{"id":78280,"date":"2014-10-21T09:30:07","date_gmt":"2014-10-21T13:30:07","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=78280"},"modified":"2014-10-21T10:24:16","modified_gmt":"2014-10-21T14:24:16","slug":"your-newspaper-writers-cut-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/","title":{"rendered":"<i>Your Newspaper: Writer\u2019s Cut<\/i>, and Other News"},"content":{"rendered":"<div id=\"attachment_78281\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-78281\" class=\"wp-image-78281\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg\" alt=\"handymanpaper\" width=\"600\" height=\"406\" \/><\/a><p id=\"caption-attachment-78281\" class=\"wp-caption-text\">A handyman at the H. C. Johnson Grocery Store in Robertstown, Georgia, reads a newspaper, July 1975. Photo: National Archives<\/p><\/div>\n<ul>\n<li>\u201cThere\u2019s an endless appetite among film buffs for the contents of the cutting-room floor. We\u2019re forever being offered outtakes and alternative endings and \u2018director\u2019s cuts\u2019 of movies. But what do newspaper editors excise from raw copy destined for the printed page? <a href=\"http:\/\/www.theguardian.com\/media\/mind-your-language\/2014\/oct\/21\/censored-journalism-edited-redacted-mind-your-language\" target=\"_blank\">What would a \u2018writer\u2019s cut\u2019 look like<\/a>?\u201d<\/li>\n<li>Area Novelist Super Pissed He Keeps Getting Compared to Cormac McCarthy: \u201c<a href=\"http:\/\/www.thedailybeast.com\/articles\/2014\/10\/21\/compliments-are-nice-but-enough-with-the-cormac-mccarthy-comparisons.html\" target=\"_blank\">This is testament to the McCarthy hegemony<\/a>, to how wholly he dominates an entire sector of American fiction, and to how he has usurped our understanding of a certain literary pedigree. Write a novel with a specific poetical register adequate to the task of addressing nature and redemption, one which includes the sanguinary madness of men, and McCarthy is the artist languidly at hand for every reader itching to make a connection.\u201d<\/li>\n<li>\u201cIt was difficult sometimes to eat lunch with Robert because his makeup was so realistic. His brains were hanging out of his prosthetics.\u201d <a href=\"http:\/\/www.vulture.com\/2014\/10\/nightmare-on-elm-street-oral-history.html?mid=twitter_nymag\" target=\"_blank\">An oral history of <em>A Nightmare on Elm Street<\/em><\/a><em>.<\/em><\/li>\n<li>Photographers have found themselves \u201cin the age of citizen Instagrammers, in which phones carry an endless roll of virtual film, and there are so many photos that <a href=\"http:\/\/www.newyorker.com\/tech\/elements\/photographers-can-protect-work?utm_source=tny&amp;utm_campaign=generalsocial&amp;utm_medium=twitter&amp;mbid=social_twitter\" target=\"_blank\">we think we\u2019re entitled to have them for free<\/a>.\u201d What to do? Litigate!<\/li>\n<li>Our poetry editor, Robyn Creswell, on the novels of the Lebanese writer Rabih Alameddine: \u201cThe heroes of his fiction are all misfits of one sort or another. They rebel against what they take to be the tyrannical conventions of Lebanese society\u2014its patriarchy, its sexual norms, its sectarianism. In most of his novels this revolt takes the form of flight to America \u2026 In America, Alameddine\u2019s characters discover that the pleasures of individualism often turn out to be empty, and their host country\u2019s foreign policy, particularly its support for Israel, is a constant irritant. So their emigration is only ever partial; <a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2014\/mar\/25\/escaping-beirut\/\" target=\"_blank\">the old world haunts all their attempts at reinvention<\/a>.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThere\u2019s an endless appetite among film buffs for the contents of the cutting-room floor. We\u2019re forever being offered outtakes and alternative endings and \u2018director\u2019s cuts\u2019 of movies. But what do newspaper editors excise from raw copy destined for the printed page? What would a \u2018writer\u2019s cut\u2019 look like?\u201d Area Novelist Super Pissed He Keeps Getting [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[15718,15717,2555,457,11148,15719,278],"class_list":["post-78280","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-a-nightmare-on-elm-street","tag-comparisons","tag-cormac-mccarthy","tag-editors","tag-newspapers","tag-rabih-alameddine","tag-robyn-creswell"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for October 21, 2014<\/title>\n<meta name=\"description\" content=\"What would a \u201cwriter\u2019s cut\u201d look like, enough with the Cormac McCarthy comparisons, and other news.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Your Newspaper: Writer\u2019s Cut, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"October 21, 2014 \u2013 \u201cThere\u2019s an endless appetite among film buffs for the contents of the cutting-room floor. We\u2019re forever being offered outtakes and alternative endings and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-10-21T13:30:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-21T14:24:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Your Newspaper: Writer\u2019s Cut, and Other News\",\"datePublished\":\"2014-10-21T13:30:07+00:00\",\"dateModified\":\"2014-10-21T14:24:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\"},\"wordCount\":353,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg\",\"keywords\":[\"A Nightmare on Elm Street\",\"comparisons\",\"Cormac McCarthy\",\"editors\",\"newspapers\",\"Rabih Alameddine\",\"Robyn Creswell\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\",\"name\":\"The Morning News Roundup for October 21, 2014\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg\",\"datePublished\":\"2014-10-21T13:30:07+00:00\",\"dateModified\":\"2014-10-21T14:24:16+00:00\",\"description\":\"What would a \u201cwriter\u2019s cut\u201d look like, enough with the Cormac McCarthy comparisons, and other news.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Your Newspaper: Writer\u2019s Cut, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Morning News Roundup for October 21, 2014","description":"What would a \u201cwriter\u2019s cut\u201d look like, enough with the Cormac McCarthy comparisons, and other news.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"Your Newspaper: Writer\u2019s Cut, and Other News by Dan Piepenbring","og_description":"October 21, 2014 \u2013 \u201cThere\u2019s an endless appetite among film buffs for the contents of the cutting-room floor. We\u2019re forever being offered outtakes and alternative endings and","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-10-21T13:30:07+00:00","article_modified_time":"2014-10-21T14:24:16+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Your Newspaper: Writer\u2019s Cut, and Other News","datePublished":"2014-10-21T13:30:07+00:00","dateModified":"2014-10-21T14:24:16+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/"},"wordCount":353,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg","keywords":["A Nightmare on Elm Street","comparisons","Cormac McCarthy","editors","newspapers","Rabih Alameddine","Robyn Creswell"],"articleSection":["On the Shelf"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/","name":"The Morning News Roundup for October 21, 2014","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg","datePublished":"2014-10-21T13:30:07+00:00","dateModified":"2014-10-21T14:24:16+00:00","description":"What would a \u201cwriter\u2019s cut\u201d look like, enough with the Cormac McCarthy comparisons, and other news.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/10\/handymanpaper.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/21\/your-newspaper-writers-cut-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Your Newspaper: Writer\u2019s Cut, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=78280"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78280\/revisions"}],"predecessor-version":[{"id":78292,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/78280\/revisions\/78292"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=78280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=78280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=78280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}