{"id":76165,"date":"2014-09-02T09:30:02","date_gmt":"2014-09-02T13:30:02","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=76165"},"modified":"2014-09-02T10:27:21","modified_gmt":"2014-09-02T14:27:21","slug":"raiding-updikes-garbage-cans-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/","title":{"rendered":"Raiding Updike\u2019s Garbage Cans, and Other News"},"content":{"rendered":"<div id=\"attachment_76166\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-76166\" class=\"wp-image-76166\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg\" alt=\"91deab2b7\" width=\"600\" height=\"284\" \/><\/a><p id=\"caption-attachment-76166\" class=\"wp-caption-text\">Paul Moran took these address labels, among many other discarded items, from Updike\u2019s trash. Image via the <em>Atlantic<\/em><\/p><\/div>\n<ul>\n<li>In the years before John Updike died, <a href=\"http:\/\/www.theatlantic.com\/features\/archive\/2014\/08\/the-man-who-made-off-with-john-updikes-trash\/379213\/\" target=\"_blank\">a man began to steal a lot of his garbage<\/a>\u2014thousands of pieces, actually, including \u201cphotographs, discarded drafts of stories, canceled checks, White House invitations, Christmas cards, love letters, floppy disks, a Mickey Mouse flip book, and a pair of brown tasseled loafers.\u201d Taken as a whole, the collection amounts to a kind of secret history, a trash biography. (\u201cMy life is, in a sense, trash,\u201d Updike said in <a href=\"https:\/\/www.theparisreview.org\/interviews\/4219\/the-art-of-fiction-no-43-john-updike\" target=\"_blank\">his Art of Fiction interview<\/a>.)<\/li>\n<li>\u201c<a href=\"http:\/\/www.thesundaytimes.co.uk\/sto\/culture\/books\/non_fiction\/article1451486.ece?shareToken=13de45f284b42ed87eab37ae6666052e\" target=\"_blank\">How does one choose books that one knows one is going to enjoy<\/a>? The obvious answer is that you can\u2019t \u2026 Think of all the times we start a book that we think we should be reading\u2014because everyone else is reading it, because it\u2019s won a prize, because our book group has chosen it, despite our misgivings. And think of all the times we refuse to abandon a book we are not enjoying\u2014because we are peculiarly puritanical about literature\u2014thus creating an antagonism and a reluctance that must damage our relationship with reading.\u201d<\/li>\n<li>This year\u2019s Venice Biennale, an architecture show, \u201c<a href=\"http:\/\/www.newrepublic.com\/article\/119202\/architectures-rebellion-2014-venice-biennale?utm_content=bufferf65d6&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">reveals that modernism was never a style<\/a>. It was a cultural, political, and social practice: the practice of making buildings suited to certain exigencies of life in a rapidly changing and developing world. And since, by definition, the question of how and what it meant to \u2018make something modern\u2019 changed over time and space\u2014different in Finland than in Morocco\u2014so also did the design of the buildings that emerged from it.\u201d<\/li>\n<li>In which the keening of a single blue whale <a href=\"http:\/\/www.slate.com\/blogs\/wild_things\/2014\/08\/27\/_52_blue_the_loneliest_whale_in_the_world.html?wpsrc=sh_all_dt_tw_ru\" target=\"_blank\">teaches us something about loneliness<\/a>.<\/li>\n<li><a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/kind-worker-writer\" target=\"_blank\">What kind of worker is a writer<\/a>? On Tillie Olsen, who wrote in dribs and drabs while holding down menial jobs and raising four children: \u201cWriting, Olsen reminded her readers, takes time, education, energy, and resources, and these things are unevenly distributed. She encouraged us to attend to unorthodox writing produced in unfavorable circumstances\u2014letters, diaries, scrapbooks like her own\u2014and, in doing so, to question what counts as literature.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In the years before John Updike died, a man began to steal a lot of his garbage\u2014thousands of pieces, actually, including \u201cphotographs, discarded drafts of stories, canceled checks, White House invitations, Christmas cards, love letters, floppy disks, a Mickey Mouse flip book, and a pair of brown tasseled loafers.\u201d Taken as a whole, the collection [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[1657,615,15137,15138,15140,912,15139,11906],"class_list":["post-76165","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-architecture","tag-john-updike","tag-paul-moran","tag-reading-groups","tag-tillie-olson","tag-trash","tag-venice-biennale","tag-whales"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for September 2, 2014<\/title>\n<meta name=\"description\" content=\"Raiding John Updike\u2019s garbage cans, how to choose books that one knows one is going to enjoy, and other news.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Raiding Updike\u2019s Garbage Cans, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 2, 2014 \u2013 In the years before John Updike died, a man began to steal a lot of his garbage\u2014thousands of pieces, actually, including \u201cphotographs, discarded drafts of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-02T13:30:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-09-02T14:27:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Raiding Updike\u2019s Garbage Cans, and Other News\",\"datePublished\":\"2014-09-02T13:30:02+00:00\",\"dateModified\":\"2014-09-02T14:27:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\"},\"wordCount\":375,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg\",\"keywords\":[\"architecture\",\"John Updike\",\"Paul Moran\",\"reading groups\",\"Tillie Olson\",\"trash\",\"Venice Biennale\",\"whales\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\",\"name\":\"The Morning News Roundup for September 2, 2014\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg\",\"datePublished\":\"2014-09-02T13:30:02+00:00\",\"dateModified\":\"2014-09-02T14:27:21+00:00\",\"description\":\"Raiding John Updike\u2019s garbage cans, how to choose books that one knows one is going to enjoy, and other news.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Raiding Updike\u2019s Garbage Cans, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Morning News Roundup for September 2, 2014","description":"Raiding John Updike\u2019s garbage cans, how to choose books that one knows one is going to enjoy, and other news.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"Raiding Updike\u2019s Garbage Cans, and Other News by Dan Piepenbring","og_description":"September 2, 2014 \u2013 In the years before John Updike died, a man began to steal a lot of his garbage\u2014thousands of pieces, actually, including \u201cphotographs, discarded drafts of","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-09-02T13:30:02+00:00","article_modified_time":"2014-09-02T14:27:21+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Raiding Updike\u2019s Garbage Cans, and Other News","datePublished":"2014-09-02T13:30:02+00:00","dateModified":"2014-09-02T14:27:21+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/"},"wordCount":375,"commentCount":1,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg","keywords":["architecture","John Updike","Paul Moran","reading groups","Tillie Olson","trash","Venice Biennale","whales"],"articleSection":["On the Shelf"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/","name":"The Morning News Roundup for September 2, 2014","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg","datePublished":"2014-09-02T13:30:02+00:00","dateModified":"2014-09-02T14:27:21+00:00","description":"Raiding John Updike\u2019s garbage cans, how to choose books that one knows one is going to enjoy, and other news.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/09\/91deab2b7.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/09\/02\/raiding-updikes-garbage-cans-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Raiding Updike\u2019s Garbage Cans, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/76165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=76165"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/76165\/revisions"}],"predecessor-version":[{"id":76184,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/76165\/revisions\/76184"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=76165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=76165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=76165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}