{"id":7430,"date":"2010-11-05T12:23:17","date_gmt":"2010-11-05T16:23:17","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=7430"},"modified":"2010-11-08T22:28:33","modified_gmt":"2010-11-09T03:28:33","slug":"staff-picks-social-networks-david-foster-wallace","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/","title":{"rendered":"Staff Picks: Social Networks, David Foster Wallace"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg\" alt=\"\" title=\"\" width=\"233\" height=\"365\" class=\"alignleft size-full wp-image-7444\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg 233w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster-191x300.jpg 191w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/>Zadie Smith takes aim at <em>The Social Network<\/em>, <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2010\/nov\/25\/generation-why\/?page=1\">writing<\/a>, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that echoes what Lawrence Lessig <a href=\"http:\/\/www.tnr.com\/article\/books-and-arts\/78081\/sorkin-zuckerberg-the-social-network?page=0,1\">wrote<\/a> for <em>The New Republic<\/em> a few weeks back: \u201cBut the most frustrating bit of <em>The Social Network<\/em> is &#8230; its failure to even mention the real magic behind the Facebook story. In interviews given after making the film, Sorkin boasts about his ignorance of the Internet. That ignorance shows.\u201d Agreed, but the truth is\u2014you still gotta see it. In the same way everyone joins the real Facebook to complain about it, everyone sees the film in order to join the discussion. \u2014<strong>Thessaly La Force<\/strong><\/p>\n<p>The weather\u2019s turned; time to make a cup of tea and settle down with something melancholy. Jonathan Franzen\u2019s <a href=\"http:\/\/poetrycenter.arizona.edu\/enewsletter\/april2009\/enews0409_DFW.shtml\">elegy<\/a> for David Foster Wallace, read at the New York memorial following his suicide two years ago, is a good place to start. Franzen\u2019s heartache as he describes his friend\u2019s ultimately doomed efforts to climb out of a hole of \u201cinfinite sadness\u201d is palpable. Follow it up with \u201c<a href=\"http:\/\/lazenby.tumblr.com\/post\/1332247985\/the-boy-an-unpublished-story-by-david-foster-wallace\">The Boy<\/a>,\u201d a previously unpublished DFW short story that recently appeared on the Internet. Sure, it\u2019s depressing to remember that Wallace will never write anything new, but one can\u2019t help but be grateful for the work he did leave us. \u2014<strong>Miranda Popkey<\/strong><\/p>\n<p>Too much of what I read these days is distraction: an irritating flurry of sexist commentary on the DKE \u201cno means yes\u201d <a href=\"http:\/\/www.yaledailynews.com\/news\/2010\/oct\/18\/the-womens-center-must-continue-to-break-the\/\">incident<\/a> at Yale, and a dispiriting <a href=\"http:\/\/www.newyorker.com\/online\/blogs\/closeread\/2010\/11\/a-content-man.html\">analysis<\/a> of Bush\u2019s attempt at <a href=\"http:\/\/www.amazon.com\/Decision-Points-George-W-Bush\/dp\/0307590615\">image rehabilitation<\/a>: \u201cHe seems to think that baffled surprise, on the part of a President, is somehow exculpatory. (It is not.)\u201d  So it was nice to curl up with something timeless and humanizing this week\u2014<em>Howards End<\/em>, by E. M. Forster. Here are the Schlegel sisters at the end of the book: \u201cThe present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed \u2026 Life passed. The tree rustled again.\u201d Thanks, Mr. Forster. \u2014<strong>Kate Waldman<\/strong><\/p>\n<p>For some good eighteenth-century gossip, read Doctor Augustin Cabanes\u2019s <em>Cabinet secret de l\u2019histoire<\/em>. It&#8217;s not an easy book to find: You have to look for copies in carts along the Seine or in antiquarian shops, but they are fun to collect. Apparently, some aristocrats tried to pay Marie-Antoinette\u2019s doctor, Seiffert, to start a rumor that the Queen could not conceive because of de Lamballe\u2019s \u201cmoral influence.