{"id":72815,"date":"2014-06-18T19:12:27","date_gmt":"2014-06-18T23:12:27","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=72815"},"modified":"2014-06-19T11:29:24","modified_gmt":"2014-06-19T15:29:24","slug":"virgins-in-cellophane","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/","title":{"rendered":"<i>Virgins in Cellophane<\/i>"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-72830\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\" alt=\"cover3\" width=\"600\" height=\"757\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg 750w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3-237x300.jpg 237w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>James Montgomery Flagg was one of the most famous illustrators of the early twentieth century. His most ubiquitous creation is that iconic World War I\u2013era poster of Uncle Sam\u2014the one where he points straight through the fourth wall and proclaims, <small>I WANT YOU FOR U.S. ARMY<\/small>\u2014which is, depending on whom you ask, a stirring call to arms or a brazen, manipulative act of jingoism that did violence to the national psyche.<\/p>\n<p>Flagg, born today in 1877, was a master draftsman with heavy, distinctive penmanship. He was versatile and prolific, and he came to prominence at a time when improvements in printing technology made it easier than ever to reproduce complex drawings\u2014accordingly, he enjoyed a degree of celebrity unknown to his profession before or since, hobnobbing in Hollywood, vacationing in Europe, throwing caution to the winds of many nations. At the height of his powers, he was reputedly the best-paid illustrator in America.<\/p>\n<p>Flagg loved to draw women, preferably voluptuous women, and he was no stranger to the bawdy and the blue. But none of this explains what compelled him to illustrate <em>Virgins in Cellophane<\/em>, a collaboration with Bett Hooper, published in 1932\u2014one of the creepiest paeans to chastity (wink, wink) this side of <a href=\"http:\/\/www.huffingtonpost.com\/2014\/05\/05\/purity-ball-photos_n_5255904.html\" target=\"_blank\">purity balls<\/a>.<\/p>\n<p><em>Virgins<\/em>\u2019s subtitle is \u201cFrom Maker to Consumer Untouched by Human Hand\u201d: that <em>consumer<\/em> is lecherous enough to launch a thousand nightmares. The drawing on its cover features three ample, pink-nipped nudes bursting forth from some guy\u2019s vest pocket\u2014said nudes are duly wrapped in cellophane, their condition undoubtedly pristine, their maidenheads presumably intact, and the guy\u2019s fleshy, prurient fingers are in the process of plucking one of them out like a cheap cigar. <!--more--><\/p>\n<p>I\u2019m sure you have questions; I wish I had answers. The Internet is scarce on metadata. I was unable to find any sort of descriptive copy about the book, its assuredly titillating plot, or its less famous coauthor, Hooper. I did find a few stray drawings from Flagg, all of them characterized by a chummy, inert misogyny of the <em>Coffee, Tea or Me?<\/em> variety. I\u2019ve included them below; your mind will have to do the rest. You may not be surprised to learn that, if these drawings are any indication, the virgins aren\u2019t as chaste as advertised; one wonders how they got out of the cellophane for all that hanky-panky, but we may never know. All of this is underscored by a terrifying irony: this is the same illustrator who implored record numbers of young men to enlist.<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-72828\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/3.jpg\" alt=\"3\" width=\"400\" height=\"548\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/3.jpg 709w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/3-219x300.jpg 219w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-72829\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/4.jpg\" alt=\"4\" width=\"375\" height=\"500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/4.jpg 375w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/4-225x300.jpg 225w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a>\u00a0 <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-72827\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/2.jpg\" alt=\"2\" width=\"375\" height=\"500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/2.jpg 375w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/2-225x300.jpg 225w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-72826\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/1.jpg\" alt=\"1\" width=\"375\" height=\"500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/1.jpg 375w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/1-225x300.jpg 225w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Montgomery Flagg was one of the most famous illustrators of the early twentieth century. His most ubiquitous creation is that iconic World War I\u2013era poster of Uncle Sam\u2014the one where he points straight through the fourth wall and proclaims, I WANT YOU FOR U.S. ARMY\u2014which is, depending on whom you ask, a stirring call [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8419],"tags":[9158,12976,7445,14339,14340,3676,14341,14342],"class_list":["post-72815","post","type-post","status-publish","format-standard","hentry","category-weird-book-room","tag-birthdays","tag-drawings","tag-illustrators","tag-james-montgomery-flagg","tag-propaganda","tag-smut","tag-uncle-sam","tag-virgins-in-cellophane"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>James Montgomery Flagg\u2019s \u201cVirgins in Cellophane\u201d<\/title>\n<meta name=\"description\" content=\"The twentieth century illustrator, born on this day in 1877, published one of the creepiest paeans to chastity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Virgins in Cellophane by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"June 18, 2014 \u2013 James Montgomery Flagg was one of the most famous illustrators of the early twentieth century. His most ubiquitous creation is that iconic World War I\u2013era\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-06-18T23:12:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-06-19T15:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"946\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Virgins in Cellophane\",\"datePublished\":\"2014-06-18T23:12:27+00:00\",\"dateModified\":\"2014-06-19T15:29:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\"},\"wordCount\":429,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\",\"keywords\":[\"birthdays\",\"drawings\",\"illustrators\",\"James Montgomery Flagg\",\"propaganda\",\"smut\",\"Uncle Sam\",\"Virgins in Cellophane\"],\"articleSection\":[\"Weird Book Room\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\",\"name\":\"James Montgomery Flagg\u2019s \u201cVirgins in Cellophane\u201d\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\",\"datePublished\":\"2014-06-18T23:12:27+00:00\",\"dateModified\":\"2014-06-19T15:29:24+00:00\",\"description\":\"The twentieth century illustrator, born on this day in 1877, published one of the creepiest paeans to chastity.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Virgins in Cellophane\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"James Montgomery Flagg\u2019s \u201cVirgins in Cellophane\u201d","description":"The twentieth century illustrator, born on this day in 1877, published one of the creepiest paeans to chastity.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/","og_locale":"en_US","og_type":"article","og_title":"Virgins in Cellophane by Dan Piepenbring","og_description":"June 18, 2014 \u2013 James Montgomery Flagg was one of the most famous illustrators of the early twentieth century. His most ubiquitous creation is that iconic World War I\u2013era","og_url":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2014-06-18T23:12:27+00:00","article_modified_time":"2014-06-19T15:29:24+00:00","og_image":[{"width":750,"height":946,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Virgins in Cellophane","datePublished":"2014-06-18T23:12:27+00:00","dateModified":"2014-06-19T15:29:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/"},"wordCount":429,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg","keywords":["birthdays","drawings","illustrators","James Montgomery Flagg","propaganda","smut","Uncle Sam","Virgins in Cellophane"],"articleSection":["Weird Book Room"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/","url":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/","name":"James Montgomery Flagg\u2019s \u201cVirgins in Cellophane\u201d","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg","datePublished":"2014-06-18T23:12:27+00:00","dateModified":"2014-06-19T15:29:24+00:00","description":"The twentieth century illustrator, born on this day in 1877, published one of the creepiest paeans to chastity.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/06\/cover3.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2014\/06\/18\/virgins-in-cellophane\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Virgins in Cellophane"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/72815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=72815"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/72815\/revisions"}],"predecessor-version":[{"id":72856,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/72815\/revisions\/72856"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=72815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=72815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=72815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}