{"id":78716,"date":"2014-10-28T20:00:09","date_gmt":"2014-10-29T00:00:09","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=78716"},"modified":"2014-10-29T11:24:24","modified_gmt":"2014-10-29T15:24:24","slug":"moral-and-divine-and-terrifying","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/28\/moral-and-divine-and-terrifying\/","title":{"rendered":"Moral and Divine (and Terrifying)"},"content":{"rendered":"<div id=\"attachment_78717\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14770780853_f0726d87e8_o.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78717\" class=\"wp-image-78717\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14770780853_f0726d87e8_o.jpg\" alt=\"14770780853_f0726d87e8_o\" width=\"600\" height=\"594\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14770780853_f0726d87e8_o.jpg 1185w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14770780853_f0726d87e8_o-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14770780853_f0726d87e8_o-300x297.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14770780853_f0726d87e8_o-1024x1014.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-78717\" class=\"wp-caption-text\">Cruel fate.<\/p><\/div>\n<p>Yesterday\u2019s journey into the macabre (<a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\">via Thackeray<\/a>) was so lousy with skulls and black cats and seasonal pageantry that I thought, Hell, let\u2019s do it again.<\/p>\n<p>The public domain is teeming with hoary, scary fare for Halloween. Time was, you couldn\u2019t throw a rock without hitting something spooky.<\/p>\n<p>I present to you, then, a few morbid selections from George Wither\u2019s <em><a href=\"https:\/\/archive.org\/stream\/collectionofembl00withe#page\/n11\/mode\/2up\" target=\"_blank\">A Collection of Emblemes, Ancient and Moderne<\/a>: Quickened with Metrical Illustrations, both Moral and Divine; and disposed into Lotteries, that Instruction and Good Counsel, may be furthered by an Honest and Pleasant Recreation<\/em>, from 1635. Wither wrote verses to accompany these allegorical plates, which were originally by Crispin van Passe from earlier in the seventeenth century. The allegories depicted here aren\u2019t always easy to parse, but I think we can safely assume that they instruct humankind in the evasion of sin. If you sin, after all, your hand may wind up mounted to a stick, or you may become like the caged cat, beset by the mice you once terrorized. <!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750804405_39d443908f_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78718\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750804405_39d443908f_o.jpg\" alt=\"14750804405_39d443908f_o\" width=\"600\" height=\"602\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750804405_39d443908f_o.jpg 1144w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750804405_39d443908f_o-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750804405_39d443908f_o-298x300.jpg 298w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750804405_39d443908f_o-1020x1024.jpg 1020w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750542982_9b37bc8287_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78719\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750542982_9b37bc8287_o.jpg\" alt=\"14750542982_9b37bc8287_o\" width=\"600\" height=\"588\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750542982_9b37bc8287_o.jpg 1164w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750542982_9b37bc8287_o-300x293.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750542982_9b37bc8287_o-1024x1002.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750928465_4f87bd7705_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78720\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750928465_4f87bd7705_o.jpg\" alt=\"14750928465_4f87bd7705_o\" width=\"600\" height=\"578\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750928465_4f87bd7705_o.jpg 1220w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750928465_4f87bd7705_o-300x289.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14750928465_4f87bd7705_o-1024x987.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564267048_1d565893d0_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78721\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564267048_1d565893d0_o.jpg\" alt=\"14564267048_1d565893d0_o\" width=\"600\" height=\"585\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564267048_1d565893d0_o.jpg 1240w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564267048_1d565893d0_o-300x292.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564267048_1d565893d0_o-1024x997.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564249740_8dc91c6b28_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78722\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564249740_8dc91c6b28_o.jpg\" alt=\"14564249740_8dc91c6b28_o\" width=\"600\" height=\"616\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564249740_8dc91c6b28_o.jpg 1352w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564249740_8dc91c6b28_o-292x300.jpg 292w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14564249740_8dc91c6b28_o-997x1024.jpg 997w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday\u2019s journey into the macabre (via Thackeray) was so lousy with skulls and black cats and seasonal pageantry that I thought, Hell, let\u2019s do it again. The public domain is teeming with hoary, scary fare for Halloween. Time was, you couldn\u2019t throw a rock without hitting something spooky. I present to you, then, a few [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[15839,15840,9829,1146,2783,15841],"class_list":["post-78716","post","type-post","status-publish","format-standard","hentry","category-look","tag-crispin-van-passe","tag-emblems","tag-george-wither","tag-halloween","tag-illustrations","tag-seventeenth-century"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Moral and Divine (And Terrifying)<\/title>\n<meta name=\"description\" content=\"A selection of illustrations from George Wither\u2019s \u201cA Collection of Emblemes, Ancient and Moderne.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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