{"id":78766,"date":"2014-10-30T09:30:39","date_gmt":"2014-10-30T13:30:39","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=78766"},"modified":"2014-10-30T10:18:06","modified_gmt":"2014-10-30T14:18:06","slug":"alls-welles-that-ends-welles-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/","title":{"rendered":"All\u2019s Welles That Ends Welles, and Other News"},"content":{"rendered":"<div id=\"attachment_78768\" style=\"width: 627px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78768\" class=\"wp-image-78768 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg\" alt=\"Orson_Welles_-_1960\" width=\"617\" height=\"468\" \/><\/a><p id=\"caption-attachment-78768\" class=\"wp-caption-text\">They\u2019re doing what? Orson Welles in 1960.<\/p><\/div>\n<ul>\n<li>\u201cWhatever type styles were available to <em>The Paris Review<\/em> founders at the time of printing had just been embraced without our modern preoccupations of \u2018branding\u2019 and \u2018identity.\u2019 It was less a carelessness than a carefree-ness. At first the uptight twenty-first-century graphic designer in me was frustrated by this inconsistency, but I came to rather admire the early Reviewians for maintaining a consistent voice while continuing to see themselves anew with each issue.\u201d <a href=\"http:\/\/www.itsnicethat.com\/articles\/charlotte-strick\" target=\"_blank\">An interview with our art editor, Charlotte Strick<\/a>.<\/li>\n<li>\u201cAmerican Sign Language isn\u2019t a translation of English. It\u2019s a language with its own grammar and idioms. <a href=\"http:\/\/io9.com\/yes-sign-language-has-accents-1650818475\" target=\"_blank\">Sign language speakers also have their own accents<\/a> \u2026 There are also variations in sign language speed. New Yorkers are notorious fast-talkers, while Ohioans are calm and relaxed. New Yorkers also curse more.\u201d (We\u2019re foul-mouthed, even with our hands.)<\/li>\n<li>When did the chapter emerge as one of the most essential tools in book-length writing and storytelling? \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/chapter-history?int-cid=mod-latest\" target=\"_blank\">The chapter has become a way of looking at the world<\/a>, a way of dividing time and, therefore, of dividing experience. Its origins date back to long before the printing press or even the bound codex, back to the emergence of prose in antiquity as both an expressive and an informational medium. Literary evolution rarely seems slower than it does in the case of the chapter.\u201d<\/li>\n<li>After Evelyn Waugh married for the second time, <a href=\"http:\/\/www.newrepublic.com\/article\/120006\/crabby-and-evelyn-assessment-evelyn-waughs-life-and-work\" target=\"_blank\">he received a letter from a woman<\/a> he\u2019d known as a student at Oxford: \u201cI think of you all the time when I am making love, until the word and Evelyn are almost synonymous! And in the darkness each night &amp; in the greyness of each morning when I wake I remember your face\u2014&amp; your voice and your body and everything about you so earnestly and intensely that you become almost tangibly beside me.\u201d<\/li>\n<li>Orson Welles\u2019s unfinished final film, <em>The Other Side of the Wind<\/em>, <a href=\"http:\/\/www.nytimes.com\/2014\/10\/29\/movies\/hollywood-ending-near-for-orson-welles-last-film.html\" target=\"_blank\">may finally see release next year<\/a> for the centenary of his birth. \u201cThe main character\u2019s life has echoes in Hemingway\u2019s: his father\u2019s suicide, the day of his death, his love of Spain \u2026 Welles explores the last day of the fictional director\u2019s life before he dies in a car crash that could be an accident or a suicide.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cWhatever type styles were available to The Paris Review founders at the time of printing had just been embraced without our modern preoccupations of \u2018branding\u2019 and \u2018identity.\u2019 It was less a carelessness than a carefree-ness. At first the uptight twenty-first-century graphic designer in me was frustrated by this inconsistency, but I came to rather admire [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[15851,434,5764,1470,3137,15850,15852],"class_list":["post-78766","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-chapters","tag-charlotte-strick","tag-evelyn-waugh","tag-orson-welles","tag-oxford","tag-sign-language","tag-the-other-side-of-the-wind"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for October 30, 2014<\/title>\n<meta name=\"description\" content=\"All\u2019s Welles that ends Welles, the history of type styles in The Paris Review, and other news.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All\u2019s Welles That Ends Welles, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"October 30, 2014 \u2013 \u201cWhatever type styles were available to The Paris Review founders at the time of printing had just been embraced without our modern preoccupations of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-10-30T13:30:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-30T14:18:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"All\u2019s Welles That Ends Welles, and Other News\",\"datePublished\":\"2014-10-30T13:30:39+00:00\",\"dateModified\":\"2014-10-30T14:18:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\"},\"wordCount\":401,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg\",\"keywords\":[\"chapters\",\"Charlotte Strick\",\"Evelyn Waugh\",\"Orson Welles\",\"Oxford\",\"sign language\",\"The Other Side of the Wind\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\",\"name\":\"The Morning News Roundup for October 30, 2014\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg\",\"datePublished\":\"2014-10-30T13:30:39+00:00\",\"dateModified\":\"2014-10-30T14:18:06+00:00\",\"description\":\"All\u2019s Welles that ends Welles, the history of type styles in The Paris Review, and other news.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"All\u2019s Welles That Ends Welles, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Morning News Roundup for October 30, 2014","description":"All\u2019s Welles that ends Welles, the history of type styles in The Paris Review, and other news.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"All\u2019s Welles That Ends Welles, and Other News by Dan Piepenbring","og_description":"October 30, 2014 \u2013 \u201cWhatever type styles were available to The Paris Review founders at the time of printing had just been embraced without our modern preoccupations of","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-10-30T13:30:39+00:00","article_modified_time":"2014-10-30T14:18:06+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"All\u2019s Welles That Ends Welles, and Other News","datePublished":"2014-10-30T13:30:39+00:00","dateModified":"2014-10-30T14:18:06+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/"},"wordCount":401,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg","keywords":["chapters","Charlotte Strick","Evelyn Waugh","Orson Welles","Oxford","sign language","The Other Side of the Wind"],"articleSection":["On the Shelf"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/","name":"The Morning News Roundup for October 30, 2014","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg","datePublished":"2014-10-30T13:30:39+00:00","dateModified":"2014-10-30T14:18:06+00:00","description":"All\u2019s Welles that ends Welles, the history of type styles in The Paris Review, and other news.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/orson_welles_-_1960.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/30\/alls-welles-that-ends-welles-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"All\u2019s Welles That Ends Welles, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=78766"}],"version-history":[{"count":5,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78766\/revisions"}],"predecessor-version":[{"id":78776,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78766\/revisions\/78776"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=78766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=78766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=78766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}