{"id":80645,"date":"2014-12-09T13:43:56","date_gmt":"2014-12-09T18:43:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=80645"},"modified":"2014-12-09T13:58:23","modified_gmt":"2014-12-09T18:58:23","slug":"strange-sights-much-sought-strange-things-much-bought","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/","title":{"rendered":"Strange Sights Much Sought, Strange Things Much Bought"},"content":{"rendered":"<p><em>December through the eyes of an Elizabethan poet.<\/em><\/p>\n<div id=\"attachment_80668\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-80668\" class=\"wp-image-80668\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\" alt=\"Hendrick_Avercamp_-_Winterlandschap_met_ijsvermaak\" width=\"600\" height=\"344\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg 1600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak-300x172.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak-1024x587.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-80668\" class=\"wp-caption-text\">Hendrick Avercamp, <i>Winter Landscape with Ice Skaters<\/i>, ca. 1608.<\/p><\/div>\n<p>It is now definitely December. Another November survived, and a grim November it was, too, the month <a href=\"http:\/\/www.nybooks.com\/books\/imprints\/classics\/the-journal-1837-1861\/\" target=\"_blank\">Thoreau<\/a> used to call November Eat-heart\u2014days \u201cas will almost oblige a man to eat his own heart,\u201d in which \u201cyou must hold on to life by your teeth.\u201d \u201cYou can hardly screw up your courage to take a walk \u2026 If you do feel any fire at this season out of doors, you may depend upon it, it is your own.\u201d Even the life-affirming Nicholas Breton goes dark: \u201cNow begins the Goshawk to weed the wood of the Pheasant, and the Mallard loves not to hear the bells of the Falcon. The winds now are cold, and the Air chill, and the poor die through want of Charity.\u201d<\/p>\n<p>Breton, ca. 1554\u20131626, was a prolific Elizabethan poet, friend to Edmund Spenser, with a penchant for powerfully balanced rhythms (\u201cSing a dirge on <em>Spenser\u2019s <\/em>death, \/ Till your souls be out of breath\u201d), but he\u2019s justly forgotten today. Justly except for his fantastic <a href=\"http:\/\/books.google.com\/books?id=Kd8UAAAAQAAJ&amp;pg=PA233&amp;lpg=PA233&amp;dq=Nicholas+Breton+fantasticks&amp;source=bl&amp;ots=szjiFL97ec&amp;sig=OfSEz9dQqCJOrqsw3waDHwV8hv0&amp;hl=en&amp;sa=X&amp;ei=nxKCVICGAcecyASco4KIBQ&amp;ved=0CEAQ6AEwBA#v=onepage&amp;q=Nicholas%20Breton%20fantasticks&amp;f=false\" target=\"_blank\"><em>Fantasticks: Serving for A Perpetuall Prognostication<\/em><\/a> (1626). Along with lesser vignettes on the elements, seasons, hours, and major holidays, <em>Fantasticks <\/em>contains twelve little descriptions of the months that deserve to be immortal.<\/p>\n<p>Starting in January, when \u201cTime begins to turn the wheel of his Revolution,\u201d Breton\u2019s vivid natural and social descriptions march steadily through the year: \u201cthe Squirrel now surveyeth the Nut and the Maple, and the Hedgehog rolls up himself like a football\u201d; in June, \u201cthe little Lads make Pipes of the straw, and they that cannot dance, will yet be hopping\u201d; in September, \u201cthe winds begin to knock the Apples\u2019 heads together on the trees, and the fallings are gathered to fill the Pies for the Household.\u201d Each month ends with a kicker as balanced as a brace of oxen: May \u201cis from the Heavens a Grace, &amp; to the Earth a Gladness. Farewell.\u201d<\/p>\n<p>Here is December: <!--more--><\/p>\n<blockquote>\n<p><small>IT<\/small> is now December, &amp; he that walks the streets, shall find dirt on his shoes, Except he go all in boots. Now doth the Lawyer make an end of his harvest, and the Client of his purse. Now Capons and Hens, beside Turkeys, Geese and Ducks, besides Beef and Mutton, must all die for the great feast, for in twelve days a multitude of people will not be fed with a little \u2026. Now are the Tailors and the Tiremakers full of work against the Holidays, and Music now must be in tune, or else never: the youth must dance and sing, and the aged sit by the fire \u2026 The Footman now shall have many a foul step, and the Ostler shall have work enough about the heels of the Horses, while the Tapster, if he take not heed, will lie drunk in the Cellar. The prices of meat will rise apace, and the apparel of the proud will make the Tailor rich. Dice and Cards, will benefit the Butler. And if the Cook do not lack wit, he will sweetly lick his fingers. Starchers and Launderers will have their hands full of work, and Periwigs and painting will not be a little set by, strange stuffs will be well sold, strange tales well told, strange sights much sought, strange things much bought, and what else as falls out. To conclude, I hold it the costly Purveyor of Excess, and the after-breeder of necessity, the practice of Folly, and the Purgatory of Reason.<br \/>\u00a0\u00a0\u00a0\u00a0 Farewell.