{"id":81107,"date":"2014-12-24T09:00:38","date_gmt":"2014-12-24T14:00:38","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=81107"},"modified":"2014-12-22T11:18:04","modified_gmt":"2014-12-22T16:18:04","slug":"talk-about-beauties-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/","title":{"rendered":"Talk About Beauties"},"content":{"rendered":"<p><em>We\u2019re out until January 5, but we\u2019re re-posting some of our favorite pieces from 2014 while we\u2019re away. We hope you enjoy\u2014and have a happy New Year!<\/em><\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><em>The lost recordings of a phantom musician.<br \/><\/em><\/p>\n<div id=\"attachment_77089\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-77089\" class=\"wp-image-77089\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\" alt=\"Alexis_Zoumbas_Watercolor\" width=\"600\" height=\"713\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg 1317w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor-252x300.jpg 252w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor-861x1024.jpg 861w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-77089\" class=\"wp-caption-text\">Alexis Zoumbas, illustrated by R. Crumb.<\/p><\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/52005144&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"250\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>The text printed on the label of the Greek 78-rpm disc translated as \u201cAlexis Zoumbas ~ violin, accompanied by young men of the Epirot village of\u00a0Politsani.\u201d Its significance, and the meaning behind its very existence, stymied all speculation. No one had heard what was etched into these grooves since they\u2019d been pressed\u2014the Greek title for the song was untranslatable, and the recording itself was undocumented, hushed into being for no perceptible reason other than to come into my possession.<\/p>\n<p>A week before this record arrived at my post office, I\u2019d finally untethered myself from Zoumbas and his recorded legacy. After two years of focused inquiry, I\u2019d finished work on <a href=\"http:\/\/longgonesound.com\/current-travails\/2014\/1\/18\/alexis-zoumbas-a-lament-for-epirus-1926-1928-original-artwork-by-robert-crumb-10-recordings-with-deluxe-gatefold-lp\" target=\"_blank\"><em>Alexis Zoumbas: A Lament for Epirus, 1926-1928<\/em><\/a>, a collection of his recordings. I\u2019d let go. But any comfort I found in that was lost when this disc came into my life.<\/p>\n<p>The 78 rpm record was the dominant medium of auricular permanence and commerce for more than fifty years. These fragile vessels of sound are coveted by collectors who, like myself, have developed a precise yet vaguely sexual phraseology to describe their physical condition. This Zoumbas disc, for instance, was in excellent condition, but with a tight hairline crack and a slightly enlarged spindle hole.<\/p>\n<p>And what of its artist? Alexis Zoumbas was a phantom musician, a violinist. Born in the hinterlands of Epirus, Greece, in 1883, he immigrated to New York City in 1910 and died practically unknown in Detroit in 1946. The myth surrounding his life maintained that he\u2019d fled Greece after murdering his landlord, and that he himself had been gunned down by a jealous lover.\u00a0Drawn in by his music and intrigued by these stories, I become obsessed with his life. I traveled to his home village, Grammeno, to interview his two surviving nephews, Michalis and Napoleon Zoumbas, both retired musicians in their eighties. In Ioannina, the capitol of Epirus, I unearthed biographical documents; in the U.S. I found immigration and naturalization papers, as well as a draft card and a death certificate. This trail of evidence, dispersed across continents, corrected the narrative of this powerful musician\u2019s life. He did not kill his landlord, and he wasn\u2019t offed by a jilted lady friend\u2014those were apocryphal stories created to elevate his musical status and cultural legacy. Zoumbas had entered into the elite mythical realm reserved for more well-known American prewar musicians like the Delta bluesman Skip James and the Appalachian banjoist \u201cDock\u201d Boggs, majestic artists surrounded by imaginary rows of corpses, stacked like cordwood, coolly dispatched in their dreams and in the stories told about them. <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/22\/talk-about-beauties\/\">Read More &gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re out until January 5, but we\u2019re re-posting some of our favorite pieces from 2014 while we\u2019re away. We hope you enjoy\u2014and have a happy New Year! * The lost recordings of a phantom musician. The text printed on the label of the Greek 78-rpm disc translated as \u201cAlexis Zoumbas ~ violin, accompanied by young [&hellip;]<\/p>\n","protected":false},"author":750,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16464],"tags":[15385,2274,14121,15383,5435,15387,15386,1718,15388,15384],"class_list":["post-81107","post","type-post","status-publish","format-standard","hentry","category-best-of-2014","tag-78s","tag-albania","tag-alexis-zoumbas","tag-epirus","tag-greece","tag-mirologi","tag-rare-recordings","tag-records","tag-skaros","tag-violin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Lost Recordings of a Phantom Musician<\/title>\n<meta name=\"description\" content=\"Christopher King tracks down the story behind violinist Alexis Zoumbas.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Talk About Beauties by Christopher King\" \/>\n<meta property=\"og:description\" content=\"December 24, 2014 \u2013 We\u2019re out until January 5, but we\u2019re re-posting some of our favorite pieces from 2014 while we\u2019re away. We hope you enjoy\u2014and have a happy New Year! * The\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-24T14:00:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1317\" \/>\n\t<meta property=\"og:image:height\" content=\"1565\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christopher King\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christopher King\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\"},\"author\":{\"name\":\"Christopher King\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/c3329133dc6dd773beecdfeda14d7880\"},\"headline\":\"Talk About Beauties\",\"datePublished\":\"2014-12-24T14:00:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\"},\"wordCount\":490,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\",\"keywords\":[\"78s\",\"Albania\",\"Alexis Zoumbas\",\"Epirus\",\"Greece\",\"mirologi\",\"rare recordings\",\"records\",\"skaros\",\"violin\"],\"articleSection\":[\"Best of 2014\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\",\"name\":\"The Lost Recordings of a Phantom Musician\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\",\"datePublished\":\"2014-12-24T14:00:38+00:00\",\"description\":\"Christopher King tracks down the story behind violinist Alexis Zoumbas.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/alexis_zoumbas_watercolor.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/24\/talk-about-beauties-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Talk About Beauties\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. 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