{"id":78626,"date":"2014-10-27T19:07:00","date_gmt":"2014-10-27T23:07:00","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=78626"},"modified":"2014-10-27T19:07:00","modified_gmt":"2014-10-27T23:07:00","slug":"thackeray-gets-grotesque","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/","title":{"rendered":"Thackeray Gets Grotesque"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78627\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\" alt=\"thackeraylead\" width=\"600\" height=\"532\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg 1836w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead-300x266.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead-1024x907.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>When William Makepeace Thackeray died, near the end of 1863, he left behind a formidable library in a mansion he\u2019d only recently designed, erected, and occupied. A few months later, his home was dismantled and his books were put to auction. On the flyleaves and margins, their new owners discovered a wealth of Thackeray\u2019s sketches, some in pencil and others in pen and ink.<\/p>\n<p>Thackeray\u2019s talents as an artist were no secret\u2014he\u2019d contributed illustrations to many of his own novels, including <em>Vanity Fair\u2014<\/em>but few were aware of the extent of his doodling habit. More than ten years later, in 1875, the art collector Joseph Grego published <em><a href=\"https:\/\/archive.org\/stream\/thackerayana00greg\/thackerayana00greg#page\/n0\/mode\/1up\" target=\"_blank\">Thackerayana<\/a><\/em>, an assemblage of more than six hundred of Thackeray\u2019s drawings with extracts of the books in which he\u2019d drawn them. (Grego, perhaps fearing the consequences of his blatant copyright infringement, presented the collection anonymously.)<\/p>\n<p>What surprises most about the sketches in <em>Thackerayana <\/em>is their range\u2014Thackeray was an adept caricaturist, but these drawings find him equally at home in more high-flown styles. As his source material moved him, he could do landscapes and portraiture, the irreverent and the solemn, the macabre, the surreal, the juvenile. It\u2019s these last three qualities, in particular, that caught my eye; with Halloween around the corner, it seems as good a time as any to present a portfolio of Thackeray at his most imaginatively unhinged. He had a thing for combat, for instance, and for men with hideously bulbous noses. Here, then, are a series of <em>Thackerayana<\/em>\u2019s more unsettling entries. <!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14788276683_56bc0bb62e_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78628\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14788276683_56bc0bb62e_o.jpg\" alt=\"14788276683_56bc0bb62e_o\" width=\"600\" height=\"368\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14788276683_56bc0bb62e_o.jpg 880w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14788276683_56bc0bb62e_o-300x184.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581506710_2150767971_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78639\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581506710_2150767971_o.jpg\" alt=\"14581506710_2150767971_o\" width=\"600\" height=\"243\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581506710_2150767971_o.jpg 1512w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581506710_2150767971_o-300x121.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581506710_2150767971_o-1024x414.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581809429_b94e88f2d4_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-78638\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581809429_b94e88f2d4_o.jpg\" alt=\"14581809429_b94e88f2d4_o\" width=\"300\" height=\"960\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581809429_b94e88f2d4_o.jpg 340w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581809429_b94e88f2d4_o-320x1024.jpg 320w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581826688_51ba6389cb_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78637\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581826688_51ba6389cb_o.jpg\" alt=\"14581826688_51ba6389cb_o\" width=\"600\" height=\"235\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581826688_51ba6389cb_o.jpg 1916w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581826688_51ba6389cb_o-300x117.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581826688_51ba6389cb_o-1024x401.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581873398_6e77fccda3_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78636\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581873398_6e77fccda3_o.jpg\" alt=\"14581873398_6e77fccda3_o\" width=\"600\" height=\"758\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581873398_6e77fccda3_o.jpg 1624w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581873398_6e77fccda3_o-237x300.jpg 237w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14581873398_6e77fccda3_o-810x1024.jpg 810w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14745329386_37fe0c6666_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78635\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14745329386_37fe0c6666_o.jpg\" alt=\"14745329386_37fe0c6666_o\" width=\"600\" height=\"1152\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14745329386_37fe0c6666_o.jpg 604w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14745329386_37fe0c6666_o-156x300.jpg 156w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14745329386_37fe0c6666_o-533x1024.jpg 533w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765029121_fa04e2201f_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78634\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765029121_fa04e2201f_o.jpg\" alt=\"14765029121_fa04e2201f_o\" width=\"600\" height=\"394\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765029121_fa04e2201f_o.jpg 1872w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765029121_fa04e2201f_o-300x196.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765029121_fa04e2201f_o-1024x671.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765167981_a0328101c2_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78633\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765167981_a0328101c2_o.jpg\" alt=\"14765167981_a0328101c2_o\" width=\"600\" height=\"345\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765167981_a0328101c2_o.jpg 1364w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765167981_a0328101c2_o-300x172.