<\/p>\n<\/blockquote>\n<p>I haven\u2019t run across many capons or ostlers this season, but costly Excess rings a bell\u2014this is all recognizably my December. At the same time, as with any Elizabethan English, paying attention to moments of static, the words that seem not quite right, turns up interesting things. Why will Dice and Cards benefit the Butler? Because a butler was originally a bottler: the main servant in charge of the wine cellar and serving the drinks. \u201cNow plums and spice, Sugar and Honey, square it among pies and broth\u201d: To \u201csquare it\u201d is to strut or swagger, perhaps from squaring your shoulders or squaring up to box. \u201cAnd Gossip I drink to you, and you are welcome, and I thank you, and how do you, and I pray you be merry\u201d: A \u201cgossip\u201d was a \u201cgod-sib,\u201d a sibling or relative in a foster relationship\u2014your child\u2019s godmother or godfather, for instance, was your gossip. From there the meaning spread to close friends (Breton\u2019s chatty December pub-goers toast to friendship), especially the female friends present at a childbirth, and from there to idle or malicious chatterers and their chatter, by the sexism that eventually turns almost any English word with feminine associations nasty.<\/p>\n<p>Still, more interesting than the glimpse of language past is that of life past and the life that lives on\u2014the dirty shoes, the starchers and launderers and tiremakers, the Folly of shopping for strange stuff. Of course the language and the life go together, and you lose one when you lose the other. A few years back, there was a short-lived outcry when somebody noticed that the 2008 <em>Oxford Junior Dictionary<\/em> had quietly cut a number of words. A young person apparently no longer needs to know <em>catkin<\/em>,<em> brook<\/em>,<em> minnow<\/em>,<em> acorn<\/em>,<em> buttercup<\/em>,<em> heron<\/em>,<em> almond<\/em>, <em>ash<\/em>,<em> beetroot<\/em>,<em> bray<\/em>,<em> bridle<\/em>,<em> porpoise<\/em>,<em> gooseberry<\/em>,<em> raven<\/em>,<em> blackberry<\/em>,<em> tulip<\/em>, and <em>canter<\/em>, and the culling\u2014sorry, \u201cdeletions\u201d\u2014made room for <em>celebrity<\/em>,<em> citizenship<\/em>,<em> bungee-jumping<\/em>,<em> committee<\/em>,<em> compulsory<\/em>,<em> block graph<\/em>,<em> attachment<\/em>, and <em>database<\/em>, among others.* I doubt <em>capon<\/em> and <em>ostler<\/em> are in there either. You can\u2019t blame the dictionary folks; they\u2019re probably right.<\/p>\n<p>Beyond the vocabulary, there\u2019s the death of Breton\u2019s rhythm. Singsongy in much of his poetry, the echoes and symmetries in his calendar express a sturdy rootedness in the rhythms of the world. This grounding makes \u201cperpetual prognostication\u201d possible: it says this is how the months will always be. I don\u2019t think I hear rhythms like it anywhere today, even in children\u2019s books, pop songs, or rap, the three places in our culture where poetry has gone to live. We have less faith now in our future Decembers. To conclude, I hold it a Messenger of ill news, and a memory of Comfort. Farewell.<\/p>\n<p><small>*Lists taken from the fine essay \u201cA Counter-Desecration Phrasebook\u201d by Robert Macfarlane, in <a href=\"http:\/\/www.artevents.info\/shop\/towards-re-enchantment\" target=\"_blank\"><em>Towards Re-Enchantment: Place and Its Meanings<\/em><\/a> (2010).<\/small><\/p>\n<p><em><a href=\"http:\/\/www.damionsearls.com\" target=\"_blank\">Damion Searls<\/a>, the Daily\u2019s language columnist, is a translator from German, French, Norwegian, and Dutch.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>December through the eyes of an Elizabethan poet. It is now definitely December. Another November survived, and a grim November it was, too, the month Thoreau used to call November Eat-heart\u2014days \u201cas will almost oblige a man to eat his own heart,\u201d in which \u201cyou must hold on to life by your teeth.\u201d \u201cYou can [&hellip;]<\/p>\n","protected":false},"author":754,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[807],"tags":[12285,16310,16311,8641,687,16308,16312,165,2047,16309,10033],"class_list":["post-80645","post","type-post","status-publish","format-standard","hentry","category-on-translation","tag-december","tag-elizabethan-england","tag-fantasticks","tag-henry-david-thoreau","tag-language","tag-nicholas-breton","tag-oxford-junior-dictionary","tag-poetry","tag-poets","tag-seasons","tag-winter"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nicholas Breton\u2019s December<\/title>\n<meta name=\"description\" content=\"Breton, a prolific Elizabethan poet, described every month of the year in his unjustly forgotten Fantasticks: Serving for A Perpetuall Prognostication (1626).