{"id":7999,"date":"2010-11-22T13:00:39","date_gmt":"2010-11-22T18:00:39","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=7999"},"modified":"2010-11-22T13:00:39","modified_gmt":"2010-11-22T18:00:39","slug":"sex-lies-and-hemingway","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/22\/sex-lies-and-hemingway\/","title":{"rendered":"Sex, Lies, and Hemingway"},"content":{"rendered":"
\"\"

Jack Huston and Mena Suvari star in Hemingway's Garden of Eden<\/em>. <\/p><\/div>\n

On a late night last week, I slipped out of the Paris Review<\/em> offices, and into a more glamorous setting across the street. On lower level of the Tribeca Grand Hotel, movie stars were posing with practiced ease in front of a cluster of photographers. The occasion was a preview screening of the film Garden of Eden<\/a><\/em>, which will be released on December 10. Among the celebrities there were Mena Suvari\u2014who oozed classic Hollywood glamour in an all-black ensemble, bright red lipstick, and soft, blond, Veronica Lake waves\u2014and Matthew Modine, tan, rugged, and sporting a jaunty blue scarf. Both star in the new film, based on the Ernest Hemingway novel of the same name. It\u2019s an autobiographical tale set in Europe between the wars that chronicles a love triangle between Hemingway stand-in David Bourne (Jack Huston), his wife, Catherine (Suvari), and the stunning Italian heiress Marita (Caterina Murino), whom Catherine introduces into the relationship during the couple\u2019s seaside honeymoon\u2014a decision she will later come to regret.<\/p>\n

The novel, unfinished at the time of Hemingway\u2019s death and published\u2014amid editing controversies<\/a>\u2014in 1986, was recently adapted for the screen by James Linville, former managing editor of The Paris Review<\/em>. \u201cMy experience in the film industry has been very good so far,\u201d he told me. \u201cAnd much less rough and tumble than the New York poetry world. I\u2019m being fun,\u201d he hastened to add, though it’s easy to see why one would want to trade the world of rejection slips for the chance to mingle with beautiful people.<\/p>\n

Away from the photographers\u2019 flashes, Ms. Suvari spoke of her attraction to a \u201ccomplex, complicated\u201d role (Linville described Catherine as a \u201cbitch-goddess\u201d) and said that the novel is definitely her \u201cfavorite one, ever.\u201d Others were slightly less enthusiastic. Mario Jurisic, one of the film\u2019s producers, was outright blunt: \u201cI couldn\u2019t read it,\u201d he told me, leaning in to make sure his comment got on the record. (If he had to pick, he prefers The Old Man and the Sea<\/em> and For Whom the Bell Tolls<\/em>.)<\/p>\n

Matthew Modine is also a fan of The Old Man and the Sea<\/em>, but he was more keen to talk about shooting on location in Kenya. (David spends a portion of the movie writing a short story about a young boy hunting elephants with his father; Modine plays the father.) The experience, he said, was unbelievable: \u201cI had a Masai warrior offer me his wife.\u201d He declined the offer, but not before going to the warrior\u2019s dung hut to meet the woman (\u201cShe had no front teeth!\u201d). Modine was gracious in his refusal: \u201cThis is the most incredible thing that\u2019s been ever offered to me in my life,\u201d he recalled saying, perched on their matrimonial bed. The couple seemed to breathe a sigh of relief. Having thus cemented their friendship, the wife\u2014as Modine recalled\u2014felt comfortable asking if he could provide her with a cell phone. <\/p>\n

To anyone who knows Papa, the scenes of the African savanna come as no surprise. But the plot also relies on sexual games and blurred gender lines\u2014preoccupations that remain below the surface in much of Hemingway\u2019s work. \u201cWhat he did in this book is take every single theme throughout his entire career, take it apart, turn it upside down, look at it, and put it back together in a different way. There\u2019s hunting in it, but it is an antihunting story. There\u2019s things about relations between men and women, but in this case, it\u2019s a striking female character who has a certain power in the world. And she\u2019s struggling with, how do you live a life and be a woman with some kind of power and try to be an equal of a man, and in some ways it curdles.\u201d Linville, though he doesn\u2019t typically like books about writers, was attracted to this particular novel: \u201cIt’s incredibly modern about sexuality and the difficulties of marriage.\u201d Perhaps for this very reason, Hemingway, according to Linville, requested that the novel remain unpublished until ten years the death of his first wife.<\/p>\n

According to Linville, his time at The Paris Review<\/em>\u2014in particular, helping George Plimpton edit the Interview series\u2014nourished his interest in screenwriting and in the \u201csly little observations\u201d that one finds in any dialogue. It\u2019s proof enough that a stint at the Review<\/em> can be a stepping stone to all sorts of illustrious careers\u2014even those in the notoriously unliterary world of Hollywood.<\/p>\n","protected":false},"excerpt":{"rendered":"

On a late night last week, I slipped out of the Paris Review offices, and into a more glamorous setting across the street. On lower level of the Tribeca Grand Hotel, movie stars were posing with practiced ease in front of a cluster of photographers. The occasion was a preview screening of the film Garden […]<\/p>\n","protected":false},"author":62,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[1084,1372,571,79,1367,1371,1369,1370,1368,1373,125,1374],"class_list":["post-7999","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-adaptation","tag-caterina-murino","tag-ernest-hemingway","tag-film","tag-garden-of-eden","tag-jack-huston","tag-james-linville","tag-matthew-modine","tag-mena-suvari","tag-movie-stars","tag-new-york-city","tag-tribeca"],"acf":[],"yoast_head":"\nSex, Lies, and Hemingway by Miranda Popkey<\/title>\n<meta name=\"description\" content=\"November 22, 2010 \u2013 On a late night last week, I slipped out of the Paris Review offices, and into a more glamorous setting across the street. 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