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765167981_a0328101c2_o-1024x588.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765169281_4032ece989_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78632\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765169281_4032ece989_o.jpg\" alt=\"14765169281_4032ece989_o\" width=\"600\" height=\"1161\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765169281_4032ece989_o.jpg 616w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765169281_4032ece989_o-155x300.jpg 155w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14765169281_4032ece989_o-529x1024.jpg 529w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768071192_2df96d5dce_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78631\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768071192_2df96d5dce_o.jpg\" alt=\"14768071192_2df96d5dce_o\" width=\"600\" height=\"324\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768071192_2df96d5dce_o.jpg 1280w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768071192_2df96d5dce_o-300x162.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768071192_2df96d5dce_o-1024x553.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768142012_2ba8379a06_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78630\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768142012_2ba8379a06_o.jpg\" alt=\"14768142012_2ba8379a06_o\" width=\"600\" height=\"392\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768142012_2ba8379a06_o.jpg 1844w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768142012_2ba8379a06_o-300x195.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768142012_2ba8379a06_o-1024x668.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768409515_475497e6e2_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-78629\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768409515_475497e6e2_o.jpg\" alt=\"14768409515_475497e6e2_o\" width=\"600\" height=\"442\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768409515_475497e6e2_o.jpg 636w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/14768409515_475497e6e2_o-300x220.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When William Makepeace Thackeray died, near the end of 1863, he left behind a formidable library in a mansion he\u2019d only recently designed, erected, and occupied. A few months later, his home was dismantled and his books were put to auction. On the flyleaves and margins, their new owners discovered a wealth of Thackeray\u2019s sketches, [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[12976,1146,2783,15814,15813,13134,15815,50,12213],"class_list":["post-78626","post","type-post","status-publish","format-standard","hentry","category-look","tag-drawings","tag-halloween","tag-illustrations","tag-joseph-grego","tag-macabre","tag-sketches","tag-thackerayana","tag-vanity-fair","tag-william-makepeace-thackeray"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Happy Halloween from Thackeray<\/title>\n<meta name=\"description\" content=\"A collection of William Makepeace Thackeray\u2019s wide range of drawings.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thackeray Gets Grotesque by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"October 27, 2014 \u2013 When William Makepeace Thackeray died, near the end of 1863, he left behind a formidable library in a mansion he\u2019d only recently designed, erected, and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-10-27T23:07:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1836\" \/>\n\t<meta property=\"og:image:height\" content=\"1628\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Thackeray Gets Grotesque\",\"datePublished\":\"2014-10-27T23:07:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\"},\"wordCount\":263,\"commentCount\":5,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\",\"keywords\":[\"drawings\",\"Halloween\",\"illustrations\",\"Joseph Grego\",\"macabre\",\"sketches\",\"Thackerayana\",\"Vanity Fair\",\"William Makepeace Thackeray\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\",\"name\":\"Happy Halloween from Thackeray\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\",\"datePublished\":\"2014-10-27T23:07:00+00:00\",\"description\":\"A collection of William Makepeace Thackeray\u2019s wide range of drawings.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Thackeray Gets Grotesque\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Happy Halloween from Thackeray","description":"A collection of William Makepeace Thackeray\u2019s wide range of drawings.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/","og_locale":"en_US","og_type":"article","og_title":"Thackeray Gets Grotesque by Dan Piepenbring","og_description":"October 27, 2014 \u2013 When William Makepeace Thackeray died, near the end of 1863, he left behind a formidable library in a mansion he\u2019d only recently designed, erected, and","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-10-27T23:07:00+00:00","og_image":[{"width":1836,"height":1628,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Thackeray Gets Grotesque","datePublished":"2014-10-27T23:07:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/"},"wordCount":263,"commentCount":5,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg","keywords":["drawings","Halloween","illustrations","Joseph Grego","macabre","sketches","Thackerayana","Vanity Fair","William Makepeace Thackeray"],"articleSection":["Look"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/","name":"Happy Halloween from Thackeray","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg","datePublished":"2014-10-27T23:07:00+00:00","description":"A collection of William Makepeace Thackeray\u2019s wide range of drawings.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/thackeraylead.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/27\/thackeray-gets-grotesque\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Thackeray Gets Grotesque"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=78626"}],"version-history":[{"count":6,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78626\/revisions"}],"predecessor-version":[{"id":78648,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78626\/revisions\/78648"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=78626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=78626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=78626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}