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Strange Sights Much Sought, Strange Things Much Bought by Damion Searls\" \/>\n<meta property=\"og:description\" content=\"December 9, 2014 \u2013 December through the eyes of an Elizabethan poet. It is now definitely December. Another November survived, and a grim November it was, too, the month\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-09T18:43:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-12-09T18:58:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"918\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Damion Searls\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Damion Searls\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\"},\"author\":{\"name\":\"Damion Searls\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4c1f756f0bf1ff08b44f7e01400e6d2a\"},\"headline\":\"Strange Sights Much Sought, Strange Things Much Bought\",\"datePublished\":\"2014-12-09T18:43:56+00:00\",\"dateModified\":\"2014-12-09T18:58:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\"},\"wordCount\":1094,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\",\"keywords\":[\"December\",\"Elizabethan England\",\"Fantasticks\",\"Henry David Thoreau\",\"language\",\"Nicholas Breton\",\"Oxford Junior Dictionary\",\"poetry\",\"poets\",\"seasons\",\"winter\"],\"articleSection\":[\"On Translation\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\",\"name\":\"Nicholas Breton\u2019s December\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\",\"datePublished\":\"2014-12-09T18:43:56+00:00\",\"dateModified\":\"2014-12-09T18:58:23+00:00\",\"description\":\"Breton, a prolific Elizabethan poet, described every month of the year in his unjustly forgotten Fantasticks: Serving for A Perpetuall Prognostication (1626).\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Strange Sights Much Sought, Strange Things Much Bought\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4c1f756f0bf1ff08b44f7e01400e6d2a\",\"name\":\"Damion Searls\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ac0ceb0cc450d716dde5a2185dba109889bbbacaddbf742ff36ae476e2c0a51f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/ac0ceb0cc450d716dde5a2185dba109889bbbacaddbf742ff36ae476e2c0a51f?s=96&d=mm&r=g\",\"caption\":\"Damion Searls\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dsearls\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Nicholas Breton\u2019s December","description":"Breton, a prolific Elizabethan poet, described every month of the year in his unjustly forgotten Fantasticks: Serving for A Perpetuall Prognostication (1626).","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/","og_locale":"en_US","og_type":"article","og_title":"Strange Sights Much Sought, Strange Things Much Bought by Damion Searls","og_description":"December 9, 2014 \u2013 December through the eyes of an Elizabethan poet. It is now definitely December. Another November survived, and a grim November it was, too, the month","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-12-09T18:43:56+00:00","article_modified_time":"2014-12-09T18:58:23+00:00","og_image":[{"width":1600,"height":918,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg","type":"image\/jpeg"}],"author":"Damion Searls","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Damion Searls","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/"},"author":{"name":"Damion Searls","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4c1f756f0bf1ff08b44f7e01400e6d2a"},"headline":"Strange Sights Much Sought, Strange Things Much Bought","datePublished":"2014-12-09T18:43:56+00:00","dateModified":"2014-12-09T18:58:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/"},"wordCount":1094,"commentCount":1,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg","keywords":["December","Elizabethan England","Fantasticks","Henry David Thoreau","language","Nicholas Breton","Oxford Junior Dictionary","poetry","poets","seasons","winter"],"articleSection":["On Translation"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/","name":"Nicholas Breton\u2019s December","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg","datePublished":"2014-12-09T18:43:56+00:00","dateModified":"2014-12-09T18:58:23+00:00","description":"Breton, a prolific Elizabethan poet, described every month of the year in his unjustly forgotten Fantasticks: Serving for A Perpetuall Prognostication (1626).","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/hendrick_avercamp_-_winterlandschap_met_ijsvermaak.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/09\/strange-sights-much-sought-strange-things-much-bought\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Strange Sights Much Sought, Strange Things Much Bought"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4c1f756f0bf1ff08b44f7e01400e6d2a","name":"Damion Searls","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ac0ceb0cc450d716dde5a2185dba109889bbbacaddbf742ff36ae476e2c0a51f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ac0ceb0cc450d716dde5a2185dba109889bbbacaddbf742ff36ae476e2c0a51f?s=96&d=mm&r=g","caption":"Damion Searls"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dsearls\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/80645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/754"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=80645"}],"version-history":[{"count":12,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/80645\/revisions"}],"predecessor-version":[{"id":80673,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/80645\/revisions\/80673"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=80645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=80645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=80645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}