{"id":76173,"date":"2014-09-02T11:16:53","date_gmt":"2014-09-02T15:16:53","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=76173"},"modified":"2014-09-02T11:35:56","modified_gmt":"2014-09-02T15:35:56","slug":"say-hello-to-our-fall-issue","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/","title":{"rendered":"Say Hello to Our Fall Issue"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-76176\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210.jpg\" alt=\"TPR-210\" width=\"275\" height=\"417\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210.jpg 1856w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210-198x300.jpg 198w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210-675x1024.jpg 675w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a>You may recognize the distinctive hand behind our autumnal cover art\u2014that\u2019s Chris Ware, who\u2019s <a href=\"https:\/\/www.theparisreview.org\/interviews\/6329\/the-art-of-comics-no-2-chris-ware\" target=\"_blank\">interviewed in this issue about the Art of Comics<\/a>:<\/p>\n<blockquote>\n<p>I just figured there must still be various ways to make art \u201cabout\u201d something without making it bad or sentimental. Comics basically seemed a way toward this goal for me \u2026 I think cartooning gets at, and re-creates on the page, some sixth sense\u2014of space and of being in a body\u2014in a way no other medium can quite so easily, or at least so naturally.<\/p>\n<\/blockquote>\n<p>Then there\u2019s <a href=\"https:\/\/www.theparisreview.org\/interviews\/6324\/the-art-of-fiction-no-224-aharon-appelfeld\" target=\"_blank\">our interview with Aharon Appelfeld<\/a>:<\/p>\n<blockquote>\n<p>My nights are a nightmare, quite often, but the nightmares are rich\u2014rich in human behavior, rich in feelings, rich in sensations. I nourish myself by those nights. They nourish me.<\/p>\n<\/blockquote>\n<div class=\"im\">\n<p>And in <a href=\"https:\/\/www.theparisreview.org\/interviews\/6328\/the-art-of-fiction-no-225-herta-muller\" target=\"_blank\">the Art of Fiction No. 225<\/a>, the Nobel Prize\u2013winner Herta M\u00fcller discusses her early fascination with plants (\u201cThey knew how to live and I didn\u2019t\u201d), life under Ceau\u015fescu, and her approach to the sentence:<\/p>\n<blockquote>\n<p>I\u2019m not hungry for words, but they have a hunger of their own. They want to consume what I have experienced, and I have to make sure that they do that \u2026 The language knows where it has to wind up. I know what I want, but the sentence knows how I\u2019ll get there.<\/p>\n<\/blockquote>\n<\/div>\n<p>There\u2019s also an essay by David Searcy; the final installment of Rachel Cusk\u2019s novel <em>Outline<\/em>, illustrated by Samantha Hahn; fiction by David Gates, Atticus Lish, and Alejandro Zambra; and poems by Karen Solie, Stephen Dunn, Maureen M. McLane, Devin Johnston, Ben Lerner, Frederick Seidel, Linda Pastan, and Brenda Shaughnessy.<\/p>\n<div class=\"im\">\n<p>And finally, a portfolio of letters between George Plimpton and Terry Southern, circa 1957\u201358, in which Southern writes of this magazine, \u201c[its] very escutcheon has come to be synonymous (to my mind at least) with aesthetic integrity, tough jaunty know-how, etc.\u201d<\/p>\n<p>Get yourself some of that integrity and know-how\u2014<a href=\"https:\/\/www.theparisreview.org\/subscribe\" target=\"_blank\">subscribe now<\/a>!<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>You may recognize the distinctive hand behind our autumnal cover art\u2014that\u2019s Chris Ware, who\u2019s interviewed in this issue about the Art of Comics: I just figured there must still be various ways to make art \u201cabout\u201d something without making it bad or sentimental. Comics basically seemed a way toward this goal for me \u2026 I [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2559],"tags":[15142,15143,15147,15146,3263,3682,2546,2278,10207,15150,71,712,14,15144,1132,15141,15148,9331,15149,165,12043,15145,10203,30],"class_list":["post-76173","post","type-post","status-publish","format-standard","hentry","category-bulletin","tag-15142","tag-aharon-appelfeld","tag-and-alejandro-zambra","tag-atticus-lish","tag-ben-lerner","tag-brenda-shaughnessy","tag-chris-ware","tag-david-gates","tag-david-searcy","tag-devin-johnston","tag-fiction","tag-frederick-seidel","tag-george-plimpton","tag-herta-muller","tag-interviews","tag-issue-210","tag-karen-solie","tag-linda-pastan","tag-maureen-m-mclane","tag-poetry","tag-rachel-cusk","tag-samantha-hann","tag-stephen-dunn","tag-terry-southern"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Announcing Issue 210<\/title>\n<meta name=\"description\" content=\"Aharon Appelfeld, Herta M\u00fcller, Chris Ware, David Gates, Karen Solie, and a portfolio of letters between George Plimpton and Terry Southern.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Say Hello to Our Fall Issue by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"September 2, 2014 \u2013 You may recognize the distinctive hand behind our autumnal cover art\u2014that\u2019s Chris Ware, who\u2019s interviewed in this issue about the Art of Comics: I just\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-02T15:16:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-09-02T15:35:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1856\" \/>\n\t<meta property=\"og:image:height\" content=\"2812\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Say Hello to Our Fall Issue\",\"datePublished\":\"2014-09-02T15:16:53+00:00\",\"dateModified\":\"2014-09-02T15:35:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/\"},\"wordCount\":332,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/say-hello-to-our-fall-issue\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/tpr-210.jpg\",\"keywords\":[\"210\",\"Aharon Appelfeld\",\"and Alejandro Zambra\",\"Atticus Lish\",\"Ben Lerner\",\"Brenda Shaughnessy\",\"Chris Ware\",\"David Gates\",\"David Searcy\",\"Devin Johnston\",\"fiction\",\"Frederick Seidel\",\"George Plimpton\",\"Herta M\u00fcller\",\"interviews\",\"Issue 210\",\"Karen Solie\",\"Linda Pastan\",\"Maureen M. 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