{"id":81081,"date":"2014-12-19T19:14:36","date_gmt":"2014-12-20T00:14:36","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=81081"},"modified":"2014-12-19T21:26:24","modified_gmt":"2014-12-20T02:26:24","slug":"staff-picks-crayoned-cartoons-and-computer-corruption","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/19\/staff-picks-crayoned-cartoons-and-computer-corruption\/","title":{"rendered":"Staff Picks: Crayoned Cartoons and Computer Corruption"},"content":{"rendered":"
\"hoff6\"<\/a>

James Hoff, Stuxnet No. 1<\/i>, 2014, chromaluxe transfer on aluminum, 30″ \u00d7 24″. Image via BOMB<\/p><\/div>\n

I caught Susan Te Kahurangi King\u2019s exhibition at Andrew Edlin Gallery<\/a> before it closes this weekend, and I\u2019m glad I did. I’d never heard of her, but her cartoony, figurative\u00a0drawings have affinities with work by some of my favorite artists: Gary Panter, Gladys Nilsson, Jim Nutt, Barry McGee, and Peter Saul. King hails from New Zealand (her middle name is Maori), and has drawn prolifically since childhood. The show contains work she made when she was only about a decade old; these drawings aren\u2019t notable for their technical prowess but because their imagery and composition carry over into the drawings she made when she was older. That is to say, these are forms and arrangements that have preoccupied King for much of her life. Tightly packed configurations of Bugs Bunnies and Donald Ducks and other figures\u2014sometimes colored with bright crayons, other times left as outlines\u2014are frequently cloistered on one side of the paper, resembling fragments of ancient tablets. Most works in the show are from the sixties and seventies; King mysteriously stopped drawing in the eighties and has only now taken it up again. Here’s hoping this is only the first of many exhibitions to come.\u00a0\u2014Nicole Rudick<\/strong><\/p>\n

For a few months now I\u2019ve been irritating my friends, colleagues, and loved ones by using one of the artist James Hoff\u2019s contaminated ringtones<\/a>. Call me up and anyone nearby will hear a version of Apple\u2019s standard iPhone Marimba ringtone infected with the ILOVEYOU virus, a computer worm from 2000. This sounds like exactly what it is: broken. A familiar motif corrupted with static, screeches, and squelches, and so rendered at once annoying and unsettling. (\u201cYour phone is fucked,\u201d a guy once told me on the street, his voice suggesting that a close relative of mine had just died.) The infected ringtones are part of Hoff\u2019s vast, viral canon: he\u2019s reduced a stunning variety of images and songs to code and then reconstituted them with corrupt code inside. \u201cMy newer work definitely draws from everyday phenomena inside the background noise of pop culture,\u201d Hoff told BOMB<\/em> earlier this year<\/a>: \u201ccomputer viruses, ear-worms, and syndromes. All of these are illnesses, broadly speaking. Viruses, like art, need a host, preferably a popular one \u2026 Like traditional illnesses, computer viruses travel through networks of communication or trade \u2026 A few years back I felt the need to try and to reconcile my creative process with the language of code, which is touching everything these days. It\u2019s to the point where I don\u2019t even know if you could say that this table right here (knocking on table<\/em>) doesn\u2019t have code underneath it.\u201d It\u2019s hard to think of an artist today engaging more profoundly with the seamy underbelly of our technocracy\u2014and as hacking scandals continue to make headlines, his work only becomes more relevant. \u2014Dan Piepenbring<\/strong><\/p>\n

Blanche McCrary Boyd was my creative-writing advisor at Connecticut College. For more than twenty-five years, she\u2019s collected scores of young writers\u2014many of us inattentive, hungover, and horny\u2014vying for a seat in her twelve-person fiction seminar. To call her a deft storyteller would be an understatement; Blanche would routinely fill our three-hour sessions with tales of addiction, recovery, and everything in between. I picked up her second novel,\u00a0The Revolution of Little Girls\u00a0<\/a><\/em>(1991), in an attempt to recapture the awesome terror of her voice\u2014and it did not disappoint. Blanche\u2019s familiar tone is unavoidable, especially so in her protagonist, Ellen Burns. A delightfully wry and impulsively adventurous southern belle, Ellen stumbles headlong into an affair with another woman. But not before spending her early years stealing fish, getting drunk on spirits of ammonia, and hypnotizing a dean or two at Duke. Ellen is charming when graceless and wonderfully nasty when need be. A definite mainstay in lesbian literature, Blanche\u2019s novel is a wild trip of insight, uncomfortable giggles, and old-fashioned wisecracks.\u00a0\u2014Alex Celia<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

I caught Susan Te Kahurangi King\u2019s exhibition at Andrew Edlin Gallery before it closes this weekend, and I\u2019m glad I did. I’d never heard of her, but her cartoony, figurative\u00a0drawings have affinities with work by some of my favorite artists: Gary Panter, Gladys Nilsson, Jim Nutt, Barry McGee, and Peter Saul. King hails from New […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[16461,16462,16460,16459,13324,16463],"class_list":["post-81081","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-blance-mccrary-boyd","tag-computer-viruses","tag-james-hoff","tag-susan-te-kahurangi-king","tag-viruses","tag-writing-classes"],"acf":[],"yoast_head":"\nStaff Picks: James Hoff, Blanche McCrary Boyd, and More<\/title>\n<meta name=\"description\" content=\"What the staff of The Paris Review is reading this week.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/19\/staff-picks-crayoned-cartoons-and-computer-corruption\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Picks: Crayoned Cartoons and Computer Corruption by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"December 19, 2014 \u2013 I caught Susan Te Kahurangi King\u2019s exhibition at Andrew Edlin Gallery before it closes this weekend, and I\u2019m glad I did. 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