{"id":81118,"date":"2014-12-25T12:00:59","date_gmt":"2014-12-25T17:00:59","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=81118"},"modified":"2014-12-29T15:19:51","modified_gmt":"2014-12-29T20:19:51","slug":"river-of-fundament-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/25\/river-of-fundament-2\/","title":{"rendered":"<i>River of Fundament<\/i>"},"content":{"rendered":"<p><em>We\u2019re out until January 5, but we\u2019re re-posting some of our favorite pieces from 2014 while we\u2019re away. We hope you enjoy\u2014and have a happy New Year!<\/em><\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><em>On the set Matthew Barney\u2019s singular new film.<\/em><\/p>\n<div id=\"attachment_66555\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/02\/Matthew-Barney-Paris-Review-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66555\" class=\"size-full wp-image-66555\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/02\/Matthew-Barney-Paris-Review-2.jpg\" alt=\"Matthew Barney and Jonathan Bepler, River of Fundament: Ren, 2014, Production Still. Photo: Chris Winget. \u00a9 Matthew Barney. \" width=\"600\" height=\"458\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/02\/Matthew-Barney-Paris-Review-2.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/02\/Matthew-Barney-Paris-Review-2-300x229.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-66555\" class=\"wp-caption-text\"><small>Matthew Barney and Jonathan Bepler, <em>River of Fundament: Ren<\/em>, 2014, Production Still. Photo: Chris Winget. \u00a9 Matthew Barney. <\/small><\/p><\/div>\n<p>Matthew Barney\u2019s studio, the birthing place of some of the biggest and most ambitious art of our time, sits in an industrial New York netherzone by the East River in Queens. A couple blocks down is a garage for cast-off food carts in states of obliteration and disarray. On the streets stroll workers whose sturdy coats solicit calls to 888-WASTEOIL, for the service of all waste-oil wants and needs. Alongside the studio the mercurial river flows, its current changing direction several times a day.<\/p>\n<p>Inside are forklifts to move things like six-ton blocks of salt and sculpturally abetted Trans Ams. Football jerseys hang on a wall, including one for the fabled Oakland Raiders center Jim Otto (his number, 00, puts Barney in mind of extra-bodily orifices). A staff of a half dozen studio hands oversees projects of enterprising kinds, from building and bracing large architectural oddities to disrupting and destroying sculptures and letting objects rot.<\/p>\n<p>It was here that Barney completed <i>River of Fundament<\/i>, a new epic film project premiering this week at the Brooklyn Academy of Music, with a running time of nearly six hours (including two intermissions) and passages that play as extravagantly abstracted and absurd. The film was inspired by Norman Mailer\u2019s 1983 novel, <i>Ancient Evenings<\/i>, set in ancient Egypt and invested in stages of reincarnation that come after death. The story would not seem to be eminently filmable.<\/p>\n<p>But <i>River of Fundament<\/i> is not exactly a film. It draws on a series of site-specific performances and elaborate happenings\u2014live actions related to the project date back as far as 2007\u2014and all of them, however cinematically presented in the end, fit as sensibly within the traditions of theater and opera. Shoots lasted for days, doubling as rituals or s\u00e9ances, with characters performing for an audience that would come to be part of the work. <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/02\/12\/river-of-fundament\/%20\">Read More &gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re out until January 5, but we\u2019re re-posting some of our favorite pieces from 2014 while we\u2019re away. We hope you enjoy\u2014and have a happy New Year! * On the set Matthew Barney\u2019s singular new film. Matthew Barney\u2019s studio, the birthing place of some of the biggest and most ambitious art of our time, sits [&hellip;]<\/p>\n","protected":false},"author":648,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16464],"tags":[12841,1684,80,12839,81,1437,12842,12840],"class_list":["post-81118","post","type-post","status-publish","format-standard","hentry","category-best-of-2014","tag-ancient-evenings","tag-bam","tag-cinema","tag-matthew-barney","tag-movies","tag-norman-mailer","tag-on-set","tag-river-of-fundament"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On Set with Matthew Barney<\/title>\n<meta name=\"description\" content=\"Andy Battaglia visits the filmmaker on the set of River of Fundament.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/25\/river-of-fundament-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"River of Fundament by Andy Battaglia\" \/>\n<meta property=\"og:description\" content=\"December 25, 2014 \u2013 We\u2019re out until January 5, but we\u2019re re-posting some of our favorite pieces from 2014 while we\u2019re away. 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