{"id":71278,"date":"2014-05-14T17:41:03","date_gmt":"2014-05-14T21:41:03","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=71278"},"modified":"2014-05-15T12:28:55","modified_gmt":"2014-05-15T16:28:55","slug":"worry","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/05\/14\/worry\/","title":{"rendered":"Worry"},"content":{"rendered":"
\"image003\"<\/a>

Detail view of works from the exhibition \u201cSophie Calle : Absence,\u201c Paula Cooper Gallery, New York, 2013; photo: Steven Probert; \u00a9 2014 Sophie Calle \/Artists Rights Society (ARS), New York \/ADAGP, Paris. Courtesy of Sophie Calle; Paula Cooper Gallery and Galerie Perrotin<\/p><\/div>\n

Sophie Calle\u2019s \u201cRachel\/Monique\u201d is currently on view at the Church of the Heavenly Rest on upper Fifth Avenue, a ZIP<\/small> code the artist says the eponymous subject\u2014her mother\u2014would have appreciated, \u201cbecause she always loved the Upper East Side.\u201d The show, which wrests with the life and death of the woman most often known as Monique Sindler, is full of things she would have liked. Indeed, she liked being the subject of one of her daughter\u2019s works. As Calle writes,<\/p>\n

\n

My mother liked to be the object of discussion. Her life did not appear in my work, and that annoyed her. When I set up my camera at the foot of the bed in which she lay dying\u2014I wanted to be present to hear her last words, and was afraid that she would pass away in my absence\u2014she exclaimed: \u201cFinally!\u201d<\/p>\n<\/blockquote>\n

The space itself is austerely beautiful, and the show\u2019s installation complements the neo-Gothic confines of the chapel\u2014they\u2019ll continue to hold services for the duration of its run. Madame Sindler\u2019s last words were \u201cDon\u2019t worry,\u201d and that last one\u2014souci<\/em>\u2014is a motif throughout, wrought in a lace hanging, written out in multicolored butterflies on a stone wall, represented by a bouquet\u2014since the word also means \u201cmarigold\u201d in French. The prettiness is disarming, but not necessarily misleading. There is no distinction made between prettiness and toughness, prettiness and the macabre, prettiness and death, even. <\/p>\n

\"image005\"<\/a>

“Les Cils”, 2013; two framed carbon prints; photo: Steven Probert. \u00a9 2014 Sophie Calle \/ Artists Rights Society (ARS), New York \/ADAGP, Paris. Courtesy of Sophie Calle; Paula Cooper Gallery and Galerie Perrotin<\/p><\/div>\n

You sit in a pew and realize that instead of a prayer book, the rack holds the bound volumes of Mme Sindler\u2019s selected diaries. Further into the chapel, audio plays: Kim Cattrall\u2014a favorite of Sindler\u2019s\u2014giving voice to those same words. As is her wont, the artist does not spare herself; we hear her mother speak of her daughter\u2019s \u201cselfish arrogance.\u201d<\/p>\n

Calle shows us her mother\u2019s coffin: filled with things she loved.<\/p>\n

\"image001\"<\/a>

\u201cDead in a good mood\u201d (detail), 2013; digital print and text panel; \u00a9 2014 Sophie Calle \/Artists Rights Society (ARS), New York \/ADAGP, Paris. Courtesy of Sophie Calle; Paula Cooper Gallery and Galerie Perrotin<\/p><\/div>\n

Her white polka-dot dress and her red and black shoes, because that is what she chose to wear for her death.<\/p>\n

Handfuls of sour candies, because she gorged on them.<\/p>\n

Stuffed cows and rubber cows, because she collected cows.<\/p>\n

Volume one of \u00c0 la recherche du temps perdu <\/em>by Proust, in the Pl\u00e9iade edition, because she knew the first page by heart and recited it whenever she got the chance.<\/p>\n

A postcard of Marilyn Monroe with Humphrey Bogart and Lauren Bacall, because Marilyn was her idol.<\/p>\n

A postcard of Ava Gardner, because when people met her for the first time, that is who she claimed to be.<\/p>\n

