{"id":80323,"date":"2014-12-02T09:30:06","date_gmt":"2014-12-02T14:30:06","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=80323"},"modified":"2014-12-02T10:27:55","modified_gmt":"2014-12-02T15:27:55","slug":"take-my-breath-away-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/","title":{"rendered":"Take My Breath Away, and Other News"},"content":{"rendered":"<div id=\"attachment_80325\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-80325\" class=\"wp-image-80325\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png\" alt=\"topgun\" width=\"600\" height=\"337\" \/><\/a><p id=\"caption-attachment-80325\" class=\"wp-caption-text\">A still from <i>Top Gun<\/i>, 1986.<\/p><\/div>\n<ul>\n<li><a href=\"http:\/\/www.lrb.co.uk\/v36\/n23\/rivka-galchen\/what-kind-of-funny-is-he\" target=\"_blank\">Rivka Galchen on Kafka<\/a> (or rather, his biography): \u201cIt has been said of Kafka\u2019s work many times that the thing to remember is that it is funny. Kafka was known to laugh uncontrollably when reading his work aloud to friends, and though that sounds more like anxiety than hilarity to me, the funny point endures. But what kind of funny is he? \u2026 One element of the comedy of Kafka\u2019s biography is the way his life, at whatever moment, is dwarfed by his work.\u201d<\/li>\n<li>In the eighties, Hollywood\u2019s big-budget movies were teeming with sex scenes: The sex was often in silhouette, yes, and usually accompanied by a saxophone, true, but it was <em>there<\/em>, just as it is in the human experience. \u201cIn the era of <em>Top Gun<\/em>, <em>The Big Easy<\/em>, <em>Body Heat<\/em>, or other steamy Hollywood thrillers, the goal was to appeal to both men and women with the promise of (among other things) onscreen sex. (Ergo the fabled \u2018date night\u2019 movie.) Now the goal is to appeal to adults and their twelve-year-old kids with <a href=\"http:\/\/www.vulture.com\/2014\/11\/rise-and-fall-and-rise-again-of-sex-scenes.html?wpsrc=nymag\" target=\"_blank\">the promise of the <em>absence<\/em> of sex<\/a>.\u201d<\/li>\n<li>Kenneth Snelson\u2019s <em>Needle Tower<\/em>, a sixty-foot sculpture at the Hirshhorn, comprises thin steel wires and barely touches the ground. <a href=\"http:\/\/www.smithsonianmag.com\/smithsonian-institution\/how-does-hirshhorn-60-foot-needle-tower-stay-upright-in-stiff-wind-180953391\/?utm_source=twitter.com&amp;utm_medium=socialmedia&amp;utm_campaign=12012014&amp;utm_content=atthesmithsonianneedletower1\" target=\"_blank\">How does it stay upright in strong wind<\/a>?<\/li>\n<li>\u201cA couple of years ago, a Chicago-based corporate-identity consultant, Chris Herron, gave himself the ultimate challenge: <a href=\"http:\/\/www.theguardian.com\/news\/2014\/nov\/26\/-sp-my-life-in-hell\" target=\"_blank\">rebrand hell<\/a>. It was half gag, half self-promotion, but Herron took the project seriously, considering what it would take for a place like hell to become a premier destination in the travel market. Herron decided that what hell needed was a complete brand overhaul. The new hell would feature no demons or devils, no tridents or lakes of fire. The brand name was rendered in a lower-case, bubbly blue font designed to evoke \u2018instant accessibility and comfort\u2019. The slogan, which was once \u2018Abandon Hope All Ye Who Enter Here,\u2019 would be \u2018Simply Heavenly.\u2019\u2009\u201d<\/li>\n<li>Every December, the New York Public Library\u2019s literary lions, Patience and Fortitude, <a href=\"http:\/\/artsbeat.blogs.nytimes.com\/2014\/12\/01\/new-wreaths-for-new-york-public-librarys-lions\/?smid=nytimesarts\" target=\"_blank\">have wreaths hung from their necks<\/a>\u2014and every year something seems to go wrong, somehow. (Last year the wreaths were simply too big.)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Rivka Galchen on Kafka (or rather, his biography): \u201cIt has been said of Kafka\u2019s work many times that the thing to remember is that it is funny. Kafka was known to laugh uncontrollably when reading his work aloud to friends, and though that sounds more like anxiety than hilarity to me, the funny point endures. [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[15253,8618,5410,13883,16236,16238,81,104,16237,5394,16235,16239],"class_list":["post-80323","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-branding","tag-christianity","tag-franz-kafka","tag-hell","tag-kenneth-snelson","tag-literary-lions","tag-movies","tag-nypl","tag-physics","tag-rivka-galchen","tag-sex-scenes","tag-wreaths"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for December 2, 2014<\/title>\n<meta name=\"description\" content=\"The rise and fall and rise again of sex scenes in films, rebranding hell, and other news.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Take My Breath Away, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"December 2, 2014 \u2013 Rivka Galchen on Kafka (or rather, his biography): \u201cIt has been said of Kafka\u2019s work many times that the thing to remember is that it is funny. Kafka was\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-02T14:30:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-12-02T15:27:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Take My Breath Away, and Other News\",\"datePublished\":\"2014-12-02T14:30:06+00:00\",\"dateModified\":\"2014-12-02T15:27:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\"},\"wordCount\":376,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png\",\"keywords\":[\"branding\",\"Christianity\",\"Franz Kafka\",\"Hell\",\"Kenneth Snelson\",\"Literary Lions\",\"movies\",\"NYPL\",\"physics\",\"Rivka Galchen\",\"sex scenes\",\"wreaths\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\",\"name\":\"The Morning News Roundup for December 2, 2014\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png\",\"datePublished\":\"2014-12-02T14:30:06+00:00\",\"dateModified\":\"2014-12-02T15:27:55+00:00\",\"description\":\"The rise and fall and rise again of sex scenes in films, rebranding hell, and other news.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Take My Breath Away, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Morning News Roundup for December 2, 2014","description":"The rise and fall and rise again of sex scenes in films, rebranding hell, and other news.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"Take My Breath Away, and Other News by Dan Piepenbring","og_description":"December 2, 2014 \u2013 Rivka Galchen on Kafka (or rather, his biography): \u201cIt has been said of Kafka\u2019s work many times that the thing to remember is that it is funny. Kafka was","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-12-02T14:30:06+00:00","article_modified_time":"2014-12-02T15:27:55+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Take My Breath Away, and Other News","datePublished":"2014-12-02T14:30:06+00:00","dateModified":"2014-12-02T15:27:55+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/"},"wordCount":376,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png","keywords":["branding","Christianity","Franz Kafka","Hell","Kenneth Snelson","Literary Lions","movies","NYPL","physics","Rivka Galchen","sex scenes","wreaths"],"articleSection":["On the Shelf"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/","name":"The Morning News Roundup for December 2, 2014","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png","datePublished":"2014-12-02T14:30:06+00:00","dateModified":"2014-12-02T15:27:55+00:00","description":"The rise and fall and rise again of sex scenes in films, rebranding hell, and other news.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/12\/topgun.png"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/12\/02\/take-my-breath-away-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Take My Breath Away, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/80323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=80323"}],"version-history":[{"count":6,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/80323\/revisions"}],"predecessor-version":[{"id":80332,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/80323\/revisions\/80332"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=80323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=80323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=80323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}