{"id":81453,"date":"2015-01-11T14:05:25","date_gmt":"2015-01-11T19:05:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=81453"},"modified":"2015-01-15T17:44:02","modified_gmt":"2015-01-15T22:44:02","slug":"this-week-on-the-daily-8","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/","title":{"rendered":"This Week on the <i>Daily<\/i>"},"content":{"rendered":"<div id=\"attachment_81455\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81455\" class=\"wp-image-81455\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg\" alt=\"Honore_Daumier,_Le_Charivari_-_Advice_to_Subscribers,_1840\" width=\"600\" height=\"500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg 2882w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840-300x250.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840-1024x853.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-81455\" class=\"wp-caption-text\">Honor\u00e9 Daumier, <i>Advice to Subscribers<\/i>, 1840.<\/p><\/div>\n<p><strong>Michel Houellebecq <\/strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/02\/scare-tactics-michel-houellebecq-on-his-new-book\/\" target=\"_blank\">defends his controversial new novel<\/a>, <em>Soumission<\/em>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>How did the future look from the past? <strong>Jason Z. Resnikoff<\/strong> <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/09\/hal-mother-and-father\/\" target=\"_blank\">sees the sixties and seventies through\u00a0<\/a><em>2001 <\/em>and <em>Alien<\/em>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>In the early nineties,\u00a0<strong>Paul Thomas Anderson <\/strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/06\/when-david-foster-wallace-taught-paul-thomas-anderson\/\" target=\"_blank\">foun<\/a><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/06\/when-david-foster-wallace-taught-paul-thomas-anderson\/\" target=\"_blank\">d an inspirational teacher<\/a>:\u00a0<strong>David Foster Wallace.<\/strong><\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p style=\"text-align: left;\"><strong>Dan Piepenbring <\/strong>on <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/08\/alone-together\/\" target=\"_blank\">the demise of R&amp;B groups and the promise of D\u2019Angelo\u2019s new album<\/a>, <em>Black Messiah<\/em>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>\u201cBeing interesting, at a very basic level, is <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/08\/inventing-situations-an-interview-with-thomas-pierce\/\" target=\"_blank\">sort of the point of telling a story in the first place<\/a>.\u201d <strong>Thomas Pierce<\/strong> talks to <strong>James Yeh<\/strong>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><strong>Michael Thomson <\/strong>on <em>The Evil Within, <\/em><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/06\/trust-issues\/\" target=\"_blank\">a horror video game that breaks all the rules<\/a>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/07\/behind-the-curtain\/\" target=\"_blank\">Five new paintings<\/a> by <strong>Mamma Andersson<\/strong>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><strong>Ben Mauk<\/strong> <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/05\/no-sale\/\" target=\"_blank\">visits Berlin\u2018s art book fair<\/a>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Plus, <strong>Sadie Stein<\/strong> <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/09\/are-you-okay\/\" target=\"_blank\">on the history of <em>okay<\/em><\/a>; and <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/05\/stanislaw-baranczaks-this-is-not-a-conversation-for-the-telephone\/\" target=\"_blank\">a poem<\/a> by the late <strong>Stanislaw Baranczak<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michel Houellebecq defends his controversial new novel, Soumission. * How did the future look from the past? Jason Z. Resnikoff sees the sixties and seventies through\u00a02001 and Alien. * In the early nineties,\u00a0Paul Thomas Anderson found an inspirational teacher:\u00a0David Foster Wallace. * Dan Piepenbring on the demise of R&amp;B groups and the promise of D\u2019Angelo\u2019s [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13054],"tags":[154,15702,16559,16558,16519,16560,822,13518,15705,2151,16484,16534],"class_list":["post-81453","post","type-post","status-publish","format-standard","hentry","category-in-case-you-missed-it","tag-david-foster-wallace","tag-icymi","tag-james-yeh","tag-jason-z-resnikoff","tag-mamma-andersson","tag-michael-thomson","tag-michel-houellebecq","tag-paul-thomas-anderson","tag-recaps","tag-sadie-stein","tag-stanislaw-baranczak","tag-thomas-pierce"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In Case You Missed It: This Week on the Paris Review Daily<\/title>\n<meta name=\"description\" content=\"A recap of the week\u2019s posts.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This Week on the Daily by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"January 11, 2015 \u2013 Michel Houellebecq defends his controversial new novel, Soumission. * How did the future look from the past? Jason Z. Resnikoff sees the sixties and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-01-11T19:05:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-01-15T22:44:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840-1024x853.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"853\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"This Week on the Daily\",\"datePublished\":\"2015-01-11T19:05:25+00:00\",\"dateModified\":\"2015-01-15T22:44:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\"},\"wordCount\":151,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg\",\"keywords\":[\"David Foster Wallace\",\"ICYMI\",\"James Yeh\",\"Jason Z. Resnikoff\",\"Mamma Andersson\",\"Michael Thomson\",\"Michel Houellebecq\",\"Paul Thomas Anderson\",\"recaps\",\"Sadie Stein\",\"Stanis\u0142aw Bara\u0144czak\",\"Thomas Pierce\"],\"articleSection\":[\"In Case You Missed It\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\",\"name\":\"In Case You Missed It: This Week on the Paris Review Daily\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg\",\"datePublished\":\"2015-01-11T19:05:25+00:00\",\"dateModified\":\"2015-01-15T22:44:02+00:00\",\"description\":\"A recap of the week\u2019s posts.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"This Week on the Daily\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"In Case You Missed It: This Week on the Paris Review Daily","description":"A recap of the week\u2019s posts.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/","og_locale":"en_US","og_type":"article","og_title":"This Week on the Daily by Dan Piepenbring","og_description":"January 11, 2015 \u2013 Michel Houellebecq defends his controversial new novel, Soumission. * How did the future look from the past? Jason Z. Resnikoff sees the sixties and","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-01-11T19:05:25+00:00","article_modified_time":"2015-01-15T22:44:02+00:00","og_image":[{"width":1024,"height":853,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840-1024x853.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"This Week on the Daily","datePublished":"2015-01-11T19:05:25+00:00","dateModified":"2015-01-15T22:44:02+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/"},"wordCount":151,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg","keywords":["David Foster Wallace","ICYMI","James Yeh","Jason Z. Resnikoff","Mamma Andersson","Michael Thomson","Michel Houellebecq","Paul Thomas Anderson","recaps","Sadie Stein","Stanis\u0142aw Bara\u0144czak","Thomas Pierce"],"articleSection":["In Case You Missed It"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/","name":"In Case You Missed It: This Week on the Paris Review Daily","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg","datePublished":"2015-01-11T19:05:25+00:00","dateModified":"2015-01-15T22:44:02+00:00","description":"A recap of the week\u2019s posts.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/honore_daumier_le_charivari_-_advice_to_subscribers_1840.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/01\/11\/this-week-on-the-daily-8\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"This Week on the Daily"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/81453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=81453"}],"version-history":[{"count":4,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/81453\/revisions"}],"predecessor-version":[{"id":81709,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/81453\/revisions\/81709"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=81453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=81453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=81453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}