019ve always dreamed of winning an Oscar\u2014I could put it up for auction, I thought, and make a lot of money, and that would be cool. But it turns out that <a href=\"http:\/\/www.smithsonianmag.com\/smart-news\/sell-oscar-get-sued-180951935\/?utm_source=twitter.com&amp;no-ist\" target=\"_blank\">selling your Oscar trophy is a great way to get sued by the Academy<\/a>. In fact, the Academy thrills to a good lawsuit; they\u2019ve also brought suits against \u201ctelevision shows that use the name \u2018Oscar\u2019 (i.e., \u2018The Wine Oscars\u2019); a website that predicts Oscar winners; and a chocolate-maker who produced Oscar-shaped candies.\u201d Next up: people named Oscar, or people related to those people.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The FBI kept a file on James Baldwin that ran to 1,884 pages. What was in it? Reasonably adept criticism, among other things: \u201cThe mixed bag of memos, letters, and clippings that composed the typical FBI author file included more than espionage reports \u2026 It also included outbursts of literary critical prose, a type of [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[6320,6119,7511,17134,881,14858,5407,12648,1766,17135,6319,12643,17136,17138,17137],"class_list":["post-82929","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-academy-awards","tag-fbi","tag-george-bernard-shaw","tag-j-edgar-hoover","tag-james-baldwin","tag-lawsuits","tag-leaving","tag-marginalia","tag-mark-twain","tag-new-york-society-library","tag-oscars","tag-screenplays","tag-staying","tag-twee","tag-tweeness"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cReaders Make Their Mark\u201d: Marginalia Collected<\/title>\n<meta name=\"description\" content=\"A new exhibition at the New York Society Library collects all their defaced books. 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