{"id":75134,"date":"2014-08-08T09:30:54","date_gmt":"2014-08-08T13:30:54","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=75134"},"modified":"2014-08-08T10:11:48","modified_gmt":"2014-08-08T14:11:48","slug":"the-open-book-book-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/08\/08\/the-open-book-book-and-other-news\/","title":{"rendered":"The <i>Open Book<\/i> Book, and Other News"},"content":{"rendered":"<div id=\"attachment_75136\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/08\/screen-shot-2014-08-08-at-8.54.36-am.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-75136\" class=\"wp-image-75136 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/08\/screen-shot-2014-08-08-at-8.54.36-am.png\" alt=\"Screen shot 2014-08-08 at 8.54.36 AM\" width=\"600\" height=\"450\" \/><\/a><p id=\"caption-attachment-75136\" class=\"wp-caption-text\">Doug Beube\u2019s contribution to the Open Book Project \u201creimagines the book as a reconstructible sculpture of maps and zippers.\u201d Image: the Open Book Project, via the <em>Atlantic<\/em><\/p><\/div>\n<ul>\n<li>James Wolcott on the scourge of nineties nostalgia: \u201cMostly a white people\u2019s pastime, nostalgia used to be a pining for an idealized yesteryear, for a prelapsarian world tinted in sepia \u2026 the Internet and cable TV have colonized the hive mind and set up carnival pavilions. Now every delight is obtainable and on display at an arcade that never closes \u2026 This anxious, ravenous speedup of nostalgia\u2014getting wistful over goodies that never went away\u2014is more than a reflection of the overall acceleration of digital culture, <a href=\"http:\/\/www.vanityfair.com\/culture\/2014\/08\/90s-culture-nostalgia\" target=\"_blank\">a pathetic sign of our determination to dote on every last shiny souvenir of our prolonged adolescence, and an indictment of our gutless refusal to face the rotten future like Stoic philosophers<\/a>.\u201d<\/li>\n<li>With the Open Book project, two professors held \u201cexperimental book workshops \u2026 to help define what the classic book\u2014and the new book\u2014could be.\u201d <a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2014\/08\/writing-the-book-on-reinventing-the-book\/375687\/\" target=\"_blank\">Now there\u2019s the <em>Open Book<\/em> book<\/a>, \u201can amalgam of essays on and artwork made from books. \u2018Not all of these books are made from and with paper-based books \u2026 We purposely sought book-like work for the <em>Open Book<\/em> exhibition that transcended paper media.\u2019\u201d<\/li>\n<li><a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/minute-feel-like?utm_source=tny&amp;utm_campaign=generalsocial&amp;utm_medium=twitter&amp;mbid=social_twitter\" target=\"_blank\">What does a minute feel like<\/a>? Sixty seconds. What does sixty seconds feel like? A minute. \u201cI was a lab rat in a performance-art piece on the High Line. The artist, an Argentinian named David Lamelas, arranged forty-odd people\u2014friends, tourists, commuters, passersby\u2014shoulder to shoulder, like an extra-long police lineup. \u2018The time is now six-thirty-five,\u2019 he announced, looking at his phone. Starting at one end of the queue, we were each supposed to wait for what we estimated to be one minute and then call out the time.\u201d<\/li>\n<li>In the UK, <a href=\"http:\/\/www.telegraph.co.uk\/culture\/books\/booknews\/11019528\/Charlie-and-the-Chocolate-Factory-cover-condemned-as-creepy-grotesque-and-inappropriately-sexualised.html\" target=\"_blank\">a new edition of <em>Charlie and the Chocolate Factory<\/em> has a remarkably creepy cover<\/a>. \u201cIt features a cover photograph of a young girl in make-up and marabou feathers, perched on her mother\u2019s knee with the blank-eyed expression of a doll.\u201d<\/li>\n<li>Eighteen months ago, Steven Soderbergh retired from filmmaking. Now he\u2019s made <em>The Knick<\/em>, <a href=\"http:\/\/www.newrepublic.com\/article\/119016\/steven-soderberghs-knick-cinemax-review?utm_content=bufferfce44&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">a grisly TV drama series about a hospital in the earliest days of the twentieth century<\/a>: It\u2019s \u201ca gritty glimpse of Gilded Age New York \u2026 The first ten minutes of the premiere are among the most gruesome I\u2019ve seen this year, as [the doctors] attempt an emergency C-section on a woman with placenta previa, an operation they have already failed at twelve times before.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>James Wolcott on the scourge of nineties nostalgia: \u201cMostly a white people\u2019s pastime, nostalgia used to be a pining for an idealized yesteryear, for a prelapsarian world tinted in sepia \u2026 the Internet and cable TV have colonized the hive mind and set up carnival pavilions. Now every delight is obtainable and on display at [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[435,14912,10252,4693,14910,1143,10773,14911,10401,14909,230],"class_list":["post-75134","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-book-covers","tag-david-lamelas","tag-james-wolcott","tag-nostalgia-2","tag-open-book","tag-roald-dahl","tag-steven-soderbergh","tag-subjectivity","tag-the-nineties","tag-the-open-book-project","tag-time"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for August 8, 2014<\/title>\n<meta name=\"description\" content=\"What the classic book\u2014and the new book\u2014could be, what a 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