{"id":80577,"date":"2014-12-08T09:30:34","date_gmt":"2014-12-08T14:30:34","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=80577"},"modified":"2014-12-08T10:29:05","modified_gmt":"2014-12-08T15:29:05","slug":"crop-circles-not-that-kind-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/08\/crop-circles-not-that-kind-and-other-news\/","title":{"rendered":"Crop Circles (Not <i>That<\/i> Kind), and Other News"},"content":{"rendered":"<div id=\"attachment_80579\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/pivotal-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-80579\" class=\"wp-image-80579\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/pivotal-2.jpg\" alt=\"Pivotal-2\" width=\"600\" height=\"592\" \/><\/a><p id=\"caption-attachment-80579\" class=\"wp-caption-text\">Kendall McMinimy, <i>Pivotal 2<\/i>, 2013, acrylic, toner, and panel, 36&#8243; x 36&#8243; x 1&#8243;. Image via Wired<\/p><\/div>\n<ul>\n<li>\u201cAt moments like these prose is a brick through the poet\u2019s window. The fate of the poet is to ignore the broken window and make good use of the brick, and of the draft.\u201d <a href=\"http:\/\/www.kenyonreview.org\/kr-online-issue\/kenyon-review-credos\/selections\/williams-credo\/\" target=\"_blank\">Rowan Ricardo Phillips on being a poet<\/a>.<\/li>\n<li>Robert Altman\u2019s <em>The Long Goodbye<\/em> is enjoying a \u201c<a href=\"http:\/\/www.nytimes.com\/2014\/12\/06\/movies\/robert-altmans-the-long-goodbye-is-popular-again.html?ref=movies\" target=\"_blank\">cinematic convergence<\/a>\u201d in New York: \u201cAltman\u2019s comic, poetic, wacked-out adaptation of the Raymond Chandler detective novel will play at three of the city\u2019s leading rep houses\u2014the Brooklyn Academy of Music, the Museum of Modern Art, and Film Forum\u2014in a stretch of eighteen days.\u201d<\/li>\n<li><a href=\"http:\/\/www.musicandliterature.org\/features\/2014\/12\/4\/a-conversation-with-dan-gunn\" target=\"_blank\">Lydia Davis interviews Dan Gunn<\/a>, one of the editors of Samuel Beckett\u2019s collected letters: \u201cOne of the questions in transforming rapidly produced handwriting into print is what to do with anomalies. Is it useful or interesting to show where Beckett makes typos, or where he crosses something out and amends it? Is it worthwhile to show where he misspells a name (as he regularly does, for instance, when he adds a circumflex to the second \u2018e\u2019 in the surname of Jean Genet), or confuses a French transliteration of a Russian name with an English one?\u201d<\/li>\n<li><em>The New Republic <\/em>as we know it is dead\u2014and everyone, suddenly, has an unshakably strong opinion about it. \u201c[This] sort of response to the end of the old <em>TNR<\/em>\u2014<a href=\"http:\/\/www.slate.com\/articles\/arts\/culturebox\/2014\/12\/new_republic_staff_changes_what_the_debate_about_the_magazine_reveals_about.html\" target=\"_blank\">the reductive shouting, the polarized tribes, the narcissism of small differences in the progressive media world<\/a>\u2014provides perhaps the best reason to mourn what <em>TNR<\/em> once represented.\u201d<\/li>\n<li>Center-pivot irrigation systems: bad for the planet, <a href=\"http:\/\/www.wired.com\/2014\/12\/kendall-mcminimy-cropping-to-circles\/\" target=\"_blank\">good for abstract art<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cAt moments like these prose is a brick through the poet\u2019s window. The fate of the poet is to ignore the broken window and make good use of the brick, and of the draft.\u201d Rowan Ricardo Phillips on being a poet. Robert Altman\u2019s The Long Goodbye is enjoying a \u201ccinematic convergence\u201d in New York: \u201cAltman\u2019s [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[35,16293,16292,16291,576,9685,6077,5009,4429,525],"class_list":["post-80577","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-art","tag-circular-cropping","tag-dan-gunn","tag-kendall-mcminimy","tag-lydia-davis","tag-media","tag-robert-altman","tag-rowan-ricardo-phillips","tag-samuel-beckett","tag-the-new-republic"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for December 8, 2014<\/title>\n<meta name=\"description\" content=\"Today on the Internet: the ominous beauty of crops, a resurgence for Robert Altman, and debating the demise of The New Republic.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/08\/crop-circles-not-that-kind-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Crop Circles (Not That Kind), and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"December 8, 2014 \u2013 \u201cAt moments like these prose is a brick through the poet\u2019s window. 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