{"id":80573,"date":"2014-12-07T13:20:42","date_gmt":"2014-12-07T18:20:42","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=80573"},"modified":"2014-12-08T10:24:14","modified_gmt":"2014-12-08T15:24:14","slug":"this-week-on-the-daily-7","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/07\/this-week-on-the-daily-7\/","title":{"rendered":"This Week on the <i>Daily<\/i>"},"content":{"rendered":"<div id=\"attachment_80575\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/snjokoma1891.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-80575\" class=\"wp-image-80575\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/snjokoma1891.jpg\" alt=\"Snjokoma1891\" width=\"600\" height=\"616\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/snjokoma1891.jpg 991w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/snjokoma1891-292x300.jpg 292w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-80575\" class=\"wp-caption-text\">E. Ravel, from <i>Die Gartenlaube<\/i>, 1891.<\/p><\/div>\n<p>Our <a href=\"https:\/\/www.theparisreview.org\/current-issue\" target=\"_blank\">new Winter issue<\/a> is here. <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/05\/behind-our-latest-cover\/\" target=\"_blank\">Learn more about its cover<\/a>, which features a photograph from <strong>Marc Yankus<\/strong>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>\u201cArt isn\u2019t always what\u2014or where\u2014you expect to find it.\u201d <strong>Nicole Rudick<\/strong> <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/paper-trail\/\" target=\"_blank\">looks at art ephemera<\/a>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><strong>Walter Benjamin<\/strong> used to write a radio show for children\u2014<a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/04\/a-crazy-mixed-up-day-thirty-brainteasers\/\" target=\"_blank\">here he tells a story with thirty brainteasers<\/a>. (We\u2019ll post the answers on Thursday.)<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>\u201cI think poetry is always one or two poets away from extinction.\u201d <strong>Michael Hofmann <\/strong>and <strong>Jack Livings <\/strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/04\/is-there-a-vespa-an-interview-with-michael-hofmann\/\" target=\"_blank\">talk about poetry, translation, and Vespas<\/a>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/05\/staying-out-of-trouble-an-interview-with-julia-wertz\/\" target=\"_blank\">An interview with <strong>Julia Wertz<\/strong><\/a> about her online comic, Fart Party, now collected in a new book, <em>The Museum of Mistakes<\/em>. \u201cI\u2019m a real bitch in my work. No one likes a happy-go-lucky character\u2014that\u2019s the character everyone wants to see destroyed.\u201d<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Twenty-five years after <em>Wild at Heart<\/em>, <strong>Barry Gifford<\/strong>\u2019s novels are <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/01\/still-weird-on-top\/\" target=\"_blank\">still weird on top<\/a>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Two centuries after the <strong>Marquis de Sade<\/strong>, <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/horrific-practices\/\" target=\"_blank\">a French exhibition traces his influence<\/a>.\u00a0<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Plus, <strong>Sadie Stein<\/strong> sees <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/01\/hard-and-fast\/\" target=\"_blank\">how far a full-page ad in <em>The New York Times<\/em> goes<\/a>; and <strong>Joseph Conrad<\/strong> thinks <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/03\/marvels-and-mysteries\/\" target=\"_blank\">the world is plenty mysterious enough as it is<\/a>, thanks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our new Winter issue is here. Learn more about its cover, which features a photograph from Marc Yankus. * \u201cArt isn\u2019t always what\u2014or where\u2014you expect to find it.\u201d Nicole Rudick looks at art ephemera. * Walter Benjamin used to write a radio show for children\u2014here he tells a story with thirty brainteasers. (We\u2019ll post the [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13054],"tags":[16219,15702,7003,16259,16213,5812,1768,14094,15705,1725],"class_list":["post-80573","post","type-post","status-publish","format-standard","hentry","category-in-case-you-missed-it","tag-barry-gifford","tag-icymi","tag-joseph-conrad","tag-julia-wertz","tag-marc-yankus","tag-marquis-de-sade","tag-michael-hofmann","tag-nicole-rudick","tag-recaps","tag-walter-benjamin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>This Week on the Daily by Dan Piepenbring<\/title>\n<meta name=\"description\" content=\"A recap of the week\u2019s posts.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/07\/this-week-on-the-daily-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This Week on the Daily by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"December 7, 2014 \u2013 Our new Winter issue is here. Learn more about its cover, which features a photograph from Marc Yankus. * \u201cArt isn\u2019t always what\u2014or where\u2014you expect to\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/07\/this-week-on-the-daily-7\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-07T18:20:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-12-08T15:24:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/snjokoma1891.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"991\" \/>\n\t<meta property=\"og:image:height\" content=\"1018\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" 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