{"id":82236,"date":"2015-02-02T09:30:01","date_gmt":"2015-02-02T14:30:01","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=82236"},"modified":"2015-02-02T13:00:33","modified_gmt":"2015-02-02T18:00:33","slug":"renaissance-painters-gone-wild-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/02\/02\/renaissance-painters-gone-wild-and-other-news\/","title":{"rendered":"Renaissance Painters Gone Wild, and Other News"},"content":{"rendered":"<div id=\"attachment_82238\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/piero_di_cosimo_scena_di_caccia.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-82238\" class=\"wp-image-82238\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/piero_di_cosimo_scena_di_caccia.jpg\" alt=\"Piero_di_cosimo,_scena_di_caccia\" width=\"600\" height=\"450\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/piero_di_cosimo_scena_di_caccia.jpg 950w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/02\/piero_di_cosimo_scena_di_caccia-300x224.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-82238\" class=\"wp-caption-text\">Piero di Cosimo, <i>Scena di caccia (A Hunting Scene)<\/i>, ca. 1490.<\/p><\/div>\n<ul>\n<li>\u201cAmong twenty reasonable comments, \/ The only livid thing \/ Was the caw of the trollbird.\u201d From an anonymous versificator striking at the very quintessence of the contemporary experience: \u201c<a href=\"http:\/\/inauthenticities.blogspot.com\/\" target=\"_blank\">Thirteen Ways of Looking at a Trollbird<\/a>.\u201d<\/li>\n<li>The paintings of Piero di Cosimo, a Renaissance-era artist who ate nothing but boiled eggs and painted scenes of alarming violence and sensuality, are coming to America for the first time in seventy-five years. \u201cWhile Michelangelo, Botticelli, and Leonardo da Vinci were all making worlds of ideal perfection, their contemporary, Piero di Cosimo, <a href=\"http:\/\/www.economist.com\/news\/books-and-arts\/21641128-long-awaited-exhibition-re-examines-surrealist-renaissance-monsters-and-merry\" target=\"_blank\">had set out on a different, more twisted path<\/a>, bewitching his fellow Florentines with his visual fables and mythological fantasies \u2026 Piero\u2019s ability to conjure the macabre, the monstrous and the miraculous offers its own distinctive pleasures and a rare insight into the more neurotic recesses of the Renaissance imagination.\u201d<\/li>\n<li>On Prince Albert Hunt, <a href=\"http:\/\/www.oxfordamerican.org\/magazine\/item\/468-occurrence-at-deep-ellum\" target=\"_blank\">a twentieth-century fiddler from Texas who met a grisly end<\/a>: \u201cPrince Albert recorded only nine sides \u2026 and they are fiercely sought after due to their forceful, bluesy nature \u2026 Although Hunt didn\u2019t alter the course of vernacular folk music, and his influence on Western swing is minimal, he did leave a testament etched in the shellac grooves of his few recordings to an idiosyncratic sound that reflected the mongrel eccentricities of his time and place. Hunt played exactly what the people of Deep Ellum wanted: uninhibited fiddle dance pieces and an occasional waltz.\u201d<\/li>\n<li><a href=\"http:\/\/www.newstatesman.com\/culture\/2015\/01\/hip-be-square-suprematism-whitechapel-gallery\" target=\"_blank\">How to destroy the history of painting<\/a>: make a black square on a white background, hang it on the wall of a Soviet gallery in 1915, and tell others to jump through it, where \u201cthe free white sea, infinity, lies before you.\u201d Kazimir Malevich did this. Worked like a charm.<\/li>\n<li>The \u201cquotative like\u201d (\u201cI\u2019m like, What do you <em>mean<\/em> I have to be in by ten?\u201d) is now \u201c<a href=\"http:\/\/www.bostonglobe.com\/ideas\/2015\/01\/25\/linguists-are-like-get-used\/ruUQoV0XUTLDjx72JojnBI\/story.html\" target=\"_blank\">one of our language\u2019s most popular methods of talking about talking<\/a> \u2026 linguists see these expressions as something like the Swiss Army knives of reported conversation. Their versatility and usefulness means they\u2019ll probably be around for a long time.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cAmong twenty reasonable comments, \/ The only livid thing \/ Was the caw of the trollbird.\u201d From an anonymous versificator striking at the very quintessence of the contemporary experience: \u201cThirteen Ways of Looking at a Trollbird.\u201d The paintings of Piero di Cosimo, a Renaissance-era artist who ate nothing but boiled eggs and painted scenes of [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[16848,16850,16851,1277,16849,16846,16847,16852,14872,16845,12895,792],"class_list":["post-82236","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-fiddlers","tag-history-of-painting","tag-kazimir-malevich","tag-linguistics","tag-modern-art","tag-piero-di-cosimo","tag-prince-albert-hunt","tag-quotative-like","tag-renaissance-art","tag-thirteen-ways-of-looking-at-a-blackbird","tag-trolls","tag-wallace-stevens"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Piero di Cosimo Painted the Dark Side of the Renaissance<\/title>\n<meta name=\"description\" content=\"Michelangelo, Botticelli, and da 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