{"id":76633,"date":"2014-09-11T14:33:10","date_gmt":"2014-09-11T18:33:10","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=76633"},"modified":"2014-09-11T14:33:10","modified_gmt":"2014-09-11T18:33:10","slug":"buzzing-in-my-ears","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/","title":{"rendered":"Buzzing in My Ears"},"content":{"rendered":"<div id=\"attachment_76638\" style=\"width: 610px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76638\" class=\"wp-image-76638\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\" alt=\"DSC_0028-Reduced\" width=\"600\" height=\"742\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced-242x300.jpg 242w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced-828x1024.jpg 828w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-76638\" class=\"wp-caption-text\">Steve Greene, <i>Buzzing in My Ears<\/i>, 2013; ink, acrylic, collage, gesso on paper; 14 x 11&#8243;<\/p><\/div>\n<p>A few months ago, I wrote about <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/15\/power-tools\/\">my persistent fascination with industrial-supply catalogs<\/a>, especially the <a href=\"http:\/\/www.grainger.com\/content\/tf_onlinecat\" target=\"_blank\">Grainger catalog<\/a>, which runs to many thousands of tissue-thin pages and contains everything from centrifugal belt-drive downblast exhaust ventilators to cementitious mortars.<\/p>\n<p>A number of readers wrote to say they share my interest in these catalogs, which feature dauntingly precise language and serve as a kind of paean to utility. Among those who came out of the woodwork was the artist <a href=\"http:\/\/www.froschportmann.com\/SG.html\" target=\"_blank\">Steve Greene<\/a>, who\u2019s married to <em>The Paris Review<\/em>\u2019s finance manager, Janet Gillespie. Steve has been using supply catalogs in his drawings and collages for years, to incredible effect; he was kind enough to send me some of his work, and to elaborate on his sources:<\/p>\n<blockquote>\n<p>My go-to resource for years has been the <a href=\"http:\/\/www.uline.com\" target=\"_blank\">Uline Shipping Supply Specialists<\/a> catalog, which I subscribe to so I can keep replenishing favorite images. Nice heavy magazine paper with great color. An old favorite is the <a href=\"http:\/\/www.amazon.com\/gp\/product\/0028621735\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0028621735&amp;linkCode=as2&amp;tag=theparrev0f-20&amp;linkId=BNZVLJ7WDID5CUQK\" target=\"_blank\">Arco Officer Candidate Tests<\/a> by Solomon Wiener, Colonel, AUS-Ret, which is full of useful tips for aspiring military officers and practice tests that have been partially filled out in red ink. The others I take myself\u2014the more wrong answers, the better. Then there are the Mobile Manual for Radio Amateurs, from 1960, and <em>Magnetic Recording<\/em> by S. J. Begun, from 1949, neither of which I would dare cut up\u2014but both spend a lot of time on the copy machine. I still have stacks of pages from the <a href=\"http:\/\/www.globalindustrial.com\/\" target=\"_blank\">Global Equipment Co.<\/a> catalog, which I\u2019ve been using for about thirty years.\u00a0<\/p>\n<p>I particularly enjoy the random poetry of these books and catalogs, and their listings and names often make their way into my titles:\u00a0<\/p>\n<p>Accelerator Pump Cam<br \/>Tough, Tear Resistant, Out-of order<br \/>Two Tubes\u00a0<\/p>\n<\/blockquote>\n<p>Below are three additional pieces by Steve; you can <a href=\"http:\/\/www.froschportmann.com\/SG.html\" target=\"_blank\">see more of his work here<\/a>.\u00a0<!--more--><\/p>\n<p><div id=\"attachment_76639\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/009_b-reduced.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76639\" class=\"wp-image-76639\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/009_b-reduced.jpg\" alt=\"009_B Reduced\" width=\"600\" height=\"753\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/009_b-reduced.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/009_b-reduced-239x300.jpg 239w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/009_b-reduced-815x1024.jpg 815w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-76639\" class=\"wp-caption-text\"><i>Radio Waves<\/i>, 2012; ink, collage, gesso on paper; 24 x 18&#8243;<\/p><\/div><br \/>\n<div id=\"attachment_76637\" style=\"width: 610px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0030-reduced.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76637\" class=\"wp-image-76637\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0030-reduced.jpg\" alt=\"DSC_0030-Reduced\" width=\"600\" height=\"748\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0030-reduced.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0030-reduced-240x300.jpg 240w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0030-reduced-821x1024.jpg 821w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-76637\" class=\"wp-caption-text\"><i>A Neon Bulb<\/i>, 2013; ink, collage, gesso on paper; 14 x 11&#8243;<\/p><\/div><br \/>\n<div id=\"attachment_76636\" style=\"width: 610px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0047-reduced.