{"id":77435,"date":"2014-09-29T09:30:25","date_gmt":"2014-09-29T13:30:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=77435"},"modified":"2014-09-29T11:34:05","modified_gmt":"2014-09-29T15:34:05","slug":"balzac-the-intern-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/","title":{"rendered":"Balzac the Intern, and Other News"},"content":{"rendered":"<div id=\"attachment_77437\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/balzac1820s.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-77437\" class=\"wp-image-77437\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/balzac1820s.jpg\" alt=\"Balzac1820s\" width=\"600\" height=\"518\" \/><\/a><p id=\"caption-attachment-77437\" class=\"wp-caption-text\">A drawing of Balzac attributed to Achille Dev\u00e9ria, ca. 1820.<\/p><\/div>\n<ul>\n<li>Our poetry editor, Robyn Creswell, <a href=\"http:\/\/www.aesop.com\/usa\/the-fabulist\/abdelfattah-kilito\/\" target=\"_blank\">interviewed the Moroccan writer Abdelfattah Kilito<\/a>: \u201cA writer was a sort of\u00a0<em>creator<\/em>, naturally, but I always liked to think of him as a reader as well\u2014a great reader. By way of his writing, I tried to make out, or guess at, what he\u2019d read. A sort of literary voyeurism. And the writer would often show his hand, as though by chance. I felt a wonderful sense of complicity when I was able to recognize a title, or a line of poetry, or an allusion.\u201d<\/li>\n<li>Once he\u2019d graduated from the Sorbonne, <a href=\"http:\/\/www.newstatesman.com\/culture\/2014\/09\/innocent-gullible-and-blinded-illusions-honor-de-balzac-misery-interns-1841\" target=\"_blank\">Balzac took an internship at a Paris law firm<\/a>. \u201cAn intern is to the Civil Service what a choirboy is to the Church, or what an army child is to his Regiment, or what rats and sidekicks are to Theatres: innocent, gullible, and blinded by illusions,\u201d he wrote in 1841\u2019s <em>The Physiology of the Employee.<\/em><\/li>\n<li>On Scorsese\u2019s new <em>NYRB<\/em> doc, which debuted this weekend: \u201cMost literary publications, running smoothly, are <a href=\"http:\/\/www.vogue.com\/1809321\/50-year-argument-martin-scorsese-documentary-new-york\/\" target=\"_blank\">about as well suited to cinematic narrative as a long-term janitorial project<\/a>. Scorsese has attempted to pep things up by casting the <em>Review<\/em> as a front-lines political journal with a rock-star stable of writers. The result is forced, befuddled, and frequently weird. Still, it\u2019s a fine introduction to the long arc of the paper\u2019s history.\u201d<\/li>\n<li>The art of recording: John Vanderslice quit his job as a waiter at Chez Panisse to open one of the most innovative recording studios in the country. His mantra: \u201c<a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/sloppy-hi-fi-john-vanderslice\" target=\"_blank\">sloppy hi-fi<\/a>,\u201d which means \u201ccapturing loose, spontaneous performances on the best microphones in the world. It means gritting a pretty song with white noise, pink noise, high-quality distortion (not an oxymoron: \u2018It\u00a0<em>has\u00a0<\/em>to be high-quality distortion\u2019), tube amps, and tube compressors, and also by physically distressing and damaging the tape. Basically, Vanderslice wants powers of violence over the loveliest sounds.\u201d<\/li>\n<li>Today in highly unforeseen merchandise: <a href=\"https:\/\/www.etsy.com\/listing\/201193046\/ts-eliot-flats-the-love-song-of-j-alfred?ref=sr_gallery_2&amp;ga_search_query=ts+eliot&amp;ga_search_type=handmade&amp;ga_view_type=gallery\" target=\"_blank\">\u201cPrufrock\u201d-themed flats<\/a>. \u201cThese flats feature a mix of lines from the poem and theme collage imagery (peaches, mermaids, coffee spoons, etc). The edges and flexible areas of the flats are black for an extra accent.\u201d (Also available: <em>Pride and Prejudice<\/em>\u00a0and\u00a0<em>Catcher in the Rye<\/em> flats.)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Our poetry editor, Robyn Creswell, interviewed the Moroccan writer Abdelfattah Kilito: \u201cA writer was a sort of\u00a0creator, naturally, but I always liked to think of him as a reader as well\u2014a great reader. By way of his writing, I tried to make out, or guess at, what he\u2019d read. A sort of literary voyeurism. And [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[15461,15465,15464,1204,15462,6208,15463,278,1772],"class_list":["post-77435","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-abdelfattah-kilito","tag-flats","tag-hi-fi","tag-honore-de-balzac","tag-john-vanderslice","tag-martin-scorcese","tag-recording","tag-robyn-creswell","tag-t-s-eliot"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for September 29, 2014<\/title>\n<meta name=\"description\" content=\"September 29, 2014 \u2013 Our poetry editor, Robyn Creswell, interviewed the Moroccan writer Abdelfattah Kilito: \u201cA writer was a sort of\u00a0creator, naturally, but I always liked to\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Balzac the Intern, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 29, 2014 \u2013 Our poetry editor, Robyn Creswell, interviewed the Moroccan writer Abdelfattah Kilito: \u201cA writer was a sort of\u00a0creator, naturally, but I always liked to\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-29T13:30:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-09-29T15:34:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Balzac the Intern, and Other News\",\"datePublished\":\"2014-09-29T13:30:25+00:00\",\"dateModified\":\"2014-09-29T15:34:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/\"},\"wordCount\":392,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/29\/balzac-the-intern-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/balzac1820s.jpg\",\"keywords\":[\"Abdelfattah Kilito\",\"flats\",\"hi-fi\",\"Honor\u00e9 de Balzac\",\"John Vanderslice\",\"Martin Scorcese\",\"recording\",\"Robyn Creswell\",\"T. 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