{"id":74325,"date":"2014-07-22T16:00:25","date_gmt":"2014-07-22T20:00:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=74325"},"modified":"2014-07-22T16:00:25","modified_gmt":"2014-07-22T20:00:25","slug":"blunt-the-edge","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/","title":{"rendered":"Blunt the Edge"},"content":{"rendered":"<div id=\"attachment_74326\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-74326\" class=\"wp-image-74326\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm.png\" alt=\"Screen Shot 2014-07-22 at 3.37.59 PM\" width=\"600\" height=\"442\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm.png 989w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm-300x220.png 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-74326\" class=\"wp-caption-text\">Detail from the cover of <i>The Baffler<\/i>\u2019s eighth issue; art by Archer Prewitt.<\/p><\/div>\n<p><em>The Baffler<\/em>, which has probably the best slogan of any magazine in history\u2014\u201cthe Journal that Blunts the Cutting Edge\u201d\u2014has made <a href=\"http:\/\/www.thebaffler.com\/issues\" target=\"_blank\">all of its back issues available for free online<\/a>: required reading for anyone interested in the tenor of criticism and analysis in the nineties and early aughts, if that\u2019s what we\u2019ve decided to call them.<\/p>\n<p>For starters, I recommend <a href=\"http:\/\/www.thebaffler.com\/salvos\/miracle-on-ice\" target=\"_blank\">Tom Vanderbilt on SKYY vodka<\/a>\u2019s ridiculous original campaign, which was predicated on the myth that it was \u201changover free\u201d (\u201cbuilt on that distinctly American quest to find magic formulas to indulge more and suffer less\u201d); or Kim Phillips-Fein\u2019s \u201c<a href=\"http:\/\/www.thebaffler.com\/salvos\/lotteryville-usa\" target=\"_blank\">Lotteryville, USA<\/a>,\u201d a powerful screed against the ills of the lottery as an institution; or Terri Kapsalis\u2019s \u201c<a href=\"http:\/\/www.thebaffler.com\/salvos\/making-babies-the-american-girl-way\" target=\"_blank\">Making Babies the American Girl Way<\/a>,\u201d a terrifying meditation on multicultural dolls, artificial insemination, and designer babies; or, perhaps my personal favorite, Steve Albini\u2019s \u201c<a href=\"http:\/\/www.thebaffler.com\/salvos\/the-problem-with-music\" target=\"_blank\">The Problem with Music<\/a>,\u201d a terse, caustic critique of the record industry at the height of yuppie-ism and major-label excess. Its scorched-earth opening:<\/p>\n<blockquote>\n<p>Whenever I talk to a band who are about to sign with a major label, I always end up thinking of them in a particular context. I imagine a trench, about four feet wide and five feet deep, maybe sixty yards long, filled with runny, decaying shit. I imagine these people, some of them good friends, some of them barely acquaintances, at one end of this trench. I also imagine a faceless industry lackey at the other end, holding a fountain pen and a contract waiting to be signed.<\/p>\n<p>Nobody can see what\u2019s printed on the contract. It\u2019s too far away, and besides, the shit stench is making everybody\u2019s eyes water. The lackey shouts to everybody that the first one to swim the trench gets to sign the contract. Everybody dives in the trench and they struggle furiously to get to the other end. Two people arrive simultaneously and begin wrestling furiously, clawing each other and dunking each other under the shit. Eventually, one of them capitulates, and there\u2019s only one contestant left. He reaches for the pen, but the Lackey says, \u201cActually, I think you need a little more development. Swim it again, please. Backstroke.\u201d<\/p>\n<p>And he does, of course.<\/p>\n<\/blockquote>\n<p>If arch anticapitalist rhetoric and scatological takedowns of corporate media aren\u2019t your cuppa, <em>The Baffler<\/em> publishes a nice variety of fiction and poetry, too. <a href=\"http:\/\/www.thebaffler.com\/issues\" target=\"_blank\">Have at it<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Baffler, which has probably the best slogan of any magazine in history\u2014\u201cthe Journal that Blunts the Cutting Edge\u201d\u2014has made all of its back issues available for free online: required reading for anyone interested in the tenor of criticism and analysis in the nineties and early aughts, if that\u2019s what we\u2019ve decided to call them. [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[33,7029,269,13325,2426,14688,14687,14689],"class_list":["post-74325","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-archives","tag-literary-magazines","tag-magazines","tag-nineties","tag-politics","tag-steve-albini","tag-the-baffler","tag-thomas-frank"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Blunt the Edge<\/title>\n<meta name=\"description\" content=\"The Baffler makes all of its back issues available for free online. Here are our recommendations.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blunt the Edge by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"July 22, 2014 \u2013 The Baffler, which has probably the best slogan of any magazine in history\u2014\u201cthe Journal that Blunts the Cutting Edge\u201d\u2014has made all of its back issues\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-22T20:00:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm.png\" \/>\n\t<meta property=\"og:image:width\" content=\"989\" \/>\n\t<meta property=\"og:image:height\" content=\"728\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Blunt the Edge\",\"datePublished\":\"2014-07-22T20:00:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/\"},\"wordCount\":426,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm.png\",\"keywords\":[\"archives\",\"literary magazines\",\"magazines\",\"nineties\",\"politics\",\"Steve Albini\",\"The Baffler\",\"Thomas Frank\"],\"articleSection\":[\"Arts &amp; Culture\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/\",\"name\":\"Blunt the Edge\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/07\/22\/blunt-the-edge\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/07\/screen-shot-2014-07-22-at-3.37.59-pm.png\",\"datePublished\":\"2014-07-22T20:00:25+00:00\",\"description\":\"The Baffler makes all of its back issues available for free online. 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