{"id":76650,"date":"2014-09-11T17:19:39","date_gmt":"2014-09-11T21:19:39","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=76650"},"modified":"2014-09-11T17:36:56","modified_gmt":"2014-09-11T21:36:56","slug":"story-time-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/story-time-2\/","title":{"rendered":"Story Time"},"content":{"rendered":"
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From the cover of a “Fun with Music” disc.<\/p><\/div>\n

Ann Rachlin, storyteller, MBE, and pioneer of music appreciation, has been working for years\u2014she\u2019s now eighty\u2014but she really came to prominence in the mideighties, when she started teaching little Prince William. I wonder if that\u2019s when my mom bought her records. Whatever the reason, her \u201cFun with Music\u201d series was in heavy rotation at our house, and the distinctive, lilting rhythms of her idiosyncratic narratives was the sound track of our childhoods. I think if you\u2019d asked me between the ages of four and six which celebrity I would have most liked to meet, the answer would have been Ann Rachlin. (Well, Ann Rachlin and Jeff the mannequin from Today\u2019s Special<\/em>.)<\/p>\n

The records (and later tapes, for playing in the car) featured narration over classical music pieces. Sometimes, as in the case of Prokofiev\u2019s Lieutenant Kij\u00e9<\/em>, or the deeply distressing Swan Lake<\/em>, Rachlin based her tale on a preexisting story. Others were wholly original, and often unabashedly bizarre. (I am thinking especially of Lost Coin in a Fountain<\/em>, set to Respighi.) To call Rachlin\u2019s style \u201cexpressive\u201d is a vast understatement: her voice rises and falls dramatically, she takes on all characters with gusto, she evokes laughter and tears and bafflement. She is so wholly uninhibited that it\u2019s shocking even to a child. Maybe especially to a child.\u00a0And while her tales are all designed to capture a child\u2019s imagination, she does not shy away from sadness and even, occasionally, tragedy. (See: Swan Lake<\/em>.)\u00a0<\/p>\n

The recordings are all still available, and many can be found on Spotify, too. Along with The Carnival of the Animals<\/em> (with doggerel by Ogden Nash), Britten\u2019s Young Person\u2019s Guide to the Orchestra<\/em>,\u00a0and the New York Philharmonic\u2019s Peter and the Wolf<\/em>, I think they remain some of the very best classical-appreciation recordings for children. (If, indeed, this is its own category.) I have gifted them with success, and having recently relistened to a few highlights, I can say with authority that they\u2019re just as eccentric as I remembered.<\/p>\n

You can get a sense of this from the following clip. Frankly, her outfit alone\u2014a sort of contra-dancing princess gown\u2014tells quite a story all on its own.<\/p>\n