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76636\" class=\"wp-image-76636\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0047-reduced.jpg\" alt=\"DSC_0047-Reduced\" width=\"600\" height=\"708\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0047-reduced.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0047-reduced-254x300.jpg 254w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0047-reduced-868x1024.jpg 868w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-76636\" class=\"wp-caption-text\"><i>Approximately 1 Hour of Ever<\/i>, 2012; Ink, collage, gesso on paper; 36 x 30&#8243;<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few months ago, I wrote about my persistent fascination with industrial-supply catalogs, especially the Grainger catalog, which runs to many thousands of tissue-thin pages and contains everything from centrifugal belt-drive downblast exhaust ventilators to cementitious mortars. A number of readers wrote to say they share my interest in these catalogs, which feature dauntingly precise [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,2051,15268,14620,15267,15266,15269],"class_list":["post-76633","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-collage","tag-cut-ups","tag-grainger","tag-industrial-supply-catalogs","tag-steve-greene","tag-u-line"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Collages by Artist Steve Greene<\/title>\n<meta name=\"description\" content=\"The artist on using supply catalogs in his drawings and collages.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Buzzing in My Ears by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 11, 2014 \u2013 A few months ago, I wrote about my persistent fascination with industrial-supply catalogs, especially the Grainger catalog, which runs to many thousands\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-11T18:33:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"1187\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Buzzing in My Ears\",\"datePublished\":\"2014-09-11T18:33:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\"},\"wordCount\":377,\"commentCount\":3,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\",\"keywords\":[\"art\",\"collage\",\"cut-ups\",\"Grainger\",\"industrial supply catalogs\",\"Steve Greene\",\"U-line\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\",\"name\":\"Collages by Artist Steve Greene\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\",\"datePublished\":\"2014-09-11T18:33:10+00:00\",\"description\":\"The artist on using supply catalogs in his drawings and collages.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Buzzing in My Ears\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Collages by Artist Steve Greene","description":"The artist on using supply catalogs in his drawings and collages.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/","og_locale":"en_US","og_type":"article","og_title":"Buzzing in My Ears by Dan Piepenbring","og_description":"September 11, 2014 \u2013 A few months ago, I wrote about my persistent fascination with industrial-supply catalogs, especially the Grainger catalog, which runs to many thousands","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-09-11T18:33:10+00:00","og_image":[{"width":960,"height":1187,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Buzzing in My Ears","datePublished":"2014-09-11T18:33:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/"},"wordCount":377,"commentCount":3,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg","keywords":["art","collage","cut-ups","Grainger","industrial supply catalogs","Steve Greene","U-line"],"articleSection":["Look"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/","name":"Collages by Artist Steve Greene","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg","datePublished":"2014-09-11T18:33:10+00:00","description":"The artist on using supply catalogs in his drawings and collages.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/dsc_0028-reduced.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/11\/buzzing-in-my-ears\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Buzzing in My Ears"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/76633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=76633"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/76633\/revisions"}],"predecessor-version":[{"id":76649,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/76633\/revisions\/76649"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=76633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=76633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=76633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}