A Christian Lacroix silk scarf, because she was a coquette.<\/p>\n

A book from the \u201cQue sais-je?\u201d collection on Spinoza and Spinozism, because she began studying the subject a month before she died.<\/p>\n

Mozart\u2019s sonatas for violin and piano K.376, K.377, K.359, and K.360, because, at the end, Mozart was all she listened to.<\/p>\n

A photograph of a sailboat on the Atlantic, because she loved the ocean.<\/p>\n

Marlboro cigarettes and matches, because she smoked a lot.<\/p>\n

Vodka, rum, and whisky, because she loved to drink.<\/p>\n

Paper, a pencil, and an eraser, because she dreamed of writing.<\/p>\n

A MoMA membership card, because of New York.<\/p>\n

Photographs of the love of her life, her friends, her children, her brother, and a few lovers, because she loved them.<\/p>\n

Photographs in which she felt she looked young and beautiful.<\/p>\n

A photograph of a parasol pine, because it was planted at Courtonnes-les-Deux-\u00c9glises the day after her death, and it bears her name.<\/p>\n

A few flowers\u2014soucis <\/em>(marigolds), because souci<\/em> was her last word.<\/p>\n<\/blockquote>\n

\"image004\"<\/a>

\u201cMother (The Graves, #4)\u201d, 1990; black & white photograph; photo: Steven Probert. Courtesy of Sophie Calle; Paula Cooper Gallery and Galerie Perrotin<\/p><\/div>\n

A tribute to her life, and loves, and that peculiar mixture of unselfconscious vanity and unselfconscious seriousness that we Americans so fetishize in French women. And yet, when I asked Calle about it at the show, she said this had not been one of her mother\u2019s explicit wishes\u2014\u201cit was for us, things that reminded us of her\u201d\u2014and not one of the many details she had prescribed for her own funeral. Who is it for, you want to ask\u2014I did ask\u2014the artist or her mother? The living or the dead? But Calle doesn\u2019t appear to concern herself with this sort of abstraction, nor with the nature of femininity, nor motherhood, nor the intersection of vanity and narcissism and art which has made her work such a lightning rod, and so curiously freeing to the viewer. Obviously, when you see the show you wonder about all of it. And you find it beautiful, in some ways you understand and in others you don\u2019t. I asked Calle if she had taken to planning her own death; she has, a bit. You find yourself wanting to.<\/p>\n

Calle says her mother had certain literary ambitions\u2014vague ones. \u201cShe was too lazy to do anything about it,\u201d says her daughter; in her diary, she bemoans the same\u2014indeed, the journal becomes something of a monument to perceived futility. But she is a strikingly good writer. And now, a published writer\u2014on terms that are at least somewhat her own. Similarly, because she died without fulfilling her dream of going to the Arctic, Calle went after her death\u2014carrying in her suitcase her mother\u2019s portrait, Chanel necklace, and diamond ring. It was nothing occult or superstitious. But then, what is superstition?<\/p>\n

When I visited the exhibition, a few days before its formal opening, it was on the same evening that the church opened the chapel up to its parishioners; it was a full house. The minister joked it was the biggest congregation the church had attracted in a long time. Calle, who, prior to the show, had never attended a service,\u00a0apparently spoke from the pulpit. As her mother wrote, \u201cMy God, how brave people are in general and how hard it is for everyone to go on living.\u201d<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Sophie Calle\u2019s \u201cRachel\/Monique\u201d is currently on view at the Church of the Heavenly Rest on upper Fifth Avenue, a ZIP code the artist says the eponymous subject\u2014her mother\u2014would have appreciated, \u201cbecause she always loved the Upper East Side.\u201d The show, which wrests with the life and death of the woman most often known as Monique […]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13115],"tags":[35,13914,2186,13194,13915,13916,13913],"class_list":["post-71278","post","type-post","status-publish","format-standard","hentry","category-our-daily-correspondent","tag-art","tag-church-of-the-heavenly-rest","tag-death","tag-funerals","tag-monique-sindler","tag-openings","tag-sophie-calle"],"acf":[],"yoast_head":"\nThe Object of Discussion<\/title>\n<meta name=\"description\" content=\"Sadie 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