{"id":81710,"date":"2015-01-15T19:30:11","date_gmt":"2015-01-16T00:30:11","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=81710"},"modified":"2015-01-16T10:23:35","modified_gmt":"2015-01-16T15:23:35","slug":"crepuscoli-twilights","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/15\/crepuscoli-twilights\/","title":{"rendered":"Crepuscoli (Twilights)"},"content":{"rendered":"<div id=\"attachment_81715\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/books-61.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81715\" class=\"wp-image-81715\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/books-61.jpg\" alt=\"books-6\" width=\"600\" height=\"721\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/books-61.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/books-61-249x300.jpg 249w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/books-61-851x1024.jpg 851w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-81715\" class=\"wp-caption-text\"><i>Errata Corrige #2234<\/i>, 2013, vintage book, inks, nails on wood panel.<\/p><\/div>\n<p>In a new show at Rome\u2019s <a href=\"http:\/\/www.z2ogalleria.it\/ekaterina-panikanova\/\" target=\"_blank\">Sara Zarin Gallery<\/a>, the Russian-born artist Ekaterina Panikanova presents work composed of old books, which she arranges into a kind of jigsaw puzzle of palimpsests. (We\u2019ve <a href=\"https:\/\/www.theparisreview.org\/blog\/2013\/06\/12\/picture-books\/\" target=\"_blank\">featured her<\/a> on the\u00a0<em>Daily<\/em> before.) \u201cPaper, cards, and books have a fundamental value in my work,\u201d she says. \u201cI see them as a body of rules, dogmas, traditions, religious beliefs, and scientific discoveries, which, right or wrong for their time, human beings had put in cages.\u201d<\/p>\n<p>\u201c<a href=\"http:\/\/www.z2ogalleria.it\/exhibitions\/ekaterina-panikanova-opening-december-13th\/\" target=\"_blank\">Crepuscoli (Twilight)<\/a>\u201d is on display through February 7. When Panikanova looks at \u201cthe rules of the home [and] education,\u201d she\u2019s said, she sees only \u201ceventual imprisonment.\u201d Accordingly, in this new show she hangs her spreads in a spare room furnished with a spartan table, an uninviting couch, and pairs of shoes, among other housewifely touches. The ersatz domestic setting makes her work seem freighted with fatalism, and imagery that could be twee\u2014cakes, rabbits, antlers\u2014instead appears deeply troubled. I say that, of course, as a compliment.\u00a0<\/p>\n<p>You can see more of Panikanova\u2019s work at <a href=\"http:\/\/www.thisiscolossal.com\/2015\/01\/twilights-new-ink-paintings-on-vintage-books-by-ekaterina-panikanova\/\" target=\"_blank\">Colossal<\/a>.<\/p>\n<p><!--more--><\/p>\n<div id=\"attachment_81721\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_032.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81721\" class=\"wp-image-81721\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_032.jpg\" alt=\"Panikanova_032\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_032.jpg 1199w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_032-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_032-1024x683.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-81721\" class=\"wp-caption-text\">Installation view<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_81719\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0121.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81719\" class=\"wp-image-81719\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0121.jpg\" alt=\"Panikanova_012\" width=\"600\" height=\"624\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0121.jpg 534w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0121-288x300.jpg 288w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-81719\" class=\"wp-caption-text\"><i>Pars particularis<\/i>, 2014, books, wood, nails, ink, acrylic.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_81717\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0721.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81717\" class=\"wp-image-81717\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0721.jpg\" alt=\"Panikanova_072\" width=\"600\" height=\"899\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0721.jpg 534w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/panikanova_0721-200x300.jpg 200w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-81717\" class=\"wp-caption-text\"><i>Box n\u00b088<\/i>, 2014.<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a new show at Rome\u2019s Sara Zarin Gallery, the Russian-born artist Ekaterina Panikanova presents work composed of old books, which she arranges into a kind of jigsaw puzzle of palimpsests. (We\u2019ve featured her on the\u00a0Daily before.) \u201cPaper, cards, and books have a fundamental value in my work,\u201d she says. \u201cI see them as a [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[17,16636,16409,11104,545,4154,16274,1631,447,16637],"class_list":["post-81710","post","type-post","status-publish","format-standard","hentry","category-look","tag-books","tag-collages","tag-domesticity","tag-ekaterina-panikanova","tag-italy","tag-paintings","tag-puzzles","tag-rome","tag-russia","tag-spreads"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Haunting Ink Paintings on Old Hardcover Books<\/title>\n<meta name=\"description\" content=\"Using discarded books and 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