{"id":77954,"date":"2014-10-13T18:07:58","date_gmt":"2014-10-13T22:07:58","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=77954"},"modified":"2014-10-13T19:40:43","modified_gmt":"2014-10-13T23:40:43","slug":"carolyn-kizer-1924-2014","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/10\/13\/carolyn-kizer-1924-2014\/","title":{"rendered":"Carolyn Kizer, 1924\u20132014"},"content":{"rendered":"

\"kizer-c\"<\/a><\/p>\n

\n

I\u2019ve been enormously fortunate. People say, How do you feel about your reputation? My real belief is that I have exactly the reputation I deserve \u2026 on the whole I feel comfortable with myself. You know I\u2019ve always always loved that line from Chaucer\u2019s Criseyde<\/em>, \u201cI am meyne own woman wel at ease.\u201d That\u2019s the way I feel. Of course, there are always disasters looming, both cosmic and domestic. But even if it should all end tomorrow I would just hope I\u2019ve burned enough bad drafts and old love letters!
\u2014Carolyn Kizer, the Art of Poetry No. 81<\/a>, Spring 2000<\/p>\n<\/blockquote>\n

Carolyn Kizer died last Thursday at eighty-nine, the New York\u00a0Times <\/em>reports. Her poems are immaculately crafted and very smart, often with a steely feminism; she won the Pulitzer Prize in 1985 for her collection Yin<\/em>. As the Times<\/em> says, \u201cShe was writing as early as the 1950s about the conflict for women between the creative imperative and social expectations\u2014but it was far different in character from that of her contemporary Adrienne Rich. Where the poems of Ms. Rich, who died in 2012<\/a>, landed like bombs flung from the barricades, those of Ms. Kizer felt more like a stiletto slipped between the ribs.\u201d<\/p>\n

Ursula K. Le Guin called Kizer\u2019s poetry \u201cintensely, splendidly oral, wanting to be read aloud, best of all to be read or roared by the lion herself.\u201d Kizer, born in Washington, was known for her long, careful periods of revision, as evidenced in the manuscript above. (She was an honest self-critic, too; note that \u201cRe-write<\/span> this LOUSY couplet\u201d scrawled in the margin.) She took more than thirty years to edit the sequence \u201cPro Femina,\u201d which contains one of her most famous lines: \u201cWe are the custodians of the world\u2019s best-kept secret: Merely the private lives of one-half of humanity.\u201d<\/p>\n

In addition to her Writers at Work interview, The Paris Review<\/em> published many of Kizer\u2019s poems, including \u201cTwelve O\u2019Clock<\/a>,\u201d in our Winter 1990 issue; and \u201cGerda<\/a>,\u201d which opens with an old Swedish children\u2019s prayer, from Spring 1987. To celebrate her life, we\u2019ve made them both available online. <\/p>\n

From \u201cTwelve O\u2019Clock<\/a>\u201d:<\/p>\n

\n

At seventeen I\u2019ve come to read a poem
At Princeton. Now my young hosts inquire
If I would like to meet Professor Einstein.
But I\u2019m too conscious I have nothing to say
To interest him, the genius fled from Germany just in
\u00a0\u00a0\u00a0\u00a0\u00a0time.
\u201cJust tell me where I can look at him,\u201d I reply.\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<\/blockquote>\n

From \u201cGerda<\/a>\u201d:<\/p>\n

\n

Down the long curving walk you trudge to the street,
Stoop-shouldered in defeat, a cardboard suitcase
In each hand. Gerda, don\u2019t leave!<\/em> the child cries
From the porch, waving and weeping; her stony mother
Speaks again of the raise in salary
Denied. Gerda demands ten dollars more
Than the twenty-five a month she has been paid
To sew, cook, keep house, dress and undress the child,
Bathe the child with the rough scaly hands
she cleans in Clorox; sing to the child
In Swedish, teach her to pray, to count her toes
In Swedish. Forty years on, the child still knows how.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

I\u2019ve been enormously fortunate. People say, How do you feel about your reputation? My real belief is that I have exactly the reputation I deserve \u2026 on the whole I feel comfortable with myself. You know I\u2019ve always always loved that line from Chaucer\u2019s Criseyde, \u201cI am meyne own woman wel at ease.\u201d That\u2019s the […]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27],"tags":[15628,2186,1132,11989,7221,165,1267,7519],"class_list":["post-77954","post","type-post","status-publish","format-standard","hentry","category-in-memoriam","tag-carolyn-fizer","tag-death","tag-interviews","tag-obituaries","tag-poems","tag-poetry","tag-pulitzer-prize","tag-the-art-of-poetry"],"acf":[],"yoast_head":"\nCarolyn Kizer, 1924\u20132014<\/title>\n<meta name=\"description\" content=\"The poet died last Thursday at eighty-nine. 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