{"id":82913,"date":"2015-02-20T17:23:29","date_gmt":"2015-02-20T22:23:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=82913"},"modified":"2015-02-20T17:23:29","modified_gmt":"2015-02-20T22:23:29","slug":"more-paintings-about-poets-and-food","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/","title":{"rendered":"More Paintings About Poets and Food"},"content":{"rendered":"<div id=\"attachment_82916\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/poet.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-82916\" class=\"wp-image-82916\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/poet.jpg\" alt=\"poet\" width=\"600\" height=\"488\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/poet.jpg 841w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/poet-300x244.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-82916\" class=\"wp-caption-text\">Djordje Ozbolt, <i>Poet Smoking<\/i>, 2014, acrylic on board, 27 \u00bd\u201d x 23 5\/8\u201d.<\/p><\/div>\n<p>Tomorrow\u2019s the last day to catch Djordje Ozbolt\u2019s show \u201c<a href=\"http:\/\/www.hauserwirth.com\/exhibitions\/2361\/djordje-ozbolt-more-paintings-about-poets-and-food\/view\/\" target=\"_blank\">More paintings about poets and food<\/a>\u201d\u2014a welcome nod to Talking Heads\u2019 1978 album <em>More Songs About Buildings and Food<\/em>\u2014at Hauser &amp; Wirth.<\/p>\n<p>Ozbolt grew up in Belgrade and now works in London, where he\u2019s lived for many years; though <a href=\"www.interviewmagazine.com\/art\/djordje-ozbolt-hauser-and-wirth\" target=\"_blank\">he denies any kind of \u201cEast-meets-West\u201d tensions in his work<\/a>, his paintings evoke the kind of rambunctious, vivid satire of Western culture that comes best from outsiders. Ryan Steadman, writing in the <em>New York Observer<\/em>, calls Ozbolt \u201c<a href=\"http:\/\/observer.com\/2015\/02\/art-historys-savvy-joker-djordje-ozbolts-bone-dry-visual-zingers-at-hause-wirth\/\">a master of the deadpan historical zinger<\/a> \u2026 While an artist like John Currin seems to begin from a kitschified American view of classical painting (think Norman Rockwell), Mr. Ozbolt pointedly razzes the medium\u2019s deeper history (a history that reflects our own) in a way that a New-Worlder never fully could.\u201d It would be easier to shrug off his paintings as jokes if they didn\u2019t reappear, some hours after seeing them, in one\u2019s nightmares. I don\u2019t know how Ozbolt burrows so deep into his subconscious, but I applaud him for it; he\u2019s found a labyrinthine, underground network of our bugbears and\u00a0b\u00eates noires. In <em>Delivery<\/em>, for example, a raven makes a brisk descent with a glazed donut in its beak\u2014it took me a while to make the connection, but eventually I was brought back to the scene in David Lynch\u2019s <em>Twin Peaks<\/em> wherein <a href=\"https:\/\/www.youtube.com\/watch?v=VGSZqkUbIZY\" target=\"_blank\">Waldo the Myna Bird is executed above a tray of jelly donuts<\/a>. This is America, people: whenever birds and baked goods meet, suffering is sure to follow. <!--more--><\/p>\n<p><div id=\"attachment_82914\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/delivery.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-82914\" class=\"wp-image-82914 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/delivery.jpg\" alt=\"delivery\" width=\"550\" height=\"630\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/delivery.jpg 550w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/delivery-262x300.jpg 262w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-82914\" class=\"wp-caption-text\"><i>Delivery<\/i>, 2014, acrylic on icon board, 31 \u00bd\u201d x 27 \u00bd\u201d.<\/p><\/div> <div id=\"attachment_82915\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/releasing-the-demons-of-creativity.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-82915\" class=\"wp-image-82915 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/releasing-the-demons-of-creativity.jpg\" alt=\"releasing the demons of creativity\" width=\"550\" height=\"630\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/releasing-the-demons-of-creativity.jpg 550w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/releasing-the-demons-of-creativity-262x300.jpg 262w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-82915\" class=\"wp-caption-text\"><i>Releasing the Demons of Creativity<\/i>, 2014, acrylic on icon board, 31 \u00bd\u201d x 27 \u00bd\u201d.<\/p><\/div><\/p>\n<p><em>Dan Piepenbring is the web editor of <\/em>The Paris Review.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomorrow\u2019s the last day to catch Djordje Ozbolt\u2019s show \u201cMore paintings about poets and food\u201d\u2014a welcome nod to Talking Heads\u2019 1978 album More Songs About Buildings and Food\u2014at Hauser &amp; Wirth. Ozbolt grew up in Belgrade and now works in London, where he\u2019s lived for many years; though he denies any kind of \u201cEast-meets-West\u201d tensions [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[17125,17124,17127,1050,4154,17126,7318,17128,9844],"class_list":["post-82913","post","type-post","status-publish","format-standard","hentry","category-look","tag-belgrade","tag-djordje-ozbolt","tag-hauser-wirth","tag-london","tag-paintings","tag-serbia","tag-surrealism","tag-talking-heads","tag-yugoslavia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Djordje Ozbolt\u2019s \u201cMore Paintings About Poets and Food\u201d<\/title>\n<meta name=\"description\" content=\"Tomorrow\u2019s the last day to see the wonderfully surreal paintings of this Belgrade-born artist.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"More Paintings About Poets and Food by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"February 20, 2015 \u2013 Tomorrow\u2019s the last day to catch Djordje Ozbolt\u2019s show \u201cMore paintings about poets and food\u201d\u2014a welcome nod to Talking Heads\u2019 1978 album More Songs About\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-20T22:23:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/poet.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"841\" \/>\n\t<meta property=\"og:image:height\" content=\"684\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"More Paintings About Poets and Food\",\"datePublished\":\"2015-02-20T22:23:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/\"},\"wordCount\":327,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/02\/20\/more-paintings-about-poets-and-food\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/poet.jpg\",\"keywords\":[\"Belgrade\",\"Djordje Ozbolt\",\"Hauser &amp; 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