{"id":79543,"date":"2014-11-13T15:31:13","date_gmt":"2014-11-13T20:31:13","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=79543"},"modified":"2016-05-17T15:22:13","modified_gmt":"2016-05-17T19:22:13","slug":"emma-cover-to-cover","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/13\/emma-cover-to-cover\/","title":{"rendered":"<i>Emma<\/i>, Cover to Cover"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/austencover.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-79551\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/austencover.png\" alt=\"austencover\" width=\"600\" height=\"502\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/austencover.png 1182w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/austencover-300x251.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/austencover-768x643.png 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/austencover-1024x857.png 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><span class=\"a\">Margaret Sullivan\u2019s book,\u00a0<a href=\"http:\/\/www.quirkbooks.com\/janeaustencovers\" target=\"_blank\"><em>Jane Austen Cover to Cover<\/em><\/a>, collects dozens of the covers that publishers around the world have concocted for her six major novels; it\u2019s \u201ctwo hundred years of <\/span><span class=\"a\">publication, interpretation, marketing, and <\/span><span class=\"a\">misapprehensions.\u201d These six examples of\u00a0<em>Emma<\/em> indicate Austen\u2019s singular place in the canon: the covers range from the lurid to the leather bound\u2014highbrow, lowbrow, middlebrow, every brow\u2014with Emma Woodhouse taking on a new look and mien to suit every era. The art provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market. <br \/><\/span><!--more--><\/p>\n<p><div id=\"attachment_79547\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_hugh-tompson-illustrated-edition.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79547\" class=\"wp-image-79547\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_hugh-tompson-illustrated-edition.jpg\" alt=\"Emma_Hugh Tompson Illustrated Edition\" width=\"600\" height=\"880\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_hugh-tompson-illustrated-edition.jpg 1269w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_hugh-tompson-illustrated-edition-204x300.jpg 204w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_hugh-tompson-illustrated-edition-698x1024.jpg 698w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79547\" class=\"wp-caption-text\">Hugh Thomson Illustrated Edition, ca. 1895\u20131903. Photo: The Henry and Alberta Hirshheimer Burke Collection and the Winn Family Collection, Goucher College Special Collections<\/p><\/div> <div id=\"attachment_79548\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_laurel-leaf-editions.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79548\" class=\"wp-image-79548\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_laurel-leaf-editions.jpg\" alt=\"Emma_Laurel Leaf Editions\" width=\"600\" height=\"983\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_laurel-leaf-editions.jpg 1145w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_laurel-leaf-editions-183x300.jpg 183w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_laurel-leaf-editions-625x1024.jpg 625w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79548\" class=\"wp-caption-text\">Laurel Leaf Edition, 1971. Photo: The Henry and Alberta Hirshheimer Burke Collection and the Winn Family Collection, Goucher College Special Collections<\/p><\/div> <div id=\"attachment_79545\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_edizioni-sas.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79545\" class=\"wp-image-79545\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_edizioni-sas.jpg\" alt=\"Emma_Edizioni Sas\" width=\"600\" height=\"939\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_edizioni-sas.jpg 1194w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_edizioni-sas-191x300.jpg 191w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_edizioni-sas-654x1024.jpg 654w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79545\" class=\"wp-caption-text\">Edizioni Sas, 1956.<\/p><\/div> <div id=\"attachment_79546\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_harperteen.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79546\" class=\"wp-image-79546\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_harperteen.jpg\" alt=\"Emma_Harperteen\" width=\"600\" height=\"888\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_harperteen.jpg 818w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_harperteen-202x300.jpg 202w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_harperteen-691x1024.jpg 691w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79546\" class=\"wp-caption-text\">Harper Teen, 2011.<\/p><\/div> <div id=\"attachment_79544\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_abbey-classics.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79544\" class=\"wp-image-79544\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_abbey-classics.jpg\" alt=\"Emma_Abbey Classics\" width=\"600\" height=\"789\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_abbey-classics.jpg 1292w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_abbey-classics-228x300.jpg 228w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma_abbey-classics-778x1024.jpg 778w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79544\" class=\"wp-caption-text\">Abbey Classics, ca. 1950<\/p><\/div> <div id=\"attachment_79549\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma-first-edition.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79549\" class=\"wp-image-79549\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma-first-edition.jpg\" alt=\"emma-first-edition\" width=\"600\" height=\"509\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma-first-edition.jpg 772w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emma-first-edition-300x254.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79549\" class=\"wp-caption-text\">John Murray\u2019s three-volume first edition, 1816.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Margaret Sullivan\u2019s book,\u00a0Jane Austen Cover to Cover, collects dozens of the covers that publishers around the world have concocted for her six major novels; it\u2019s \u201ctwo hundred years of publication, interpretation, marketing, and misapprehensions.\u201d These six examples of\u00a0Emma indicate Austen\u2019s singular place in the canon: the covers range from the lurid to the leather bound\u2014highbrow, [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[435,12976,2997,300,16027,16026,272],"class_list":["post-79543","post","type-post","status-publish","format-standard","hentry","category-look","tag-book-covers","tag-drawings","tag-emma","tag-jane-austen","tag-jane-austen-cover-to-cover","tag-margaret-sullivan","tag-publishing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ 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