{"id":79178,"date":"2014-11-06T14:30:11","date_gmt":"2014-11-06T19:30:11","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=79178"},"modified":"2014-11-06T14:51:36","modified_gmt":"2014-11-06T19:51:36","slug":"context","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/","title":{"rendered":"Context"},"content":{"rendered":"<div id=\"attachment_79196\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-79196\" class=\"wp-image-79196 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\" alt=\"\" width=\"600\" height=\"524\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped-300x262.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-79196\" class=\"wp-caption-text\">A daguerreotype of Emily Dickinson from Mount Holyoke Seminary, ca. 1847.<\/p><\/div>\n<p>I\u2019ve always loved this line of Emily Dickinson\u2019s: \u201cNovember always seemed to me the Norway of the year.\u201d Where did I first encounter it? Who knows\u2014maybe a kid\u2019s book of quotations or a calendar or something else. I know the context was cheerful rather than melancholy, although on a day like this one\u2014gray, rainy, fall shading into winter\u2014it felt apt, in its gnomic way.<\/p>\n<p>What did Norway convey to Dickinson, who had never left New England? A bleaker, more romantic version of the same? A place of Norse legends and epics? Perhaps she\u2019d met Scandinavian immigrants and this informed her remark. But however she intended it, it\u2019s so evocative. It was not until very recently that I read the fuller context, from an 1864 letter to her frequent correspondent Elizabeth Holland:<\/p>\n<blockquote>\n<p>It is also November. The noons are more laconic and the sunsets sterner, and Gibraltar lights make the village foreign. November always seemed to me the Norway of the year. &#8212;&#8212; is still with the sister who put her child in an ice nest last Monday forenoon. The redoubtable God! I notice where Death has been introduced, he frequently calls, making it desirable to forestall his advances.<\/p>\n<\/blockquote>\n<p>In the same letter, she mentions the recent death of the family\u2019s maid,\u00a0Margaret O\u2019Brien\u2014\u201cI winced at her loss, because I was in the habit of her, and even a new rolling-pin has an embarrassing element, but to all except anguish, the mind soon adjusts.\u201d Another friend is ill. And, of course, there would have been the background of the Civil War, felt even from within her home. The letter ends, \u201cSharper than dying is the death for the dying\u2019s sake.\u201d\u00a0<\/p>\n<p>The first English translation of Asbj\u00f8rnsen and Moe\u2019s\u00a0landmark\u00a0<em>Popular Tales from the Norse<\/em>\u00a0appeared in 1859. It\u2019s filled with trolls, enchanted animals, captive princesses held under spells. One of the best known is \u201cEast of the Sun, West of the Moon,\u201d a Cupid-Psyche story in which a maiden is only allowed to interact with her husband by darkness.<em>\u00a0<\/em>Others feature mountain people, envious of those who get to live by daylight.\u00a0Did it make its way to Amherst? I have never read of it in Dickinson\u2019s letters, but perhaps a scholar can tell me otherwise.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019ve always loved this line of Emily Dickinson\u2019s: \u201cNovember always seemed to me the Norway of the year.\u201d Where did I first encounter it? Who knows\u2014maybe a kid\u2019s book of quotations or a calendar or something else. I know the context was cheerful rather than melancholy, although on a day like this one\u2014gray, rainy, fall [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13115],"tags":[2056,182,12985,6122,9075,15949,10395],"class_list":["post-79178","post","type-post","status-publish","format-standard","hentry","category-our-daily-correspondent","tag-emily-dickinson","tag-letters","tag-nineteenth-century","tag-norway","tag-november","tag-popular-tales-from-the-norse","tag-quotations"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Emily Dickinson\u2019s Norway<\/title>\n<meta name=\"description\" content=\"Sadie Stein on the context behind her favorite line of Dickinson\u2019s.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Context by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"November 6, 2014 \u2013 I\u2019ve always loved this line of Emily Dickinson\u2019s: \u201cNovember always seemed to me the Norway of the year.\u201d Where did I first encounter it? Who knows\u2014maybe a\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-06T19:30:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-11-06T19:51:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"524\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sadie Stein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sadie Stein\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\"},\"author\":{\"name\":\"Sadie Stein\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\"},\"headline\":\"Context\",\"datePublished\":\"2014-11-06T19:30:11+00:00\",\"dateModified\":\"2014-11-06T19:51:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\"},\"wordCount\":407,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\",\"keywords\":[\"Emily Dickinson\",\"letters\",\"nineteenth century\",\"Norway\",\"November\",\"Popular Tales from the Norse\",\"quotations\"],\"articleSection\":[\"Our Daily Correspondent\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\",\"name\":\"Emily Dickinson\u2019s Norway\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\",\"datePublished\":\"2014-11-06T19:30:11+00:00\",\"dateModified\":\"2014-11-06T19:51:36+00:00\",\"description\":\"Sadie Stein on the context behind her favorite line of Dickinson\u2019s.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Context\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\",\"name\":\"Sadie Stein\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"caption\":\"Sadie Stein\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Emily Dickinson\u2019s Norway","description":"Sadie Stein on the context behind her favorite line of Dickinson\u2019s.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/","og_locale":"en_US","og_type":"article","og_title":"Context by Sadie Stein","og_description":"November 6, 2014 \u2013 I\u2019ve always loved this line of Emily Dickinson\u2019s: \u201cNovember always seemed to me the Norway of the year.\u201d Where did I first encounter it? Who knows\u2014maybe a","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-11-06T19:30:11+00:00","article_modified_time":"2014-11-06T19:51:36+00:00","og_image":[{"width":600,"height":524,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg","type":"image\/jpeg"}],"author":"Sadie Stein","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Sadie Stein","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/"},"author":{"name":"Sadie Stein","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9"},"headline":"Context","datePublished":"2014-11-06T19:30:11+00:00","dateModified":"2014-11-06T19:51:36+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/"},"wordCount":407,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg","keywords":["Emily Dickinson","letters","nineteenth century","Norway","November","Popular Tales from the Norse","quotations"],"articleSection":["Our Daily Correspondent"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/","name":"Emily Dickinson\u2019s Norway","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg","datePublished":"2014-11-06T19:30:11+00:00","dateModified":"2014-11-06T19:51:36+00:00","description":"Sadie Stein on the context behind her favorite line of Dickinson\u2019s.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/11\/emily_dickinson_daguerreotype_cropped.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/06\/context\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Context"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9","name":"Sadie Stein","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","caption":"Sadie Stein"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/79178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=79178"}],"version-history":[{"count":10,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/79178\/revisions"}],"predecessor-version":[{"id":79206,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/79178\/revisions\/79206"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=79178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=79178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=79178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}