{"id":79000,"date":"2014-11-03T19:50:01","date_gmt":"2014-11-04T00:50:01","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=79000"},"modified":"2014-11-03T19:50:01","modified_gmt":"2014-11-04T00:50:01","slug":"the-poet-bandit","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/11\/03\/the-poet-bandit\/","title":{"rendered":"The Poet Bandit"},"content":{"rendered":"
\"Charles_Bowles_aka_Black_Bart\"<\/a>

Black Bart, the outlaw poet.<\/p><\/div>\n

November 3, 1883, marked the beginning of the end for Charles Earl Bowles, aka C. E. Bolton, aka Black Bart the Poet, aka the very picture of delinquent suavity. Bowles was a legendary nineteenth-century stagecoach robber known for the poetry he left at the scenes of his heists. Over the course of nearly a decade, he pulled off some two-dozen robberies hither and yon, concentrating on Wells Fargo stages throughout Oregon and Northern California. He made off with thousands of dollars a year plus the many intangibles that come with being a criminal mastermind, and he never once fired his gun or rode a horse.<\/p>\n

Many fragments of his poetry survive, but apparently only two verses can claim Bowles as their author with full certainty. (Understandably, the guy had a lot of copycats.) Both of these merit close exegesis. The first was found at the scene of an August 1877 stagecoach holdup:<\/p>\n

\n

I\u2019ve labored long and hard for bread,
For honor, and for riches,
But on my corns too long you\u2019ve tread,
You fine-haired sons of bitches.<\/p>\n<\/blockquote>\n

And the second verse, found at the site of Bowles\u2019s July 25, 1878, holdup:<\/p>\n

\n

Here I lay me down to sleep
To wait the coming morrow,
Perhaps success, perhaps defeat,
And everlasting sorrow.
Let come what will, I\u2019ll try it on,
My condition can\u2019t be worse;
And if there\u2019s money in that box
\u2018Tis munny in my purse.<\/p>\n<\/blockquote>\n

Bowles had a pretty good reputation, as far as highwaymen go. People referred to him as a gentleman bandit, a man of sophistication. A police report described him: \u201cA person of great endurance. Exhibited genuine wit under most trying circumstances, and was extremely proper and polite in behavior. Eschews profanity.\u201d <\/p>\n

Of course, that report wouldn\u2019t exist had Black Bart not run into trouble that fateful November 3, when he held up a stage in Calaveras County, en route to Milton from Sonora. The exact location, I shit you not, was Funk Hill, just southeast of Copperopolis.<\/p>\n

Alas, all did not go well on Funk Hill. At the ferry crossing where the stickup went down, Black Bart took heavy fire from two Wells Fargo fellas named (I\u2019m still not making this up) Reason McConnell and Jimmy Rolleri. One of the bullets hit him in the hand; he used a kerchief to stop the bleeding, but he left it at the scene. Rookie mistake, Bart! Wells Fargo detectives traced it, with considerable effort, to a laundry in San Francisco, where they learned that Bowles lived in a boarding house nearby. He was toast: six years in San Quentin Prison.<\/p>\n

Being a gentleman, though, Bowles was out in four\u2014his sentence was commuted for good behavior. As the story goes, he was mobbed with reporters upon his release, and they asked him, as reporters are wont to do, if he planned on resuming his career as a criminal. Quoth Wikipedia<\/a>:<\/p>\n

\n

\u201cNo, gentlemen,\u201d he replied, smiling. \u201cI\u2019m through with crime.\u201d Another reporter asked if he would write more poetry. Bowles laughed and said, \u201cNow, didn\u2019t you hear me say that I am through with crime?\u201d<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

November 3, 1883, marked the beginning of the end for Charles Earl Bowles, aka C. E. Bolton, aka Black Bart the Poet, aka the very picture of delinquent suavity. Bowles was a legendary nineteenth-century stagecoach robber known for the poetry he left at the scenes of his heists. Over the course of nearly a decade, […]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7555],"tags":[15910,775,15911,15909,165,15907,93,15908,15906],"class_list":["post-79000","post","type-post","status-publish","format-standard","hentry","category-on-history","tag-black-bart-the-poet","tag-california","tag-charles-bowles","tag-outlaws","tag-poetry","tag-robberies","tag-san-francisco","tag-stagecoaches","tag-wells-fargo"],"acf":[],"yoast_head":"\nThe Poet Bandit<\/title>\n<meta name=\"description\" content=\"The story of Charles Earl Bowles, a legendary nineteenth-century stagecoach robber known for the poetry he left at the scenes of his heists.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/03\/the-poet-bandit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Poet Bandit by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"November 3, 2014 \u2013 November 3, 1883, marked the beginning of the end for Charles Earl Bowles, aka C. 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