\u201d De Lamballe was Marie-Antoinette\u2019s attending lady and the envy of all the other ladies of the court. Which is probably why de Lamballe was the first woman to be guillotined during the Revolution, her flesh impaled upon a spike and paraded all over Paris. \u2014<strong>Alexandra Zukerman<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that echoes what Lawrence Lessig wrote for The New Republic a few weeks back: \u201cBut the most frustrating bit of The Social Network is &#8230; its failure to even [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[1264,951,1219,1262,1263,1261,541,1079],"class_list":["post-7430","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-e-m-forster","tag-facebook","tag-george-w-bush","tag-lawrence-lessig","tag-marie-antoinette","tag-social-network","tag-yale","tag-zadie-smith"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Staff Picks: Social Networks, David Foster Wallace by The Paris Review<\/title>\n<meta name=\"description\" content=\"November 5, 2010 \u2013 Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Picks: Social Networks, David Foster Wallace by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"November 5, 2010 \u2013 Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2010-11-05T16:23:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2010-11-09T03:28:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"233\" \/>\n\t<meta property=\"og:image:height\" content=\"365\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Staff Picks: Social Networks, David Foster Wallace\",\"datePublished\":\"2010-11-05T16:23:17+00:00\",\"dateModified\":\"2010-11-09T03:28:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\"},\"wordCount\":487,\"commentCount\":8,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg\",\"keywords\":[\"E. M. Forster\",\"Facebook\",\"George W. Bush\",\"Lawrence Lessig\",\"Marie-Antoinette\",\"social network\",\"Yale\",\"Zadie Smith\"],\"articleSection\":[\"This Week\u2019s Reading\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\",\"name\":\"Staff Picks: Social Networks, David Foster Wallace by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg\",\"datePublished\":\"2010-11-05T16:23:17+00:00\",\"dateModified\":\"2010-11-09T03:28:33+00:00\",\"description\":\"November 5, 2010 \u2013 Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg\",\"width\":233,\"height\":365},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Staff Picks: Social Networks, David Foster Wallace\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Staff Picks: Social Networks, David Foster Wallace by The Paris Review","description":"November 5, 2010 \u2013 Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/","og_locale":"en_US","og_type":"article","og_title":"Staff Picks: Social Networks, David Foster Wallace by The Paris Review","og_description":"November 5, 2010 \u2013 Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that","og_url":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2010-11-05T16:23:17+00:00","article_modified_time":"2010-11-09T03:28:33+00:00","og_image":[{"width":233,"height":365,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Staff Picks: Social Networks, David Foster Wallace","datePublished":"2010-11-05T16:23:17+00:00","dateModified":"2010-11-09T03:28:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/"},"wordCount":487,"commentCount":8,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg","keywords":["E. M. Forster","Facebook","George W. Bush","Lawrence Lessig","Marie-Antoinette","social network","Yale","Zadie Smith"],"articleSection":["This Week\u2019s Reading"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/","url":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/","name":"Staff Picks: Social Networks, David Foster Wallace by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg","datePublished":"2010-11-05T16:23:17+00:00","dateModified":"2010-11-09T03:28:33+00:00","description":"November 5, 2010 \u2013 Zadie Smith takes aim at The Social Network, writing, \u201cIt\u2019s clear that this is a movie about 2.0 people made by 1.0 people.\u201d It\u2019s an assessment that","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/11\/the_social_network_movie_poster.jpg","width":233,"height":365},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2010\/11\/05\/staff-picks-social-networks-david-foster-wallace\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Staff Picks: Social Networks, David Foster Wallace"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/7430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=7430"}],"version-history":[{"count":30,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/7430\/revisions"}],"predecessor-version":[{"id":7544,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/7430\/revisions\/7544"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=7430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=7430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=7430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}